G. Giannachi

发表

Art Maps--Mapping the Multiple Meanings of Place.

Rebecca Sinker, G. Giannachi, Laura Carletti, 2013 .

Representing, Performing and Mitigating Climate Change in Contemporary Art Practice

G. Giannachi, 2012, Leonardo.

Virtual Theatres: An Introduction

Gabriella Giannachi, G. Giannachi, 2004 .

Digital humanities and crowdsourcing: an exploration

G. Giannachi, Laura Carletti, S. Benford, 2013 .

The Politics of New Media Theatre: Life®™

Gabriella Giannachi, G. Giannachi, 2006 .

outputs ArtMaps : interpreting the spatial footprints of artworks Conference Item

Rebecca Sinker, G. Giannachi, Laura Carletti, 2017 .

ArtMaps: A Technology for Looking at Tate’s Collection

Rebecca Sinker, G. Giannachi, Laura Carletti, 2017, Leonardo.

Creative Assemblages: Organisation and Outputs of Practice-Led Research

William W. Gaver, G. Giannachi, A. Wilkie, 2010, Leonardo: Journal of the International Society for the Arts, Sciences and Technology.

Documenting mixed reality performance: the case of CloudPad

Duncan Rowland, Steve Benford, Gabriella Giannachi, 2012, Digit. Creativity.

The Making of Empty Stages by Tim Etchells and Hugo Glendinning

G. Giannachi, 2011 .

Blast Theory's Rider Spoke, its Documentation and the Making of its Replay Archive

G. Giannachi, S. Benford, A. Chamberlain, 2010 .

Performing Nature: Explorations in Ecology and the Arts.

Gabriella Giannachi, G. Giannachi, Nigel Stewart, 2005 .

The Cartography Project: Towards a Relational Form of Documentation, the Case of Participatory Art Practices in Museums and Art Galleries

Rebecca Sinker, G. Giannachi, S. Benford, 2019, Digital Cultural Heritage.

’ s repository of research publications and other research outputs ArtMaps : A Technology for Looking at Tate ’ s Collection Journal Item

Rebecca Sinker, G. Giannachi, Laura Carletti, 2018 .

The Ethical Implications of HCI's Turn to the Cultural

Steve Benford, Bernd Carsten Stahl, Chris Greenhalgh, 2015, TCHI.

"Act natural": instructions, compliance and accountability in ambulatory experiences

Steve Benford, Peter Tolmie, Gabriella Giannachi, 2012, CHI.

Creating the spectacle: Designing interactional trajectories through spectator interfaces

Steve Benford, Chris Greenhalgh, Gabriella Giannachi, 2011, TCHI.

Archaeologies of Presence

Gabriella Giannachi, Nick Kaye, Michael Shanks, 2012 .

At the edge of the ‘living present’

G. Giannachi, 2017 .

Art-mapping smart-cities: accessing art collections outside the museum

Rebecca Sinker, G. Giannachi, Cristina Locatelli, 2014 .

A conversation between trees: what data feels like in the forest

Steve Benford, Gabriella Giannachi, Michael Golembewski, 2013, CHI.

Uncomfortable user experience

Joe Marshall, Brendan Walker, Steve Benford, 2013, CACM.

Archaeologies of presence : art, performance and the persistence of being

Gabriella Giannachi, Nick Kaye, Michael Shanks, 2012 .

A Magic Leap in Tourism: Intended and Realized Experience of Head-Mounted Augmented Reality in a Museum Context

G. Giannachi, S. Vine, D. Harris, 2022, Journal of Travel Research.

Performing Mixed Reality

Steve Benford, Gabriella Giannachi, G. Giannachi, 2011 .

Performance-Led Research in the Wild

Stefan Rennick Egglestone, Joe Marshall, Brendan Walker, 2013, TCHI.

Structures for knowledge co-creation between organisations and the public: (cop2014)

Stefan Schutt, Elizabeth Gerber, Gabriella Giannachi, 2014, CSCW Companion.

Uncomfortable interactions

Joe Marshall, Brendan Walker, Steve Benford, 2012, CHI.

Afterword The intention of the artist and the point of view of the audience

G. Giannachi, 2017 .

Temporal trajectories in shared interactive narratives

Steve Benford, Gabriella Giannachi, G. Giannachi, 2008, CHI.

Moving Spaces Enacting Dance, Performance, and the Digital in the Museum

G. Giannachi, S. Franco, 2021 .

Documenting digital art: the role of the audience

G. Giannachi, 2019 .

From interaction to trajectories: designing coherent journeys through user experiences

Steve Benford, Tom Rodden, Gabriella Giannachi, 2009, CHI.

Acts of Presence: Performance, Mediation, Virtual Reality

Gabriella Giannachi, Nick Kaye, G. Giannachi, 2011, TDR/The Drama Review.

Temporal Convergence in Shared Networked Narratives: The Case of Blast Theory's Day of the Figurines

G. Giannachi, S. Benford, 2009, Leonardo.

Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices

G. Giannachi, J. Westerman, 2017 .

Staging the Post-Avant-Garde: Italian Experimental Performance after 1970

G. Giannachi, Nick Kaye, 2002 .