J. Cutting

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Units of speech perception: Phoneme and syllable

A. Healy, J. Cutting, 1976 .

Recognizing friends by their walk: Gait perception without familiarity cues

J. Cutting, L. Kozlowski, 1977 .

Temporal and spatial factors in gait perception that influence gender recognition

J. Cutting, L. Kozlowski, C. Barclay, 1978, Perception & psychophysics.

Recognizing the sex of a walker from a dynamic point-light display

J. Cutting, L. Kozlowski, 1977 .

Six tenets for event perception

J. Cutting, 1981, Cognition.

Three gradients and the perception of flat and curved surfaces.

J. Cutting, R. Millard, 1984, Journal of experimental psychology. General.

Recognizing the gender of walkers from point-lights mounted on ankles: Some second thoughts

J. Cutting, L. Kozlowski, 1978 .

How We Avoid Collisions With Stationary and Moving Obstacles

Paul A. Braren, J. Cutting, P. Vishton, 2004 .

Visual activity in Hollywood film: 1935 to 2005 and beyond.

Kaitlin L. Brunick, J. Cutting, Jordan DeLong, 2011 .

The Reality of Illusion: An Ecological Approach to Cognitive Film Theory

J. Cutting, 1999 .

Generation of Synthetic Male and Female Walkers through Manipulation of a Biomechanical Invariant

J. Cutting, 1978, Perception.

Three Gradients and the Perception of Flat and Curved Surfaces

J. Cutting, R. Millard, 1984 .

Representing Motion in a Static Image: Constraints and Parallels in Art, Science, and Popular Culture

J. Cutting, 2002, Perception.

Walking, looking to the side, and taking curved paths

R. Wang, J. Cutting, W. Readinger, 2002, Perception & psychophysics.

The minimum principle and the perception of absolute, common, and relative motions

J. Cutting, D. Proffitt, 1982, Cognitive Psychology.

Infant sensitivity to figural coherence in biomechanical motions.

B. Bertenthal, J. Cutting, D. Proffitt, 1984, Journal of experimental child psychology.

Wayfinding on foot from information in retinal, not optical, flow.

Paul A. Braren, Scott H. Johnson, J. Cutting, 1992, Journal of experimental psychology. General.

Coding Theory Adapted to Gait Perception

J. Cutting, 1981 .

Quicker, faster, darker: Changes in Hollywood film over 75 years

Kaitlin L. Brunick, J. Cutting, Jordan DeLong, 2011, i-Perception.

The Framing of Characters in Popular Movies

J. Cutting, 2015 .

The evolution of pace in popular movies

J. Cutting, 2016, Cognitive research: principles and implications.

Shot Durations, Shot Classes, and the Increased Pace of Popular Movies

J. Cutting, Ayse Candan, 2015 .

Facial expression, size, and clutter: Inferences from movie structure to emotion judgments and back

Kacie L. Armstrong, J. Cutting, 2016, Attention, Perception, & Psychophysics.

Categories and boundaries in speech and music*

B. Rosner, J. Cutting, 1974 .

Fractal curves and complexity

J. Cutting, J. J. Garvin, Jeffrey J. Garvin, 1987, Perception & psychophysics.

Auditory and linguistic processes in speech perception: inferences from six fusions in dichotic listening.

J. Cutting, 1976, Psychological review.

The Role of Speech in Language.

J. Cutting, J. Kavanagh, 1979 .

Perception of temporal order in vowel sequences with and without formant transitions.

J. Cutting, M. Dorman, L. Raphael, 1975 .

Gait Perception as an Example of How We May Perceive Events

J. Cutting, D. Proffitt, 1981 .

Attention and the Evolution of Hollywood Film

J. Cutting, Jordan DeLong, Christine Nothelfer, 2010, Psychological science.

Selectivity, scope, and simplicity of models: a lesson from fitting judgments of perceived depth.

J. Cutting, C. Moore, N. Bruno, 1992, Journal of experimental psychology. General.

Perception of wheel-generated motions.

J. Cutting, D. Proffitt, D. Stier, 1979, Journal of experimental psychology. Human perception and performance.

An introduction to experimental methods for language researchers

J. Cutting, R. Becker, M. Gonzalez-Marquez, 2007 .

Ear Advantage for Stops and Liquids in Initial and Final Position

J. Cutting, 1973 .

Two left-hemisphere mechanisms in speech perception

James E. Cutting, J. Cutting, 1974 .

Perception with an eye for motion

James E. Cutting, J. Cutting, 1986 .

