H. Morphy

发表

The 'Myths' of Ngalakan History: Ideology and Images of the Past in Northern Australia

H. Morphy, F. Morphy, 1984 .

Elite Art for Cultural Elites: Adding Value to Indigenous Arts

H. Morphy, 2000 .

The Practice of an Expert: Anthropology in Native Title

Howard Morphy, H. Morphy, 2006 .

The anthropology of art : a reader

H. Morphy, Morgan Perkins, 2006 .

Religion in Aboriginal Australia: An Anthology

D. Bell, H. Morphy, K. Maddock, 1984 .

AESTHETICS IN A CROSS-CULTURAL PERSPECTIVE: SOME REFLECTIONS ON NATIVE AMERICAN BASKETRY

H. Morphy, 2011 .

Locating ‘mind’ (and ‘soul’) cross-culturally

H. Morphy, F. Morphy, 2020, Meaning, Life and Culture: In conversation with Anna Wierzbicka.

13. Locating ‘mind’ (and ‘soul’) cross-culturally

H. Morphy, F. Morphy, 2020 .

Sites of Persuasion: Yingapungapu at the National Museum of Australia

H. Morphy, 2020, Museum Frictions.

Extended lives in global spaces: the anthropology of Yolngu pre‐burial ceremonies⋆

H. Morphy, 2016 .

Ancestral Connections: Art and an Aboriginal System of Knowledge

H. Morphy, 1991 .

Anthropological Theory and Government Policy in Australia's Northern Territory: The Hegemony of the "Mainstream"

H. Morphy, F. Morphy, 2013 .

Kinship and Gender

F. Dussart, H. Morphy, Alexander Hamilton, 2000 .

Indigenous Australia enduring civilisation : The BP exhibition

H. Morphy, Lissant Bolton, Maria Nugent, 2015 .

Tasting the Waters

H. Morphy, F. Morphy, 2006 .

'My dear Spencer' : the letters of F.J. Gillen to Baldwin Spencer

A. Petch, H. Morphy, D. Mulvaney, 1997 .

Animals into Art

H. Morphy, 1990 .

Choosing Among Alternatives: Cultural Transformations & Social Change in Aboriginal Australia & French Jura 1

R. Layton, H. Morphy, 2010 .

Rethinking Visual Anthropology

Marcus Banks, Howard Morphy, H. Morphy, 1997 .

Basketmakers: Meaning and Form in Native American Baskets

H. Morphy, Penelope Z. Dransart, L. Mowat, 1992 .

Re-reading Ronald Berndt: Exploring the Depths of his Yolngu Ethnography

H. Morphy, 2009 .

From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu

H. Morphy, 1989 .

Toponyms from 3000 years ago? Implications for the history and structure of the Yolŋu social formation in north‐east Arnhem Land

H. Morphy, F. Morphy, P. Faulkner, 2020 .

Encoding the Dreaming -A theoretical framework for the analysis of representational processes in Australian Aboriginal art

H. Morphy, 1999 .

Art from the land : dialogues with the Kluge-Ruhe Collection of Australian Aboriginal art

H. Morphy, M. S. Boles, 1999 .

What Circles Look Like

H. Morphy, 1980 .

Style and Meaning: Abelam Art through Yolngu Eyes: The 1998 "Anthony Forge Lecture"

H. Morphy, 2005, RES: Anthropology and Aesthetics.

Style and Meaning: Abelam Art through Yolngu Eyes

H. Morphy, 2005 .

John Anthony Waldo Forge 1929-1991

H. Morphy, 1992 .

The Resurrection of the Hydra: Twenty-five Years of Research on Aboriginal Religion

H. Morphy, 1988 .

Forum: Malinowski: Odyssey of an Anthropologist: not a review in the struict sense of the term

H. Morphy, 2005 .

Art as a Mode of Action

H. Morphy, 2009 .

Thwarted aspirations: The political economy of a Yolngu outstation, 1972 to the present

H. Morphy, F. Morphy, 2018 .

Soon we will be spending all our time at funerals: Yolngu mortuary rituals in an epoch of constant change

H. Morphy, F. Morphy, 2012 .

Indigenous Art as Economy

H. Morphy, 2005 .

Rights m Paintings and Rights in Women: A Consideration of some of the Basic Problems Posed by the Asymmetry of the ‘Murngin System’

H. Morphy, 2010 .

Art as Action, Art as Evidence

H. Morphy, 2010 .

Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective

H. Morphy, 2012 .

Acting in a community: Art and social cohesion in Indigenous Australia

H. Morphy, 2009 .

Museums, Infinity and the Culture of Protocols

H. Morphy, 2019 .

Relative Autonomy, Sociocultural Trajectories and the Emergence of Something New

H. Morphy, F. Morphy, 2017 .

Relative autonomy revisited: Reply to Francesca Merlan

H. Morphy, F. Morphy, 2013 .

Seeing Aboriginal art in the gallery

H. Morphy, 2009 .

The Anthropology of Art: A Reflection on its History and Contemporary Practice

H. Morphy, Morgan Perkins, 2006 .

Mutual Conversion? The Methodist Church and the Yolgnu, with particular reference to Yirrkala

H. Morphy, 2006 .

Reading Spencer and Gillen

H. Morphy, 2012 .

Australian Aboriginal Concepts of Time

H. Morphy, 1999 .

Encounters at the National Museum of Australia: a moment in an ongoing process of engagement

H. Morphy, 2017 .

Becoming Art: Exploring Cross-Cultural Categories

H. Morphy, 2007 .

Museums, Societies and the Creation of Value

H. Morphy, R. McKenzie, 2021 .

The Blue Mud Bay case: Refractions through saltwater country

H. Morphy, F. Morphy, 2009 .

‘A Filmmaker Fond of Anthropology’: Ian Dunlop (1927–2021)

H. Morphy, 2022, Oceania.

The Displaced Local: Multiple Agency in the Building of Museums’ Ethnographic Collections

H. Morphy, 2015 .

THE AESTHETICS OF COMMUNICATION AND THE COMMUNICATION OF CULTURAL AESTHETICS: A PERSPECTIVE ON IAN DUNLOP'S FILMS OF ABORIGINAL AUSTRALIA

H. Morphy, 2005 .

The interpretation of ritual: reflections from film on anthropological practice

H. Morphy, 1994 .

Art as Action: The Yolngu

H. Morphy, 2013 .

Moving the body painting into the art gallery — knowing about and appreciating works of Aboriginal art

H. Morphy, 2011 .

In place (out of time) contemporary art in Australia

D. Elliott, H. Morphy, R. Coates, 1997 .

Making the Familiar Unfamiliar: The Aesthetics of Eastern Arnhem Land Art

H. Morphy, 2007 .

MYTH, TOTEMISM AND THE CREATION OF CLANS

H. Morphy, 1990 .

Aboriginal Religions in Australia: An Anthology of Recent Writings

F. Dussart, H. Morphy, 2005 .