D. Deutsch

发表

Attention: Some theoretical considerations.

J. Deutsch, D. Deutsch, 1963 .

Speech versus song: multiple pitch-sensitive areas revealed by a naturally occurring musical illusion.

D. Deutsch, A. Tierney, F. Dick, 2013, Cerebral cortex.

Militarized youths in western Côte d’Ivoire: local processes of mobilization, demobilization, and related humanitarian interventions (2002-2007)

J. Deutsch, D. Deutsch, Peter Meusburger, 2011 .

On-line perception of Mandarin Tones 2 and 3: evidence from eye movements.

K. Rayner, D. Deutsch, Jing Shen, 2013, The Journal of the Acoustical Society of America.

Paradoxes of musical pitch.

D. Deutsch, 1992, Scientific American.

Some new pitch paradoxes and their implications.

D. Deutsch, 1992, Philosophical transactions of the Royal Society of London. Series B, Biological sciences.

Music recognition.

D. Deutsch, 1969, Psychological review.

The Psychology of Music

D. Deutsch, David Horowitz, Diana Deutsch, 1983 .

5 – Absolute Pitch

Diana Deutsch, D. Deutsch, 2013 .

Absolute Pitch, Speech, and Tone Language: Some Experiments and a Proposed Framework

D. Deutsch, Trevor Henthorn, M. Dolson, 2004 .

Comments on “Selective Attention: Perception or Response?” Reply

Diana Deutsch, J. A. Deutsch, P. H. Lindsay, 1967 .

Tones and Numbers: Specificity of Interference in Immediate Memory

D. Deutsch, 1970, Science.

Interference in Pitch Memory as a Function of Ear or Input

D. Deutsch, 1978 .

6 – Grouping Mechanisms in Music

D. Deutsch, 2013 .

Auditory memory.

D. Deutsch, 1975, Canadian journal of psychology.

The Tritone Paradox: An Influence of Language on Music Perception

D. Deutsch, 1991 .

Absolute pitch among American and Chinese conservatory students: prevalence differences, and evidence for a speech-related critical period.

D. Deutsch, E. Marvin, Trevor Henthorn, 2006, The Journal of the Acoustical Society of America.

Absolute pitch among students in an American music conservatory: association with tone language fluency.

D. Deutsch, Trevor Henthorn, Kevin Dooley, 2009, The Journal of the Acoustical Society of America.

A Musical Paradox

D. Deutsch, 1986 .

The Tritone Paradox: Its Presence and Form of Distribution in a General Population

D. Deutsch, Y. Fisher, W. Kuyper, 1987 .

The tritone paradox: Effects of spectral variables

D. Deutsch, 1987, Perception & psychophysics.

The Semitone Paradox

D. Deutsch, 1988 .

Speech Patterns Heard Early in Life Influence Later Perception of the Tritone Paradox

D. Deutsch, Trevor Henthorn, M. Dolson, 2004 .

Two-channel listening to musical scales.

D. Deutsch, 1975, The Journal of the Acoustical Society of America.

The Internal Representation of Pitch Sequences in Tonal Music

D. Deutsch, J. Feroe, 1981 .

Absolute pitch is demonstrated in speakers of tone languages

D. Deutsch, Trevor Henthorn, M. Dolson, 1999 .

Absolute pitch correlates with high performance on interval naming tasks.

D. Deutsch, Kevin Dooley, 2011, The Journal of the Acoustical Society of America.

Absolute pitch is associated with a large auditory digit span: a clue to its genesis.

D. Deutsch, Kevin Dooley, 2012, The Journal of the Acoustical Society of America.

Chapter 8 The perception of auditory patterns

D. Deutsch, 1996 .

Music perception.

Diana Deutsch, D. Deutsch, 2007, Frontiers in Bioscience.

The pitch levels of female speech in two Chinese villages.

Diana Deutsch, Jing Shen, Trevor Henthorn, 2009, The Journal of the Acoustical Society of America.

