C. Krumhansl

发表

Concerning the applicability of geometric models to similarity data: The interrelationship between similarity and spatial density.

C. Krumhansl, 1978 .

Concerning the Applicability of Geometric Models to Similarity Data : The Interrelationship Between Similarity and Spatial Density

C. Krumhansl, 2005 .

Mental representations for musical meter.

C. Krumhansl, C. Palmer, 1990, Journal of experimental psychology. Human perception and performance.

Measurement, scaling, and psychophysics.

R. Luce, C. Krumhansl, D. Luce, 1988 .

An exploratory study of musical emotions and psychophysiology.

C. Krumhansl, 1997, Canadian journal of experimental psychology = Revue canadienne de psychologie experimentale.

Key distance effects on perceived harmonic structure in music

C. Krumhansl, J. Bharucha, M. A. Castellano, 1982, Perception & psychophysics.

Tonal hierarchies in the music of north India.

C. Krumhansl, J. Bharucha, M. A. Castellano, 1984, Journal of experimental psychology. General.

Music as Cognition.

C. Krumhansl, 1987 .

Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.

C. Krumhansl, E. J. Kessler, 1982, Psychological review.

Tonal Hierarchies and Rare Intervals in Music Cognition

C. Krumhansl, 1990 .

Cognitive Foundations of Musical Pitch

C. Krumhansl, 1990 .

Quantification of the hierarchy of tonal functions within a diatonic context.

R. Shepard, C. Krumhansl, 1979, Journal of experimental psychology. Human perception and performance.

Quantification of the Hierarchy of Tonal Functions Within a Diatonic Context

R. Shepard, C. Krumhansl, 1979 .

Music: A Link Between Cognition and Emotion

C. Krumhansl, 2002 .

Measuring and Modeling Real-Time Responses to Music: The Dynamics of Tonality Induction

C. Krumhansl, P. Toiviainen, 2003, Perception.

Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.

C. Krumhansl, E. J. Kessler, 1982 .

Keynote Presentation

C. Krumhansl, 2004 .

Can Dance Reflect the Structural and Expressive Qualities of Music? A Perceptual Experiment on Balanchine's Choreography of Mozart's Divertimento No. 15

C. Krumhansl, Diana Lynn Schenck, 1997 .

Independent Processing of Visual form and Motion

C. Krumhansl, 1984, Perception.

Compatibility of motion facilitates visuomotor synchronization.

Michael J. Spivey, Michael J Spivey, Michael J. Hove, 2010, Journal of experimental psychology. Human perception and performance.

A Perceptual Analysis of Mozart's Piano Sonata K. 282: Segmentation, Tension, and Musical Ideas

C. Krumhansl, 1996 .

A Theory of Tonal Hierarchies in Music

C. Krumhansl, L. Cuddy, 2010 .

The Cognition of Tonality – as We Know it Today

C. Krumhansl, 2004 .

Rhythm and Pitch in Music

C. Krumhansl, 2000 .

Rhythm and pitch in music cognition.

C. Krumhansl, 2000, Psychological bulletin.

Isolating the dynamic attributes of musical timbre.

C. Krumhansl, P. Iverson, 1993, The Journal of the Acoustical Society of America.

Musical change deafness: The inability to detect change in a non-speech auditory domain

Kat R. Agres, C. Krumhansl, 2008 .

Cross-cultural music cognition: cognitive methodology applied to North Sami yoiks

C. Krumhansl, T. Eerola, P. Toiviainen, 2000, Cognition.

Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioral, and Computational Approaches

C. Krumhansl, T. Eerola, P. Toiviainen, 1999 .

Music Psychology and Music Theory: Problems and Prospects

C. Krumhansl, 1995 .

Tonality Induction: A Statistical Approach Applied Cross-Culturally

C. Krumhansl, 2000 .

Cascading Reminiscence Bumps in Popular Music

Justin A. Zupnick, C. Krumhansl, 2013, Psychological science.

Perceived harmonic structure of chords in three related musical keys.

