P. Larrouy-Maestri

发表

Vocal Features of Song and Speech: Insights from Schoenberg's Pierrot Lunaire

J. Merrill, P. Larrouy-Maestri, 2017, Front. Psychol..

Listening to birdsong reveals basic features of rate perception and aesthetic judgements

D. Poeppel, Tina Roeske, P. Larrouy-Maestri, 2020, Proceedings of the Royal Society B.

The benefit of musical and linguistic expertise on language acquisition in sung material

R. Kolinsky, J. Leybaert, P. Larrouy-Maestri, 2013 .

The mistuning perception test: A new measurement instrument

Peter M. C. Harrison, Daniel Müllensiefen, P. Larrouy-Maestri, 2019, Behavior Research Methods.

The effects of stress on singing voice accuracy.

D. Morsomme, P. Larrouy-Maestri, 2014, Journal of voice : official journal of the Voice Foundation.

Layman versus Professional Musician: Who Makes the Better Judge?

D. Magis, D. Morsomme, P. Larrouy-Maestri, 2015, PloS one.

Pitch Perception in Music: Do Scoops Matter?

Peter Q. Pfordresher, P. Pfordresher, P. Larrouy-Maestri, 2018, Journal of experimental psychology. Human perception and performance.

Human Perception and Performance Pitch Perception in Music : Do Scoops Matter ?

Peter Q. Pfordresher, P. Pfordresher, P. Larrouy-Maestri, 2018 .

The Dùndún Drum Helps Us Understand How We Process Speech and Music

Tina Roeske, Melanie Wald-Fuhrmann, P. Larrouy-Maestri, 2022, Frontiers for Young Minds.

The evaluation of singing voice accuracy: Are we good judges even if we are not musicians?

D. Morsomme, P. Larrouy-Maestri, Virginie Roig-Sanchis, 2013 .

How do we perceive vocal pitch accuracy during singing

Peter Q. Pfordresher, P. Pfordresher, P. Larrouy-Maestri, 2014 .

Gibbs Sampling with People

Peter M C Harrison, Pol van Rijn, O. Tchernichovski, 2020, NeurIPS.

Singing ability is rooted in vocal-motor control of pitch

I. Peretz, Sean Hutchins, P. Larrouy-Maestri, 2014, Attention, perception & psychophysics.

Effects of melody and technique on acoustical and musical features of western operatic singing voices.

Dominique Morsomme, David Magis, Pauline Larrouy-Maestri, 2014, Journal of voice : official journal of the Voice Foundation.

Criteria and tools for objectively analysing the vocal accuracy of a popular song

Dominique Morsomme, Pauline Larrouy-Maestri, D. Morsomme, 2014, Logopedics, phoniatrics, vocology.

Segmenting and Predicting Musical Phrase Structure Exploits Neural Gain Modulation and Phase Precession

D. Poeppel, Xiangbin Teng, P. Larrouy-Maestri, 2021, bioRxiv.

Impact of Performance Anxiety on the Accuracy of the Singing Voice Among Music Students

D. Morsomme, P. Larrouy-Maestri, Céline Clijsters, 2012 .

The Effect of Smoking on the Fundamental Frequency of the Speaking Voice.

D. Morsomme, P. Larrouy-Maestri, Marie Reine Ayoub, 2019, Journal of voice : official journal of the Voice Foundation.

The paradoxical role of emotional intensity in the perception of vocal affect

D. Poeppel, P. Larrouy-Maestri, N. Holz, 2021, Scientific Reports.

Are You Your Own Best Judge? On the Self-Evaluation of Singing.

D. Poeppel, P. Larrouy-Maestri, Xinyue Wang, 2021, Journal of Voice.

Modelling individual and cross-cultural variation in the mapping of emotions to speech prosody

P. Larrouy-Maestri, Pol van Rijn, 2023, Nature Human Behaviour.

The Variably Intense Vocalizations of Affect and Emotion Corpus (VIVAE)

D. Poeppel, P. Larrouy-Maestri, N. Holz, 2020 .

The ACM Multimedia 2022 Computational Paralinguistics Challenge: Vocalisations, Stuttering, Activity, & Mosquitoes

Stephen J. Roberts, M. Pateraki, Björn Schuller, 2022, ACM Multimedia.

The variably intense vocalizations of affect and emotion (VIVAE) corpus prompts new perspective on nonspeech perception.

D. Poeppel, P. Larrouy-Maestri, N. Holz, 2022, Emotion.

On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?

Peter Q. Pfordresher, P. Pfordresher, P. Larrouy-Maestri, 2015, Front. Hum. Neurosci..

Perception of Nigerian Dùndún Talking Drum Performances as Speech-Like vs. Music-Like: The Role of Familiarity and Acoustic Cues

Tina Roeske, Melanie Wald-Fuhrmann, P. Larrouy-Maestri, 2021, Frontiers in Psychology.

The evaluation of singing voice accuracy: a comparison between subjective and objective methods.

Antoine Giovanni, Dominique Morsomme, Daniele Schön, 2013, Journal of voice : official journal of the Voice Foundation.

Exploring emotional prototypes in a high dimensional TTS latent space pdf

Peter M C Harrison, Peter M. C. Harrison, Dominik Schiller, 2021, Interspeech.

The evaluation of singing voice accuracy: a comparison between subjective and objective methods.

D. Schön, A. Giovanni, Y. Lévêque, 2013, Journal of voice : official journal of the Voice Foundation.

The Sound of Emotional Prosody: Nearly 3 Decades of Research and Future Directions.

M. Pell, P. Larrouy-Maestri, David Poeppel, 2024, Perspectives on psychological science : a journal of the Association for Psychological Science.

Lay Listeners Can Evaluate the Pitch Accuracy of Operatic Voices

D. Poeppel, D. Magis, D. Morsomme, 2017 .

The Evaluation of Vocal Pitch Accuracy

Dominique Morsomme, David Magis, Pauline Larrouy-Maestri, 2014 .

Effects of melody and technique on acoustical and musical features of western operatic singing voices.

D. Magis, D. Morsomme, P. Larrouy-Maestri, 2014, Journal of voice : official journal of the Voice Foundation.

“I know it when I hear it”

P. Larrouy-Maestri, 2018 .

Perception of melodic accuracy in occasional singers: role of pitch fluctuations?

Peter Q. Pfordresher, P. Larrouy-Maestri, 2014 .

How do music experts and non-experts evaluate the vocal accuracy of operatic singing voices?

D. Morsomme, P. Larrouy-Maestri, M. Nowak, 2013 .

Globally, songs and instrumental melodies are slower and higher and use more stable pitches than speech: A Registered Report

Patrick E. Savage, Peter Q. Pfordresher, P. M. Sadaphal, 2024, Science advances.