Philippe Guillemain

发表

The way timbre shapes musical preference: a clarinet performance case study

Richard Kronland-Martinet, Mathieu Barthet, Philippe Guillemain, 2011 .

Characterization of Musical Performance Using Physical Sound Synthesis Models

Thierry Voinier, Philippe Guillemain, 2003, CMMR.

Non-destructive detection of defects in manufactured wooden or wood-based objects by generation of vibrations in the wood surface and detection of the resultant signal with a microphone or accelerometers

Henri Baillères, Loïc Brancheriau, Philippe Guillemain, 2001 .

Rib failure detection using time-frequency analysis: a feasibility study

Richard W. Kent, Philippe Guillemain, Catherine Masson, 2008 .

DIGITAL SYNTHESIS MODELS OF CLARINET-LIKE INSTRUMENTS INCLUDING NONLINEAR LOSSES IN THE RESONATOR

Philippe Guillemain, Jonathan Terroir, J. Aiguier, 2006 .

Modeling vibrations response of wooden beams with singularities using mechanical models

Henri Baillères, Mitsuko Aramaki, Loïc Brancheriau, 2000 .

On the Relative Influence of even and odd harmonics in Clarinet Timbre

Richard Kronland-Martinet, Mathieu Barthet, Sølvi Ystad, 2005, ICMC.

Modeling vibrations response of wooden beams with singularities using sound synthesis models

Henri Baillères, Mitsuko Aramaki, Loïc Brancheriau, 2000 .

The Clarinet Timbre as an Attribute of Expressiveness

Richard Kronland-Martinet, Sølvi Ystad, Philippe Guillemain, 2004, CMMR.

Real-time synthesis models of wind instruments based on physical models

Thierry Voinier, Philippe Guillemain, Jean Kergomard, 2003 .

Objective and subjective simulation of note transitions in reed instruments

Philippe Guillemain, Jonathan Terroir, 2005 .

Dynamic Simulation of Note Transitions in Reed Instruments: Application to the Clarinet and the Saxophone

Philippe Guillemain, Jonathan Terroir, 2005, CMMR.

Sound Modeling of Transient and Sustained Musical Sounds

Richard Kronland-Martinet, Sølvi Ystad, Philippe Guillemain, 1999, ICMC.

A Simple Dynamic Tonehole Model for Real-Time synthesis of Clarinet-like Instruments

Philippe Guillemain, Jonathan Terroir, 2005, ICMC.

Estimation of Parameters Corresponding to A Propagative Synthesis Model Through the Analysis of Real Sounds

Richard Kronland-Martinet, Philippe Guillemain, Sølvi Ystad, 1996, ICMC.

An Instrumented Saxophone Mouthpiece and its Use to Understand How an Experienced Musician Plays

Christophe Vergez, Philippe Guillemain, Didier Ferrand, 2010 .

The effect of the size of the opening on the acoustic power radiated by a reed woodwind instrument

Philippe Guillemain, Jean Kergomard, Michael Jousserand, 2015 .

From Piano String Vibrations to the Acoustic Field Radiated by the Soundboard

Mitsuko Aramaki, Philippe Guillemain, Alain Roure, 2001, ICMC.

WHAT WE UNDERSTAND TODAY ON FORMANTS IN SAXOPHONE SOUNDS

Philippe Guillemain, Jean-Pierre Dalmont, Jean Kergomard, 2013 .

Characterization of acoustic signals through continuous linear time-frequency representations

Richard Kronland-Martinet, Philippe Guillemain, R. Kronland-Martinet, 1996, Proc. IEEE.

Diesel knock noise from combustion phenomenon to perceived signals

Philippe Guillemain, Vincent Roussarie, Olivier Sauvage, 2012 .

ACOUSTICS2008/289 Refining mapping strategies to improve the sound quality of physically- controlled synthesis

Marcelo M. Wanderley, Vincent Verfaille, Philippe Guillemain, 2008 .

A Digital Synthesis Model of Double-Reed Wind Instruments

Philippe Guillemain, 2004, EURASIP J. Adv. Signal Process..

Real-time synthesis of clarinet-like instruments using digital impedance models.

Thierry Voinier, Philippe Guillemain, Jean Kergomard, 2005, The Journal of the Acoustical Society of America.

An hybrid audio coder for very low bit rate with two-level psychoacoustic modeling

Richard Kronland-Martinet, Philippe Guillemain, Laurent Daudet, 1999, 1999 IEEE Third Workshop on Multimedia Signal Processing (Cat. No.99TH8451).

Combining Physical Modeling and additive synthesis as a Mapping Strategy for Realtime control

Vincent Verfaille, Philippe Guillemain, 2007, ICMC.

Influence of the reed flow on the intonation of the clarinet

Philippe Guillemain, Jean-Pierre Dalmont, Pierre-André Taillard, 2012 .

Some roles of the vocal tract in clarinet breath attacks: natural sounds analysis and model-based synthesis.

Philippe Guillemain, P. Guillemain, 2007, The Journal of the Acoustical Society of America.

Asymptotic wavelet and Gabor analysis: Extraction of instantaneous frequencies

Richard Kronland-Martinet, Bruno Torrésani, Philippe Guillemain, 1992, IEEE Trans. Inf. Theory.

Natural and Virtual Instruments: Control, Gesture and Player Interaction Preface

Stefan Bilbao, Philippe Guillemain, Murray Campbell, 2010 .

Parameters Estimation for Non-linear Resynthesis Methods with the Help of a Time-Frequency Analysis for Real Sounds

Richard Kronland-Martinet, Philippe Guillemain, Nathalie Delprat, 1990, ICMC.

Additive Resynthesis of Sounds Using Continous Time-Frequency Analysis Techniques

Richard Kronland-Martinet, Philippe Guillemain, 1992, ICMC.

Resynthesis of Piano Strings Vibrations Based on Physical Modeling

Richard Kronland-Martinet, Philippe Guillemain, Laurent Daudet, 1999, ICMC.

Towards Non-Linear Resynthesis of Instrumental Sounds

Richard Kronland-Martinet, Philippe Guillemain, 1993, ICMC.

The logical clarinet: numerical optimization of the geometry of woodwind instruments

Christophe Vergez, Philippe Guillemain, Jean Kergomard, 2012 .

Sound Modeling from the Analysis of Real Sounds

Richard Kronland-Martinet, Philippe Guillemain, R. Kronland-Martinet, 2007 .

Simulation of single reed instruments oscilations based on modal decomposition of bore and reed dynamics

Christophe Vergez, Vincent Debut, Philippe Guillemain, 2007, 0705.2803.

Extraction of Modulation laws of Elastic Shells by the use of the Wavelet Transform.

Richard Kronland-Martinet, Philippe Guillemain, Ginette Saracco, 1991 .

Approximation formulae for the acoustic radiation impedance of a cylindrical pipe

Philippe Guillemain, Jean Kergomard, Andrew N. Norris, 2008, 0811.3625.

Behavior of Reed Woodwind Instruments Around The Oscillation Threshold

Christophe Vergez, Philippe Guillemain, Benjamin Ricaud, 2009 .