L L Cuddy

Perception of structure in short melodic sequences.

D J Mewhort, L L Cuddy, A J Cohen, 1981, Journal of experimental psychology. Human perception and performance.

Octave discrimination: an experimental confirmation of the "stretched" subjective octave.

L L Cuddy, P A Dobbins, 1982, The Journal of the Acoustical Society of America.

Effects of metric and harmonic rhythm on the detection of pitch alterations in melodic sequences.

L L Cuddy, L. Cuddy, K C Smith, 1989, Journal of experimental psychology. Human perception and performance.

Effects of relative phases on pitch and timbre in the piano bass range.

A Askenfelt, L L Cuddy, L. Cuddy, 2001, The Journal of the Acoustical Society of America.

Asymmetry of perceived key movement in chorale sequences: Converging evidence from a probe-tone analysis

W F Thompson, L L Cuddy, L. Cuddy, 1992, Psychological research.

Practice effects in the absolute judgment of pitch.

L L Cuddy, L. Cuddy, 1968, The Journal of the Acoustical Society of America.

Absolute judgment of musically-related pure tones.

L L Cuddy, L. Cuddy, 1971, Canadian journal of psychology.