ATTENTION: SOME THEORETICAL CONSIDERATIONS1

J. Deutsch, D. Deutsch, 2005 .

THE ORGANIZATION OF SHORT-TERM MEMORY FOR A SINGLE ACOUSTIC ATTRIBUTE

D. Deutsch, 2004 .

The influence of melodic context on pitch recognition judgment

D Deutsch, D. Deutsch, 1982, Perception & psychophysics.

9 – The Processing of Pitch Combinations

Diana Deutsch, D. Deutsch, 1982 .

Delayed pitch comparisons and the principle of proximity

D Deutsch, D. Deutsch, 1978, Perception & psychophysics.

Memory and Attention in Music

Diana Deutsch, D. Deutsch, 1977 .

Effect of repetition of standard and comparison tones on recognition memory for pitch.

D Deutsch, D. Deutsch, 1972, Journal of experimental psychology.

Reply to “Reconsidering evidence for the suppression model of the octave illusion,” by C. D. Chambers, J. B. Mattingley, and S. A. Moss

D. Deutsch, 2004 .

The glissando illusion and handedness

D. Deutsch, Trevor Henthorn, Kamil G. Hamaoui, 2007, Neuropsychologia.

Psychology and Music

Diana Deutsch, D. Deutsch, 2019, Psychology and its Allied Disciplines.

Octave generalization and melody identification

D Deutsch, D. Deutsch, 1978, Perception & psychophysics.

Priming effects and the Deutsch scale illusion: Comments on “The effects of familiarity and previous training on perception of an ambiguous musical figure,” by Davidson, Power, and Michie

D. Deutsch, 1988, Perception & psychophysics.

Lateralization and sequential relationships in the octave illusion.

D Deutsch, D. Deutsch, 1988, The Journal of the Acoustical Society of America.

The octave illusion revisited again.

D. Deutsch, 2004, Journal of experimental psychology. Human perception and performance.

The effect of overall pitch height on Mandarin tone identification

D. Deutsch, Jing Shen, Jinghong Le, 2013 .

A Regional Difference in Perception of the Tritone Paradox within the United States

Diana Deutsch, D. Deutsch, Frank Ragozzine, 1994 .

A regional difference within the United States in perception of the tritone paradox

D. Deutsch, Frank Ragozzine, 1993 .

An auditory paradox

Diana Deutsch, D. Deutsch, 1986 .

Reply to "Comments on "ear dominance and sequential interactions"' by E. William Yund.

D. Deutsch, 1983, The Journal of the Acoustical Society of America.

Musical Illusions

D. Deutsch, 2007 .

Illusory transformation from speech to song.

D. Deutsch, Trevor Henthorn, Rachael Lapidis, 2011, The Journal of the Acoustical Society of America.

Pitch memory: an advantage for the left-handed.

D. Deutsch, 1978, Science.

Music Perception 3. Grouping of Musical Sounds

D. Deutsch, 2007 .

Handedness and Memory for Tonal Pitch

D. Deutsch, 2004 .

Absolute pitch is correlated with high performance on relative pitch tasks.

D. Deutsch, Kevin Dooley, 2011 .

UNIVERSITY OF CALIFORNIA SAN DIEGO An examination of contextual factors that influence auditory processing in misophonia and absolute pitch A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Experimental Psychology by

D. Deutsch, M. Edelstein, Steven Schick, 2019 .

Ethnicity versus early environment: Comment on ‘Early Childhood Music Education and Predisposition to Absolute Pitch: Teasing Apart Genes and Environment’ by Peter K. Gregersen, Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin [2000]

D. Deutsch, Trevor Henthorn, 2007, American journal of medical genetics. Part A.

Musical illusions created in the laboratory or concert hall provide insight on how the brain regroups auditory inputs.

D. Deutsch, 2010 .

The internal representation of information in the form of hierarchies

D Deutsch, D. Deutsch, 1982, Perception & psychophysics.

The processing of structured and unstructured tonal sequences

D Deutsch, D. Deutsch, 1980, Perception & psychophysics.

Illusory transformation from speech to song.

Diana Deutsch, Trevor Henthorn, D. Deutsch, 2011, The Journal of the Acoustical Society of America.

