Anne Bartsch

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Self-transcendent Media Experiences: Taking Meaningful Media to a Higher Level

Arthur A. Raney, Katherine R. Dale, Sophie H. Janicke-Bowles, 2018 .

Appreciation as Audience Response: Exploring Entertainment Gratifications beyond Hedonism.

M. Oliver, Anne Bartsch, 2010 .

Entertainment and Politics Revisited: How Non-Escapist Forms of Entertainment Can Stimulate Political Interest and Information Seeking

Frank M. Schneider, Anne Bartsch, F. Schneider, 2014 .

When meaning matters more: Media preferences across the adult life span.

Anne Bartsch, Marie-Louise Mares, J. Bonus, 2016, Psychology and aging.

Personalized charity advertising. Can personalized prosocial messages promote empathy, attitude change, and helping intentions toward stigmatized social groups?

Anne Bartsch, Andrea Kloß, 2018, International Journal of Advertising.

Appraisal of Emotions in Media Use: Toward a Process Model of Meta-Emotion and Emotion Regulation

P. Vorderer, Anne Bartsch, Roland Mangold, 2008 .

A PPRECIATION OF E NTERTAINMENT Appreciation of Entertainment : The Importance of Meaningfulness via Virtue and Wisdom

Mary Beth Oliver, Anne Bartsch, Penn State, 2014 .

Predicting Emotions and Metaemotions at the Movies

Markus Appel, Anne Bartsch, D. Storch, 2009 .

Meta-Emotion: in search of a meta-account for entertainment by negative emotions

Anne Bartsch, R. Viehoff, 2003 .

Appreciation of meaningful entertainment experiences and eudaimonic well-being

Mary Beth Oliver, Anne Bartsch, M. Oliver, 2016 .

Making Sense of Entertainment

Mary Beth Oliver, Anne Bartsch, M. Oliver, 2011, J. Media Psychol. Theor. Methods Appl..

Development and validation of a measure of popular media fan identity and its relationship to well-being.

Karen E. Dill-Shackleford, Anne Bartsch, C. Plante, 2019, Psychology of Popular Media Culture.

Reflective thoughts about violent media content – development of a bilingual self-report scale in English and German

M. Oliver, Anne Bartsch, Marie-Louise Mares, 2020, Media Psychology.

Emotional Gratification in Entertainment Experience . Why Viewers of Movies and TV Series Find it Rewarding to

Anne Bartsch, Roland Mangold, R. Viehoff, 2014 .

Shaping film: A quantitative formal analysis of contemporary empathy-eliciting Hollywood cinema.

Anne Bartsch, E. Konijn, K. Bálint, 2020, Psychology of Aesthetics, Creativity, and the Arts.

Stopping the Stigma. How Empathy and Reflectiveness Can Help Reduce Mental Health Stigma

Anne Bartsch, Andrea Kloß, Marlene Hecht, 2021, Media Psychology.

Inspired by the Paralympics: Effects of Empathy on Audience Interest in Para-Sports and on the Destigmatization of Persons With Disabilities

Mary Beth Oliver, Sebastian Scherr, Anne Bartsch, 2018, Commun. Res..

The Role of Cognitive and Affective Challenge in Entertainment Experience

Tilo Hartmann, Anne Bartsch, T. Hartmann, 2017, Commun. Res..

More Than Shoot-Em-Up and Torture Porn: Reflective Appropriation and Meaning-Making of Violent Media Content

Marie-Louise Mares, Sebastian Scherr, Anne Bartsch, 2016 .

Synergy effects of entertainment and information programs about organ donation on issue involvement and altruistic responses

Anne Bartsch, Lukas Angerer, 2021, Studies in Communication and Media.

As Time Goes By: What Changes and What Remains the Same in Entertainment Experience Over the Life Span?

Anne Bartsch, 2012 .

Making Sense of Violence: Perceived Meaningfulness as a Predictor of Audience Interest in Violent Media Content

Marie-Louise Mares, Anne Bartsch, Anne Bartsch, 2014 .

Moved to Think

Mary Beth Oliver, Anja Kalch, Anne Bartsch, 2014, J. Media Psychol. Theor. Methods Appl..

Emotional Gratification in Entertainment Experience. Why Viewers of Movies and Television Series Find it Rewarding to Experience Emotions

Anne Bartsch, Anne Bartsch, 2012 .

The Use of Media Entertainment and Emotional Gratification

Anne Bartsch, R. Viehoff, 2010 .

Emotional gratifications during media use – An integrative approach

Peter Vorderer, Roland Mangold, Anne Bartsch, 2006 .

The digital transformation of knowledge order: a model for the analysis of the epistemic crisis

Anne Bartsch, C. Reinemann, Romy Fröhlich, 2023, Annals of the International Communication Association.

Predicting Emotions and Meta-Emotions at the Movies: The Role of the Need for Affect in Audiences’ Experience of Horror and Drama

Markus Appel, Anne Bartsch, Dennis Storch, 2010, Commun. Res..

Using Open-Source Tools to Measure Online Selective Exposure in Naturalistic Settings

Dominik J. Leiner, Sebastian Scherr, Anne Bartsch, 2016 .

Parents, Television, and Children’s Emotional Expressions: A Cross-Cultural Multilevel Model

Anne Bartsch, Marie-Louise Mares, S. Scherr, 2018, Journal of Cross-Cultural Psychology.

On the relevance of parents and TV as socializers of 6–19 year-olds’ expressions of emotion: representative data from Germany

Anne Bartsch, Marie-Louise Mares, S. Scherr, 2018 .

Eudaimonia as Media Effect

Arthur A. Raney, M. Oliver, Anne Bartsch, 2019, Media Effects.

Towards a Theory of Emotional Communication

Anne Bartsch, Susanne Hübner, 2005 .

Appreciation of Entertainment

Mary Beth Oliver, Anne Bartsch, M. Oliver, 2011, J. Media Psychol. Theor. Methods Appl..

Model of Inspiring Media

Arthur A. Raney, Katherine R. Dale, Sophie H. Janicke-Bowles, 2021, J. Media Psychol. Theor. Methods Appl..