The shape and psychophysics of cinematic space

James E. Cutting, J. Cutting, 1986 .

Comparing effects of the horizontal-vertical illusion on grip scaling and judgment: relative versus absolute, not perception versus action.

J E Cutting, P M Vishton, J. Cutting, 1999, Journal of experimental psychology. Human perception and performance.

Narrative theory and the dynamics of popular movies

J. Cutting, 2016, Psychonomic bulletin & review.

Two Ecological Perspectives: Gibson vs. Shaw and Turvey

J. Cutting, 1982 .

Affine distortions of pictorial space: some predictions for Goldstein (1987) that La Gournerie (1859) might have made.

J E Cutting, J. Cutting, 1988, Journal of experimental psychology. Human perception and performance.

Mapping Narrative Space in Hollywood Film

Kaitlin L. Brunick, J. Cutting, Catalina Iricinschi, 2013 .

HIGH-PERFORMANCE COMPUTING AND HUMAN VISION I

Albert Yonas, James E. Cutting, A. Yonas, 1997 .

Perception and information.

J E Cutting, J. Cutting, 1987, Annual review of psychology.

Why our stimuli look as they do.

James E. Cutting, J. Cutting, 1991 .

Rigidity in Cinema Seen From the Front Row, Side Aisle

James E. Cutting, J. Cutting, 1987 .

Human heading judgments and object-based motion information

Ranxiao Frances Wang, Bernard Baumberger, Michelangelo Flückiger, 1999, Vision Research.

Where we Go With a Little Good Information

Ranxiao Frances Wang, James E. Cutting, R. Wang, 1999 .

How light and motion bathe the silver screen.

J. Cutting, 2014 .

Event segmentation and seven types of narrative discontinuity in popular movies.

J. Cutting, 2014, Acta psychologica.

A Window on Reality

Daniel T. Levin, Tim J. Smith, James E. Cutting, 2012 .

How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film

Kaitlin L. Brunick, J. Cutting, Jordan DeLong, 2011 .

An introductionto experimentalmethods for languageresearchers

J. Cutting, R. Becker, M. Gonzalez-Marquez, 2007 .

Coding Theory Adapted to Gait Perception

J. Cutting, 1981 .

Plucks and bows are categorically perceived, sometimes

J E Cutting, J. Cutting, 1982, Perception & psychophysics.

Processing two dimensions of nonspeech stimuli: the auditory-phonetic distinction reconsidered.

R. S. Day, J. Cutting, M. Blechner, 1976, Journal of experimental psychology. Human perception and performance.

Gunnar Johansson, Events, and Biological Motion

J. Cutting, 2012 .

HIGH-PERFORMANCE COMPUTING AND HUMAN VISION I Chaired by Albert Yonas , University of Minnesota How the eye measures reality and virtual reality

J. Cutting, James E. Cutting, 2002 .

Perceiving Layout and Knowing Distances

James E. Cutting, Peter M. Vishton, J. Cutting, 1995 .

Three Filmmaking Practices That Guide Our Attention to Popular Cinema

J. Cutting, 2021, Art & Perception.

On the physical variables filmmakers use to engage viewers.

Kacie L. Armstrong, J. Cutting, 2022, Psychology of Aesthetics, Creativity, and the Arts.

Large-scale narrative events in popular cinema

Kacie L. Armstrong, J. Cutting, 2019, Cognitive research: principles and implications.

Events, Movies, and Aging

Kacie L. Armstrong, J. Cutting, 2017 .

Chapter 4 – Information from the World around Us

James E. Cutting, J. Cutting, 1998 .

A program to generate synthetic walkers as dynamic point-light displays

James E. Cutting, J. Cutting, 1978 .

Simplicity, Complexity, and Narration in Popular Movies

J. Cutting, 2019, Narrative Complexity.

The End of Art?

J. Cutting, 2009 .

Re-Presentations of Space in Hollywood Movies: An Event-Indexing Analysis

James Cutting, Catalina Iricinschi, J. Cutting, 2015, Cogn. Sci..

Criteria for basic tastes and other sensory primaries

J. Cutting, 2008 .

Temporal fractals in movies and mind

James E. Cutting, Jordan E. DeLong, Kaitlin L. Brunick, 2018, Cognitive Research: Principles and Implications.

Chapter 3 – Perceiving Layout and Knowing Distances: The Integration, Relative Potency, and Contextual Use of Different Information about Depth*

James E. Cutting, Peter M. Vishton, J. Cutting, 1995 .