The Octave Illusion and Auditory Perceptual Integration

Diana Deutsch, D. Deutsch, 1981 .

Ear dominance and sequential interactions.

D. Deutsch, 1980, The Journal of the Acoustical Society of America.

Separate "what" and "where" decision mechanisms in processing a dichotic tonal sequence.

D Deutsch, D. Deutsch, P L Roll, 1976, Journal of Experimental Psychology: Human Perception and Performance.

The Psychology of Music

D. Deutsch, D. Horowitz, Krzysztof Z. Polakowski, 1983 .

LANGUAGE EXPERIENCE INFLUENCES NON-LINGUISTIC PITCH PERCEPTION

Diana Deutsch, 彭刚, Trevor Henthorn, 2013 .

No Disillusions in Auditory Extinction: Perceiving a Melody Comprised of Unperceived Notes

D. Deutsch, R. Knight, L. Deouell, 2007, Frontiers in human neuroscience.

The Tritone Paradox

D. Deutsch, 1997, Musical Illusions and Phantom Words.

THE PARADOX OF PITCH CIRCULARITY

Diana Deutsch, D. Deutsch, 2010 .

Dichotic Listening to Melodic Patterns and Its Relationship to Hemispheric Specialization of Function

Diana Deutsch, D. Deutsch, 1985 .

Binaural Hearing—Before and After the Stethophone

Diana Deutsch, Nicholas J. Wade, D. Deutsch, 2008 .

Signal Processing Managing Acoustic Feedback and More Perceptual Portraits Acoustics Today

D. Deutsch, N. Wade, 2008 .

The octave illusion in relation to handedness and familial handedness background

Diana Deutsch, D. Deutsch, 1983, Neuropsychologia.

Lateralization by frequency for repeating sequences of dichotic 400- and 800-Hz tones.

D Deutsch, D. Deutsch, 1978, The Journal of the Acoustical Society of America.

An auditory illusion

D. Deutsch, DIANA DEUTSCH, 1974, Nature.

Musical Illusions and Phantom Words

D. Deutsch, 2019 .

The speech-to-song illusion.

Diana Deutsch, Trevor Henthorn, D. Deutsch, 2008 .

Grouping Mechanisms in Music

Diana Deutsch, D. Deutsch, 1999 .

Binaural integration of melodic patterns

D Deutsch, D. Deutsch, 1979, Perception & psychophysics.

Pitch circularity from tones comprising full harmonic series.

Diana Deutsch, Trevor Henthorn, Kevin Dooley, 2008, The Journal of the Acoustical Society of America.

THE PROCESSING OF PITCH COMBINATIONS

Diana Deutsch, D. Deutsch, 1999 .

Facilitation by repetition in recognition memory for tonal pitch

D Deutsch, D. Deutsch, 1975, Memory & cognition.

7 – The Processing of Pitch Combinations

Diana Deutsch, D. Deutsch, 2013 .

Organizational Processes in Music

Diana Deutsch, D. Deutsch, 1982 .

The Tritone Paradox: Correlate with the Listener's Vocal Range for Speech

Diana Deutsch, Lee Ray, Tom North, 1990 .

Mothers and their offspring perceive the tritone paradox in closely similar ways

D. Deutsch, 2007 .

Octave Equivalence and the Immediate Recall of Pitch Sequences

Diana Deutsch, Richard C. Boulanger, D. Deutsch, 1984 .

Octave generalization and tune recognition

Diana Deutsch, D. Deutsch, 1972 .

Short-term memory

Chris L. S. Coryn, Michael E. Lusignan, Diana Deutsch, 1975 .

Absolute pitch and tone language - Two new studies

D. Deutsch, Jing Shen, Trevor Henthorn, 2009 .

The Enigma of Absolute Pitch

Diana Deutsch, D. Deutsch, 2006 .

Absolute pitch among students at the Shanghai Conservatory of Music: a large-scale direct-test study.

Diana Deutsch, Jing Shen, Xiaonuo Li, 2013, The Journal of the Acoustical Society of America.

