Gerhard Eckel

发表

SONIFICATION AS AN INTERDISCIPLINARY WORKING PROCESS

A. de Campo, C. Frauenberger, Katharina Vogt, 2006 .

On the Traceability of the Compositional Process

Eduardo Miranda, Gerhard Eckel, Hanns Holger Rutz, 2010 .

Time–Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous Masking

Bernhard Laback, Péter Balázs, Gerhard Eckel, 2010, IEEE Transactions on Audio, Speech, and Language Processing.

Physical Modelling Enabling Enaction: an Example

Gerhard Eckel, David Pirrò, 2011, NIME.

The Perception of Audio Signals Reduced by Overmasking to the Most Prominent Spectral Amplitudes (Peaks)

Gerhard Eckel, Anton Noll, Werner A. Deutsch, 1992 .

The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator

Gerhard Eckel, Manuel Rocha Iturbide, 1995, ICMC.

New Development of Teaching Concepts in Multimedia Learning for Electrical Power Systems Introducing Sonification

Ernst Schmautzer, Lothar Fickert, Georg Achleitner, 2006 .

A Signal Editor for the IRCAM Musical Workstation

Gerhard Eckel, 1990, ICMC.

Musically Salient Control Abstractions for Sound Synthesis

Gerhard Eckel, Ramon Gonzales-Arroyo, 1994, ICMC.

Quantum Harmonic Oscillator Sonification

Anna Saranti, Gerhard Eckel, David Pirrò, 2009, CMMR/ICAD.

MOTION-ENABLED LIVE ELECTRONICS

Gerhard Eckel, David Pirr, Gerriet K. Sharma, 2009 .

On Artistic Research in the Context of the Project Embodied Generative Music

Gerhard Eckel, David Pirrò, G. Eckel, 2009, ICMC.

Virtual Spaces - VR Projection System Technologies and Applications

Henrik Tramberend, Vali Lalioti, Frank Hasenbrink, 1997, Eurographics.

Immersive audio-augmented environments: the LISTEN project

Gerhard Eckel, G. Eckel, 2001, Proceedings Fifth International Conference on Information Visualisation.

Providing Ground-Truth Data for the Nao Robot Platform

Alexander Ferrein, Tim Niemüller, Gerald Steinbauer, 2010, RoboCup.

Reproducibility and random access in sound synthesis

Eduardo Reck Miranda, Gerhard Eckel, Hanns Holger Rutz, 2011, ICMC.

Benches and Caves

Wolfgang Heiden, Frank Hasenbrink, Gerhard Eckel, 1998 .

Acoustic modelling as a strategy for composing site-specific music

Ludvig Elblaus, Gerhard Eckel, 2020, Audio Mostly Conference.

StiffNeck: The Electroacoustic Music Performance Venue in a Box

Gerhard Eckel, Martin Rumori, 2014, ICMC.

Generalized Diphone Control

Xavier Rodet, Philippe Depalle, Gerhard Eckel, 1993, ICMC.

On the Use of Computer Systems in Contemporary Music

Gerhard Eckel, Barbara Becker, 1996, ICMC.

Live coding: an Overview

Gerhard Eckel, Johannes Zmölnig, 2007, ICMC.

Analysing Time Series Data

Christopher Frauenberger, Gerhard Eckel, Alberto de Campo, 2007 .

A Sun-Mercury Music Workstation

Xavier Rodet, Yves Potard, Gerhard Eckel, 1987, ICMC.

Zum Verhältnis von Kunst und Technologie - dargestellt am Beispiel der zeitgenössischen Musik

Gerhard Eckel, Barbara Becker, 1994, GI Jahrestagung.

Sonic interaction design: sound, information and experience

Davide Rocchesso, Stefania Serafin, Patrick Susini, 2008, CHI Extended Abstracts.

PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy

Robert Höldrich, Katharina Vogt, Gerhard Eckel, 2009, CMMR/ICAD.

Kinetic Sound Sculptures: Stele and Viola Spezzata

Gerhard Eckel, 1999, ICMC.

Keywords Sound Design, Auditory Display, Multimodal Interaction, Product Design, Interactive Arts and Music, Sound Perception and Cognition, Sound Modelling

Davide Rocchesso, Stefania Serafin, Patrick Susini, 2008 .

Guided exploration in virtual environments

Steffi Beckhaus, Thomas Strothotte, Gerhard Eckel, 2001, IS&T/SPIE Electronic Imaging.

Dynamic Patches: Implementation and Control in the SUN-Mercury Workstation

Xavier Rodet, Gerhard Eckel, 1988, ICMC.

Immersive Telepresence in Responsive Virtual Environments

Björn Zehner, Gerhard Eckel, Jeremy Eccles, 1998 .

A Framework for the Choreography of sound

Gerhard Eckel, Martin Rumori, David Pirrò, 2012, ICMC.

utruchirp: an impulse response measurement and auralisation tool developed for artistic practice

Ludvig Elblaus, Gerhard Eckel, 2020, Audio Mostly Conference.

Applications of the Cyberstage Spatial Sound Server

Gerhard Eckel, 1999 .

Physiosonic - movement sonification as auditory feedback

Robert Höldrich, Katharina Vogt, Gerhard Eckel, 2009 .

On Creating Virtual Reality Stories And Interactive Experiences

Henrik Tramberend, Stephen Barrass, Frank Hasenbrink, 2000 .

New Sonification Tools for EEG Data Screening and Monitoring

Gerhard Eckel, Alberto de Campo, Robert Hoeldrich, 2007 .

A spatial auditory display for the cyberstage

Gerhard Eckel, 1998 .

Camera Musica: Virtual Architecture as Medium for the Exploration of Music

Gerhard Eckel, 1996, ICMC.

Sonification of Spin Models. Listening to Phase Transitions in the Ising and Potts Model.

Christopher Frauenberger, Katharina Vogt, A. de Campo, 2007 .

An Introduction to Sonification and its Application to Theoretical Physics

Katharina Vogt, Gerhard Eckel, Alberto de Campo, 2007 .

ExViz: A Virtual Exhibition Design Environment

Steffi Beckhaus, Gerhard Eckel, 2001 .

Bodily expression in electronic music : perspectives on reclaiming performativity

Gerhard Eckel, Deniz Peters, Andreas Dorschel, 2012 .

High molecular diversity of extraterrestrial organic matter in Murchison meteorite revealed 40 years after its fall

Gerhard Eckel, Philippe Schmitt-Kopplin, Agnes Fekete, 2010, Proceedings of the National Academy of Sciences.

Immersive Audio-Augmented Environments

Gerhard Eckel, 2001 .