RSVP at the movies: dynamic images are remembered better than static images when resources are limited

J. Cutting, Jordan DeLong, Ayse Candan, 2015 .

Masking the motions of human gait

J E Cutting, C Moore, R Morrison, 1988, Perception & psychophysics.

Rhythms of Research

J. Cutting, 2007, Psychology Science.

On the Growth of Psychological Science

J. Cutting, 2007 .

Categorical perception of nonspeech sounds by 2-month-old infants

Linda B. Smith, Burton S. Rosner, James E. Cutting, 1977 .

The evolution of pace in popular movies

J. Cutting, 2016, Cognitive research: principles and implications.

Narrative theory and the dynamics of popular movies

J. Cutting, 2016, Psychonomic bulletin & review.

The Changing Poetics of the Dissolve in Hollywood Film

James E. Cutting, Jordan E. DeLong, Kaitlin L. Brunick, 2011 .

Chapter 6 – Pictures and Their Special Status in Perceptual and Cognitive Inquiry

James E. Cutting, Manfredo Massironi, J. Cutting, 1998 .

Perceiving motion while moving: how pairwise nominal invariants make optical flow cohere.

Wilson O Readinger, James E Cutting, J. Cutting, 2002, Journal of experimental psychology. Human perception and performance.

Heading judgments in minimal environments: The value of a heuristic when invariants are rare

J E Cutting, R F Wang, R. Wang, 2000, Perception & psychophysics.

Images, Imagination, and Movement: Pictorial Representations and Their Development in the Work of James Gibson

J. Cutting, 2000, Perception.

HIGH-PERFORMANCE COMPUTING AND HUMAN VISION I

James E. Cutting, J. Cutting, 2002 .

Four assumptions about invariance in perception.

J E Cutting, J. Cutting, 1983, Journal of experimental psychology. Human perception and performance.

Perceiving the centroid of configurations on a rolling wheel

J E Cutting, D R Proffitt, J. Cutting, 1979, Perception & psychophysics.

Coloring the Animated World : Exploring Human Color Perception and Preference through the Animated Film

James E. Cutting, Kaitlin L. Brunick, J. Cutting, 2013 .

J. Cutting, 2019, Attention, perception & psychophysics.

Gustave Caillebotte, French Impressionism, and mere exposure

James E. Cutting, J. Cutting, 2003, Psychonomic bulletin & review.

A biomechanical invariant for gait perception.

J E Cutting, D R Proffitt, L T Kozlowski, 1978, Journal of experimental psychology. Human perception and performance.

Perception, as you make it

Karl J. Friston, Daniel C. Richardson, David W. Vinson, 2016, Behavioral and Brain Sciences.

Perceptual Categories for Musiclike Sounds: Implications for Theories of Speech Perception

J E Cutting, C. F. Foard, B. Rosner, 1976, The Quarterly journal of experimental psychology.

Discrimination functions predicted from categories in speech and music

Burton S. Rosner, James E. Cutting, B. Rosner, 1976 .

Perception of temporal order in vowel sequences with and without formant transitions.

M F Dorman, J E Cutting, L J Raphael, 1974, Journal of experimental psychology. Human perception and performance.

Orienting Tasks Affect Recall Performance More Than Subjective Impressions of Ability to Recall

J. Cutting, 1975 .

Gaze-eccentricity effects on road position and steering.

Astros Chatziastros, Wilson O Readinger, Douglas W Cunningham, 2002, Journal of experimental psychology. Applied.

HIGH-PERFORMANCE COMPUTING AND HUMAN VISION I Chaired by Albert Yonas , University of Minnesota How the eye measures reality and virtual reality

J. Cutting, Albert Yonas, 2002 .

Cross-series adaptation using song and string

Robert E. Remez, James E. Cutting, Michael Studdert-Kennedy, 1980, Perception & psychophysics.

Discrimination of intensity differences carried on formant transitions varying in extent and duration

J. Cutting, M. Dorman, 1976 .

Four Ways to Reject Directed Perception

James E. Cutting, J. Cutting, 1991 .

Wayfinding, displacements, and mental maps: velocity fields are not typically used to determine one's aimpoint.

J E Cutting, Peter M. Vishton, P M Vishton, 1995, Journal of experimental psychology. Human perception and performance.

Different speech-processing mechanisms can be reflected in the results of discrimination and dichotic listening tasks

J. Cutting, 1974 .

Aspects of phonological fusion.

