Andrew Geeves

发表

Applying Intelligence to the Reflexes: Embodied Skills and Habits between Dreyfus and Descartes

John Sutton, Andrew Geeves, Doris McIlwain, 2011 .

Embodied cognition, perception, and performance in music

J. Sutton, Andrew Geeves, 2015 .

Seeing yellow: ‘Connection’ and routine in professional musicians’ experience of music performance

J. Sutton, Doris McIlwain, Andrew Geeves, 2016 .

Expanding expertise : investigating a musician’s experience of music performance

John Sutton, Andrew Geeves, Doris McIlwain, 2010 .

Critical review of Chaffin, Imreh, and Crawford, Practicing Perfection: memory and piano performance.

W. Christensen, J. Sutton, Doris McIlwain, 2008 .

Who enjoys listening to violent music and why?

Kirk N. Olsen, W. Thompson, Andrew Geeves, 2019, Psychology of Popular Media Culture.

The interpersonal development of an embodied sense of agency.

Doris McIlwain, Andrew Geeves, Catherine Deans, 2015 .

To Think or Not To Think: The apparent paradox of expert skill in music performance

W. Christensen, J. Sutton, Doris McIlwain, 2014 .

The performative pleasure of imprecision: a diachronic study of entrainment in music performance

J. Sutton, Doris McIlwain, Andrew Geeves, 2014, Front. Hum. Neurosci..

Between the crowd and the band: Performance experience, creative practice, and wellbeing for professional touring musicians

J. Sutton, Andrew Geeves, J. Davidson, 2020, International Journal of Wellbeing.

Fullness of feeling : reflection, rumination, depression and the specificity of autobiographical memories

Alan J. Taylor, Doris McIlwain, Andrew Geeves, 2010 .