The Tritone Paradox and the Pitch Range of the Speaking Voice: Reply to Repp

D. Deutsch, 1994 .

The Tritone Paradox: Some Further Geographical Correlates

Diana Deutsch, D. Deutsch, 1994 .

Pitch Proximity in the Grouping of Simultaneous Tones

Diana Deutsch, D. Deutsch, 1991 .

from the editor

D. Deutsch, 1991 .

The perceived height of octave-related complexes.

D Deutsch, F. R. Moore, F R Moore, 1986, The Journal of the Acoustical Society of America.

Pitch classes differ with respect to height

F. R. Moore, D. Deutsch, M. Dolson, 1984 .

Octave generalization of specific interference effects in memory for tonal pitch

Diana Deutsch, D. Deutsch, 1973 .

Absolute pitch is disrupted by a memory illusion.

D. Deutsch, Trevor Henthorn, Kevin Dooley, 2021, The Journal of the Acoustical Society of America.

Auditory Illusions, Handedness, and the Spatial Environment

Diana Deutsch, D. Deutsch, 1983 .

Musical illusions and paradoxes

Diana Deutsch, D. Deutsch, 1995 .

Disinhibition in pitch memory

Diana Deutsch, D. Deutsch, J. Feroe, 1975 .

Faster decline of pitch memory over time in congenital amusia

D. Deutsch, T. Griffiths, V. Williamson, 2010, Advances in cognitive psychology.

What Are Musical Paradox and Illusion

D. Deutsch, Ben Carson, 2007 .

THE TRITONE PARADOX AMONG CHINESE CHILDREN AGED 12 AND 13

D. Deutsch, Trevor Henthorn, Shi-Yu Zhou, 2014 .

Interference in memory between tones adjacent in the musical scale.

D Deutsch, D. Deutsch, 1973, Journal of experimental psychology.

The Psychology of Music

D. Deutsch, D. Horowitz, 1983 .

Dislocation of Tones in a Musical Sequence: a Memory Illusion

DIANA DEUTSCH, D. Deutsch, 1970, Nature.

The Psychology of Music

Diana Deutsch, David Horowitz, D. Deutsch, 1983 .

Tone language and absolute pitch: Prevalence among American and Chinese conservatory students

D. Deutsch, E. Marvin, Trevor Henthorn, 2004 .

Generality of Interference by Tonal Stimuli in Recognition Memory for Pitch

D Deutsch, D. Deutsch, 1974, The Quarterly journal of experimental psychology.

The Puzzle of Absolute Pitch

Diana Deutsch, D. Deutsch, 2002 .

Recognition of durations embedded in temporal patterns

D Deutsch, D. Deutsch, 1986, Perception & psychophysics.

Auditory pattern recognition.

Diana Deutsch, D. Deutsch, 1986 .

Threshold Differentiation of Drive and Reward in the Olds Effect

C. I. Howarth, D. Deutsch, J. Deutsch, 1962, Nature.

The generation of two isochronous sequences in parallel

D Deutsch, D. Deutsch, 1983, Perception & psychophysics.

Error patterns in delayed pitch comparison as a function of relational context.

D Deutsch, D. Deutsch, P L Roll, 1974, Journal of experimental psychology.

Mapping of Interactions in the Pitch Memory Store

D Deutsch, D. Deutsch, 1972, Science.

Perceptual grouping of musical sequences: Pitch and timing as competing cues

D. Deutsch, Kamil G. Hamaoui, 2004 .

Pitch circularity produced by varying the amplitudes of odd and even harmonics

D. Deutsch, S. Dubnov, Trevor Henthorn, 2005 .

The glissando illusion: A spatial illusory contour in hearing

D. Deutsch, Trevor Henthorn, Kamil G. Hamaoui, 2005 .

Mothers and their children hear a musical illusion in strikingly similar ways.

Diana Deutsch, D. Deutsch, 1996 .

Auditory memory.

D. Deutsch, 1975, Canadian journal of psychology.

Interactive effects in memory for harmonic intervals

D Deutsch, D. Deutsch, 1978, Perception & psychophysics.