C. Krumhansl, J. Bharucha, E. J. Kessler, 1982, Journal of experimental psychology. Human perception and performance.

The Perception of Tone Hierarchies and Mirror Forms in Twelve-Tone Serial Music

C. Krumhansl, G. J. Sandell, D. Sergeant, 1987 .

Rhythm and pitch in music cognition.

C. Krumhansl, 2000, Psychological bulletin.

The psychological representation of musical pitch in a tonal context

C. Krumhansl, 1979, Cognitive Psychology.

Memory for musical surface

C. Krumhansl, 1991, Memory & cognition.

Cross-modal interactions in the perception of musical performance

C. Krumhansl, D. Levitin, M. Wanderley, 2006, Cognition.

Listening Niches across a Century of Popular Music

C. Krumhansl, 2017, Front. Psychol..

Musical expectancy: The influence of musical structure on emotional response

Kat R. Agres, C. Krumhansl, 2008 .

Acquisition of the hierarchy of tonal functions in music

F. Keil, C. Krumhansl, C L Krumhansl, 1982, Memory & cognition.

Effect of level of confusability on reporting letters from briefly presented visual displays

Carol L. Krumhansl, Ewart A. C. Thomas, C. Krumhansl, 1977 .

Music psychology:tonal structures in perception and memory.

C. Krumhansl, C L Krumhansl, 1991, Annual review of psychology.

Perceiving Musical Time

Carol L. Krumhansl, Eric Clarke, C. Krumhansl, 1990 .

Independent temporal and pitch structures in determination of musical phrases.

C Palmer, C. Krumhansl, C. Palmer, 1987, Journal of experimental psychology. Human perception and performance.

Plink: "Thin Slices" of Music

Carol L. Krumhansl, C. Krumhansl, 2010 .

Infants’ Perception of Phrase Structure in Music

Carol L. Krumhansl, Peter W. Jusczyk, C. Krumhansl, 1990 .

The Color of Music: Emotion-Mediated Associations to Bach's Well-Tempered Clavier

Erin S. Isbilen, C. Krumhansl, 2016 .

Pitch and rhythmic patterns affecting infants' sensitivity to musical phrase structure.

C. Krumhansl, P. Jusczyk, C L Krumhansl, 1993, Journal of experimental psychology. Human perception and performance.

Extracting identity and location information from briefly presented letter arrays

Ewart A. C. Thomas, C. Krumhansl, 1976 .

Statistics, Structure, and Style in Music

C. Krumhansl, 2015 .

Tonal Cognition

C. Krumhansl, P. Toiviainen, C L Krumhansl, 2001, Annals of the New York Academy of Sciences.

Perception of Pitch and Time in the Structurally Isomorphic Standard Rhythmic and Diatonic Scale Patterns

C. Krumhansl, Olivia Xin Wen, 2019, Music & Science.

Perceiving Tonal Structure in Music : The complex mental activity by which listeners distinguish subtle relations among tones , chords , and keys in Western tonal music offers new territory for cognitive psychology

C. Krumhansl, 2011 .

Evidence that such periodic behavior is ubiquitous comes from studies of tapping to simple acoustic patterns ( Essens

C. Krumhansl, J. Snyder, 2008 .

The Petroushka Chord: A Perceptual Investigation

C. Krumhansl, M. Schmuckler, 1986 .

Cognitive Foundations of Musical Pitch

C. Krumhansl, 1991 .

Part I: Ethology/Evolution—Do Animals Have Music or Something Else?: Introduction

C. Krumhansl, 2005 .

David Wessel (October 6, 1942 - October 13, 2014): Tributes and Remembrances

C. Krumhansl, P. Loui, J. Devaney, 2014 .

Music and psychology.

C. Krumhansl, 1982, Science.

Biology and music. The music of nature.

C. Krumhansl, J. Atema, R. Payne, 2001, Science.

Modeling Tonal Tension

Carol L. Krumhansl, Fred Lerdahl, C. Krumhansl, 2007 .

Tapping to Ragtime: Cues to Pulse Finding

Carol L. Krumhansl, Joel S. Snyder, C. Krumhansl, 2001 .

