G. Earl

发表

DE / CONSTRUCTION SITES: ROMANS AND THE DIGITAL PLAYGROUND

G. Earl, 2007 .

A manufactured past: virtual reality in archaeology

G. Earl, G. Goodrick, 2004 .

Modeling in Archaeology: Computer Graphic and other Digital Pasts

G. Earl, 2013, Perspectives on Science.

Archaeology in the Digital Era Volume II e-Papers from the 40th Conference on Computer Applications and Quantitative Methods in Archaeology

G. Earl, Patricia Murrieta-Flores, T. Sly, 2014 .

New applications of photogrammetry and reflectance transformation imaging to an Easter Island statue

Hembo Pagi, James Miles, Graeme Earl, 2014, Antiquity.

Reconstruction of Ruined Archaeological Structures Using Structural Analysis Methods

Graeme Earl, Simon Keay, James Miles, 2011 .

Polynomial texture mapping for archaeologists

Graeme Earl, Thomas A Goskar, G. Earl, 2010 .

The Belgammel Ram, a Hellenistic‐Roman Bronze Proembolion Found off the Coast of Libya: test analysis of function, date and metallurgy, with a digital reference archive

R. B. Pearce, Jonathan Adams, G. Earl, 2013 .

Quick and dirty: streamlined 3D scanning in archaeology

Kenton O'Hara, Mark T. Marshall, Shahram Izadi, 2014, CSCW.

The Camera “at the Trowel’s Edge”: Personal Video Recording in Archaeological Research

G. Earl, Rosamund Davies, Angeliki Chrysanthi, 2015, Journal of Archaeological Method and Theory.

Formal and informal analysis of rendered space: the Basilica Portuense

Hembo Pagi, Graeme Earl, Simon Keay, 2013 .

Interim report on an enigmatic new Trajanic building at Portus

G. Earl, S. Keay, S. Kay, 2012, Journal of Roman Archaeology.

Formal three-dimensional computational analyses of archaeological spaces

Graeme Earl, Constantinos Papadopoulos, G. Earl, 2012 .

Virtual relighting of a Roman statue head from Herculaneum: a case study

Jassim Happa, Kurt Debattista, Alan Chalmers, 2009, AFRIGRAPH '09.

Three-dimensional visibility analysis of architectural spaces: iconography and visibility of the wall paintings of Xeste 3 (Late Bronze Age Akrotiri)

David Wheatley, Graeme Earl, Eleftheria Paliou, 2011 .

The Camera “at the Trowel’s Edge”: Personal Video Recording in Archaeological Research

Rosamund Davies, Graeme Earl, Jarrod Knibbe, 2015, Journal of Archaeological Method and Theory.

Connecting the dots: an introduction to critical approaches in archaeological network analysis

Leif Isaksen, Graeme Earl, Tom Brughmans, 2012 .

HOA HAKANANAI'A: A NEW STUDY OF AN EASTER ISLAND STATUE IN THE BRITISH MUSEUM

Hembo Pagi, James Miles, Graeme Earl, 2014, The Antiquaries Journal.

This is For Everyone ? Steps towards decolonizing the Web

S. Halford, L. Carr, G. Earl, 2015 .

Archaeological applications of polynomial texture mapping: analysis, conservation and representation

Kirk Martinez, Graeme Earl, Tom Malzbender, 2010 .

Reflectance Transformation Imaging Systems for Ancient Documentary Artefacts

Hembo Pagi, Kirk Martinez, Eleni Kotoula, 2011, EVA.

HMS Stirling Castle, Kent: the Stirling Castle Wood Recording Project: a pilot study to compare traditional and innovative recording techniques for waterlogged wood: archaeological conservation report

Graeme Earl, A Karsten, G. Earl, 2010 .

Understanding Inter-settlement Visibility in Iron Age and Roman Southern Spain with Exponential Random Graph Models for Visibility Networks

Graeme Earl, Simon Keay, Tom Brughmans, 2015 .

Underwater reflectance transformation imaging: a technology for in situ underwater cultural heritage object-level recording

Fraser Sturt, Kirk Martinez, James Miles, 2017, J. Electronic Imaging.

Structural and lighting models for the Minoan cemetery at Phourni, crete

Graeme Earl, Constantinos Papadopoulos, G. Earl, 2009, VAST'09.

Curriculum innovation: living and working on the web

Lisa Harris, Cristina Costa, Graeme Earl, 2013 .

Principles and Practices of Robust, Photography-based Digital Imaging Techniques for Museums

Szymon Rusinkiewicz, Hembo Pagi, Kirk Martinez, 2010, VAST.

Spatial Narratives in Museums and Online: The Birth of the Digital Object Itinerary

Stuart Dunn, Graeme Earl, Anna Foka, 2019, Museums and Digital Culture.

Introducing exponential random graph models for visibility networks

Graeme Earl, Simon Keay, Tom Brughmans, 2014 .

Experiencing lustre: polynomial texture mapping of medieval pottery at the Fitzwilliam Museum

Graeme Earl, G. Earl, Rebecca Bridgman, 2012 .

Polynomial texture mapping and related imaging technologies for the recording, analysis and presentation of archaeological materials

Hembo Pagi, Kirk Martinez, Graeme Earl, 2010 .

The role of integrated geophysical survey methods in the assessment of archaeological landscapes: the case of Portus

Jessica Ogden, Graeme Earl, Simon Keay, 2009 .

Virtual reconstruction and the interpretative process: a case-study from Avebury

David Wheatley, Graeme Earl, G. Earl, 2002 .

Computational Approaches to Archaeological Spaces

G. Earl, S. Keay, Gareth Beale, 2013 .

Archaeology: Computer Graphic and other Digital Pasts

Graeme Earl, G. Earl, 2013 .

The use of computed tomography for the study of archaeological coins

Richard P. Boardman, David A. Hinton, James Miles, 2016 .

A dwelling place in bits

David Wheatley, Graeme Earl, Paul J Cripps, 2006 .

Interoperate with whom? Archaeology, formality and the semantic web

Leif Isaksen, Nicholas Gibbins, Kirk Martinez, 2011 .