J E Cutting, J. Cutting, 1975, Journal of experimental psychology. Human perception and performance.

Compensation is unnecessary for the perception of faces in slanted pictures

T A Busey, N P Brady, J E Cutting, 1990, Perception & psychophysics.

Perceptual Artifacts and Phenomena: Gibson's Role in the 20th Century

James E. Cutting, J. Cutting, 1993 .

Category boundaries for linguistic and nonlinguistic dimensions of the same stimuli

James E. Cutting, J. Sawusch, D. Pisoni, 1974 .

Blowing in the wind: Perceiving structure in trees and bushes

James E. Cutting, J. Cutting, 1982, Cognition.

Perceiving the centroid of curvilinearly bounded rolling shapes

J E Cutting, D R Proffitt, J. Cutting, 1980, Perception & psychophysics.

An Invariant for Wheel-Generated Motions and the Logic of its Determination

James E Cutting, J. Cutting, Dennis R Proffïtt, 1980, Perception.

Perceiving the geometry of age in a human face

J E Cutting, J. Cutting, 1978, Perception & psychophysics.

How we avoid collisions with stationary and moving objects.

James E. Cutting, Peter M. Vishton, Paul A. Braren, 1995 .

Low-Level Features of Film: What They Are and Why We Would Be Lost Without Them

James E. Cutting, Jordan E. DeLong, Kaitlin L. Brunick, 2013 .

Eye movements and an object-based model of heading perception

Ranxiao Frances Wang, James E. Cutting, R. Wang, 2004 .

Ohl* Itlatiorphip of Speeclito Language

J. Cutting, J. Kavanagh, 2007 .

Asymmetries for Ameslan handshapes and other forms in signers and nonsigners

J. Cutting, Susan Virostek, 1979, Perception & psychophysics.

Cryptic Emotions and the Emergence of a Metatheory of Mind in Popular Filmmaking

James E. Cutting, Kacie L. Armstrong, J. Cutting, 2018, Cogn. Sci..

Wayfinding from multiple sources of local information in retinal flow.

James E. Cutting, J. Cutting, 1996 .

Heading and path information from retinal flow in naturalistic environments

J E Cutting, Peter M. Vishton, P M Vishton, 1997, Perception & psychophysics.

On cross ratios and motion perception: A reply to Niall

J. Cutting, 1987 .

Perceiving event dynamics and parsing Hollywood films.

Ayse Candan, James E Cutting, Kaitlin L. Brunick, 2012, Journal of experimental psychology. Human perception and performance.

On Shot Lengths and Film Acts: A Revised View

Kaitlin L. Brunick, J. Cutting, Jordan DeLong, 2012 .

Viewer Comprehension and Temporal Shifts in Hollywood Film

Kacie L. Armstrong, J. Cutting, E. Forster, 2016 .

Journal of Experimental Psychology : Human Perception and Performance Perceiving Event Dynamics and Parsing Hollywood Films

Kaitlin L. Brunick, J. Cutting, Ayse Candan, 2012 .

Hearing with the Third Ear: Dichotic Perception of a Melody without Monaural Familiarity Cues

Michael Kubovy, James E. Cutting, M. Kubovy, 1974, Science.

Perceiving Scenes in Film and in the World

James E. Cutting, J. Cutting, Joseph D. Anderson, 2001 .

Drivers steer in their direction of gaze

Heinrich H. Bülthoff, Douglas W. Cunningham, Astros Chatziastros, 2004 .

Replies to Commentators on Movies on Our Minds

J. Cutting, 2023, Projections.

The Mere Exposure Effect and Aesthetic Preference

J. Cutting, 2020 .

Minimodularity and the perception of layout.

J. Cutting, N. Bruno, J. Cutting, 1988, Journal of experimental psychology. General.

Attention and the Evolution of Hollywood Film on Behalf Of: Association for Psychological Science Rial Mate Ntal Leme Supp

J. Cutting, Jordan DeLong, Christine Nothelfer, 2010 .

A Probabilistic Model for Recovering Camera Translation

Ranxiao Frances Wang, James E. Cutting, R. Wang, 1999, Comput. Vis. Image Underst..

Attention and the Evolution of Hollywood Film

J. Cutting, Jordan DeLong, Christine Nothelfer, 2010, Psychological science.

Visual flow and direction of locomotion.

D. Regan, J. Cutting, Charles C. Torrey, 1985, Science.

How the eye measures reality and virtual reality

J. Cutting, 1997 .