The representation of harmonic structure in music: Hierarchies of stability as a function of context

C. Krumhansl, J. Bharucha, 1983, Cognition.

Perceiving Tonal Structure in Music.

Carol L. Krumhansl, C. Krumhansl, 1985 .

Sensorimotor synchronization with chords containing tone-onset asynchronies

Peter E Keller, Michael J. Hove, Michael J Hove, 2007, Perception & psychophysics.

Mental Models and Musical Minds

C. Krumhansl, R. Zatorre, 2002, Science.

Internal representations for music perception and performance.

C. Krumhansl, 1992 .

Psychophysiology of Musical Emotions

Carol Krumhansl, C. Krumhansl, 1997, ICMC.

Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance

Marcelo M. Wanderley, Carol L. Krumhansl, Daniel J. Levitin, 2011, Cognition.

Sequential search processes in long-term memory

R. Atkinson, C. Krumhansl, R. Mohs, 1976, Memory & cognition.

Perceptual interactions between musical pitch and timbre.

P Iverson, C. Krumhansl, P. Iverson, 1992, Journal of experimental psychology. Human perception and performance.

Real-Time Responses to Stravinsky’s Symphonies of Wind Instruments: Perception of Internal Repetition and Musical Interest

C. Krumhansl, Olivia Xin Wen, 2017 .

Ethnicity effects in relative pitch

Michael J. Hove, C. Krumhansl, M. Hove, 2010, Psychonomic bulletin & review.

Experimental Strategies for Understanding the Role of Experience in Music Cognition

Carol L Krumhansl, C. Krumhansl, 2003, Annals of the New York Academy of Sciences.

Perceptual Structures for Tonal Music

Carol L. Krumhansl, C. Krumhansl, 1983 .

A Neurodynamic Account of Musical Tonality

Edward W. Large, Carol L. Krumhansl, Jamshed J. Bharucha, 2016 .

The Music of Nature and the Nature of Music

Carol L. Krumhansl, Jelle Atema, C. Krumhansl, 2001, Science.

Shifting Listening Niches: Effects of the COVID-19 Pandemic

C. Krumhansl, Emily Rose Hurwitz, 2021, Frontiers in Psychology.

What does seeing the performer add? It depends on musical style, amount of stage behavior, and audience expertise

C. Krumhansl, Jennifer Huang, 2011 .

An Experimental Study of Internal Interval Standards in Javanese and Western Musicians

C. Krumhansl, Marcus Perlman, 1996 .

Effects of Perceptual Organization and Musical Form on Melodic Expectancies

Carol Krumhansl, C. Krumhansl, 1996, Joint International Conference on Cognitive and Systematic Musicology.

The role of melodic and temporal cues in perceiving musical meter.

Tuomas Eerola, Carol L Krumhansl, Joel S Snyder, 2004, Journal of experimental psychology. Human perception and performance.

Density versus feature weights as predictors of visual identifications: comment on Appelman and Mayzner.

C. Krumhansl, C L Krumhansl, 1982, Journal of experimental psychology. General.

Roundtable I: Dissecting the Perceptual Components of Music

C. Krumhansl, 2003, Annals of the New York Academy of Sciences.

Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey?

Marcelo M. Wanderley, Carol Krumhansl, Daniel J. Levitin, 2003, Gesture Workshop.

Topic in Music: An Empirical Study of Memorability, Openness, and Emotion in Mozart's String Quintet in C Major and Beethoven's String Quartet in A Minor

Carol L. Krumhansl, C. Krumhansl, 1998 .

The geometry of musical structure: a brief introduction and history

Carol Krumhansl, C. Krumhansl, 2005, CIE.

Melodic structure: Theoretical and empirical descriptions

Carol L. Krumhansl, C. Krumhansl, 1991 .

Dynamic processes in music perception

C. Krumhansl, C L Krumhansl, M A Castellano, 1983, Memory & cognition.

Pitch and timbre interaction in isolated tones and in sequences

C. Krumhansl, P. Iverson, 1989 .

Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarity

C Palmer, C. Krumhansl, C. Palmer, 1987, Perception & psychophysics.