B H Repp

发表

Detectability of words and nonwords in two kinds of noise.

B H Repp, R Frost, R. Frost, 1988, The Journal of the Acoustical Society of America.

The effect of tempo on pedal timing in piano performance

B H Repp, 1997, Psychological research.

Perceptual integration of acoustic cues for stop, fricative, and affricate manner.

B H Repp, A M Liberman, T Eccardt, 1978, Journal of experimental psychology. Human perception and performance.

Relational invariance of expressive microstructure across global tempo changes in music performance: An exploratory study

B H Repp, B. Repp, 1994, Psychological research.

Coarticulation in sequences of two nonhomorganic stop consonants: perceptual and acoustic evidence.

B H Repp, B. Repp, 1983, The Journal of the Acoustical Society of America.

A microcosm of musical expression. III. Contributions of timing and dynamics to the aesthetic impression of pianists' performances of the initial measures of Chopin's Etude in E major.

B H Repp, 1999, The Journal of the Acoustical Society of America.

Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists.

B H Repp, B. Repp, 1988, The Journal of the Acoustical Society of America.

Compensation for subliminal timing perturbations in perceptual-motor synchronization

B H Repp, B. Repp, 2000, Psychological research.

Influence of Vocalic Context on Perception of the [j [s] Distinction: Ii. Spectral Factors

B H Repp, V. Mann, B. Repp, 2022 .

Acoustics, perception, and production of legato articulation on a computer-controlled grand piano.

B H Repp, B. Repp, 1997, The Journal of the Acoustical Society of America.

Expressive timing in Schumann's "Träumerei:" an analysis of performances by graduate student pianists.

B H Repp, B. Repp, 1995, The Journal of the Acoustical Society of America.

Relative Amplitude of Aspiration Noise as a Voicing Cue for Syllable-Initial Stop Consonants

B H Repp, B. Repp, 1979, Language and speech.

Perception of intervocalic stop consonants: the contributions of closure duration and formant transitions.

B H Repp, V C Tartter, B. Repp, 1983, The Journal of the Acoustical Society of America.

Dichotic forward and backward "masking" between CV syllables.

B H Repp, 1975, The Journal of the Acoustical Society of America.

Categories and context in the perception of isolated steady-state vowels.

B H Repp, B. Repp, R. G. Crowder, 1979, Journal of experimental psychology. Human perception and performance.

Processes underlying adaptation to tempo changes in sensorimotor synchronization.

B H Repp, B. Repp, 2001, Human movement science.

Context independence and phonetic mediation in categorical perception.

B H Repp, B. Repp, A. Healy, 1982, Journal of experimental psychology. Human perception and performance.

Detecting deviations from metronomic timing in music: Effects of perceptual structure on the mental timekeeper

B H Repp, B. Repp, 1999, Perception & psychophysics.

Against a role of “chirp” identification in duplex perception

B H Repp, B. Repp, 1984, Perception & psychophysics.

Variations on a theme by chopin: relations between perception and production of timing in music.

B H Repp, B. Repp, 1998, Journal of experimental psychology. Human perception and performance.

Perceptual restoration of a “missing” speech sound: Auditory induction or illusion?

B H Repp, B. Repp, 1992, Perception & psychophysics.

Effects of preceding context on discrimination of voice onset times

B H Repp, B. Repp, H. B. Lin, 1989, Perception & psychophysics.

A microcosm of musical expression: II. Quantitative analysis of pianists' dynamics in the initial measures of Chopin's Etude in E major.

B H Repp, B. Repp, 1999, The Journal of the Acoustical Society of America.

Duplex perception: Confirmation of fusion

B H Repp, B. Repp, J. Ashkenas, 1983, Perception & psychophysics.

Perception of the [m]-[n] distinction in VC syllables.

B H Repp, B. Repp, K Svastikula, 1988, The Journal of the Acoustical Society of America.

On the possible role of auditory short-term adaptation in perception of the prevocalic [m]-[n] contrast.

B H Repp, B. Repp, 1987, The Journal of the Acoustical Society of America.

Phase correction, phase resetting, and phase shifts after subliminal timing perturbations in sensorimotor synchronization.

B H Repp, B. Repp, 2001, Journal of experimental psychology. Human perception and performance.

Some empirical observations on sound level properties of recorded piano tones.

B H Repp, B. Repp, 1993, The Journal of the Acoustical Society of America.

Measuring laterality effects in dichotic listening.

B H Repp, B. Repp, 1977, The Journal of the Acoustical Society of America.

Acoustics, perception, and production of legato articulation on a digital piano.

B H Repp, B. Repp, 1995, The Journal of the Acoustical Society of America.

The dynamics of expressive piano performance: Schumann's "Träumerei" revisited.

B H Repp, B. Repp, 1996, Journal of the Acoustical Society of America.

Detectability of duration and intensity increments in melody tones: A partial connection between music perception and performance

B H Repp, B. Repp, 1995, Perception & psychophysics.

Acoustic properties and perception of stop consonant release transients.

B H Repp, B. Repp, H. B. Lin, 1989, The Journal of the Acoustical Society of America.

Two strategies in fricative discrimination

B H Repp, B. Repp, Bruno H. Repp, 1981, Perception & psychophysics.