D. Biltereyst

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Cinema, audiences and modernity: an introduction

D. Biltereyst, R. Maltby, P. Meers, 2012 .

Searching for Health: Doctor Google and the Shifting Dynamics of the Middle-Aged and Older Adult Patient–Physician Relationship and Interaction

M. Huisman, Stijn Joye, D. Biltereyst, 2019, Journal of aging and health.

Public Service Broadcasting, Popular Entertainment and the Construction of Trust

Daniël Biltereyst, D. Biltereyst, Daniel Biltereyst, 2004 .

Structured Film-Viewing Preferences and Practices: A Quantitative Analysis of Hierarchies in Screen and Content Selection Among Young People in Flanders

D. Biltereyst, P. Meers, Aleit Veenstra, 2020, Springer Series in Media Industries.

(Un)covering Poland between PR and presidency: a quantitative content analysis of print news coverage of the Polish EU presidency in Flanders

Stijn Joye, D. Biltereyst, Khaël Velders, 2013 .

The Cultura de la Pantalla network: writing new cinema histories across Latin America and Europe

D. Biltereyst, P. Meers, José-Carlos Lozano, 2018 .

‘Will we ever see Potemkin?’: The historical reception and censorship of Eisenstein's Battleship Potemkin in Belgium (1926–32)

D. Biltereyst, 2008 .

Health on Wikipedia: a qualitative study of the attitudes, perceptions, and use of Wikipedia as a source of health information by middle-aged and older adults

M. Huisman, Stijn Joye, D. Biltereyst, 2020 .

Understanding The Hobbit: the cross-national and cross-linguistic reception of a global media product in Belgium, France and the Netherlands

D. Biltereyst, P. Meers, Aleit Veenstra, 2016 .

The Political Economy of Audiences

D. Biltereyst, P. Meers, 2011 .

The Alzheimer case: perceptions, knowledge and the acquisition of information about Alzheimer's disease by middle-aged and older adults in Flanders

M. Huisman, Stijn Joye, D. Biltereyst, 2020, Ageing and Society.

Sports films and ‘banal’ nationalism in interwar Belgium

D. Biltereyst, Roel Vande Winkel, 2020 .

Pharmaceuticals as solution for health problems: a stakeholder perspective

Sarah Van Leuven, P. Bracke, T. Christiaens, 2015 .

Glocalized Telenovelas and National Identities

D. Biltereyst, Fien Adriaens, 2012 .

To share or not to share: an explorative study of health information non-sharing behaviour among Flemish adults aged fifty and over

M. Huisman, Stijn Joye, D. Biltereyst, 2020, Inf. Res..

Mending the wounds of war : a framework for the analysis of the representation of conflict-related trauma and reconciliation in cinema

L. Soberon, D. Biltereyst, K. Smets, 2020 .

Resisting American Hegemony: A Comparative Analysis of the Reception of Domestic and US Fiction

D. Biltereyst, 1991 .

Pick, Play, Produce: Revisiting the Concept of Participation Through a Quantitative Study of Film Consumption Practices Amongst Youth in Flanders (Belgium)

D. Biltereyst, P. Meers, Aleit Veenstra, 2017 .

Reality television: merging the global and the local

D. Biltereyst, 2012 .

Silencing Cinema: An Introduction

D. Biltereyst, Roel Vande Winkel, 2013 .

Globalisation, americanisation and politicisation of media research: learning from a long tradition of research on the cross-cultural influences of US media

D. Biltereyst, 2002 .

Slashing the Fiction of Queer Theory

Frederik Dhaenens, Sofie Van Bauwel, D. Biltereyst, 2008 .

Film audiences in perspective: the social practices of cinemagoing

D. Biltereyst, P. Meers, 2012 .

Triangulation in historical audience research : reflections and experiences from a multimethodological research project on cinema audiences in Flanders

D. Biltereyst, P. Meers, K. Lotze, 2012 .

Censoring Tarzan in Belgium: The Belgian Board of Film Control and the Tarzan films, 1932–1946

D. Biltereyst, Liesbeth Depauw, 2016 .

Comparative, Entangled, Parallel and ‘Other’ Cinema Histories. Another Reflection on the Comparative Mode Within New Cinema History

D. Biltereyst, P. Meers, 2020, TMG Journal for Media History.

The Social Experience of Going to the Movies in the 1930s–1960s in a Small Texas Border Town: Moviegoing Habits and Memories of Films in Laredo, Texas

D. Biltereyst, P. Meers, José-Carlos Lozano, 2018 .

The Roman Catholic Church and Film Exhibition In Belgium, 1926–1940

D. Biltereyst, 2007 .

From Film Policy to Creative Screen Policies : Media Convergence and Film Policy Trends in Flanders

D. Biltereyst, P. Meers, Gertjan Willems, 2017 .

Explorations in new cinema history : approaches and case studies

D. Biltereyst, R. Maltby, P. Meers, 2011 .

Mapping Film Programming across Post-War Europe (1952)

D. Biltereyst, P. Meers, T. V. Oort, 2020, Research Data Journal for the Humanities and Social Sciences.

European public service television and the cultural‐educational logic: A comparative analysis of children's and youth programming

D. Biltereyst, 1997 .

The international telenovela debate and the contra-flow argument: a reappraisal

Daniël Biltereyst, Philippe Meers, D. Biltereyst, 2000 .

European press developments since 1945.

K. Roe, D. Biltereyst, R. V. Gompel, 1997 .

The nation on and beyond the screen: A history of film and nation‐building in Flanders

D. Biltereyst, Gertjan Willems, Roel Vande Winkel, 2020 .

The Routledge Companion to New Cinema History

D. Biltereyst, R. Maltby, P. Meers, 2019 .

Negotiating cinema’s modernity: strategies of control and audience experiences of cinema in Belgium, 1930s-1960s

D. Biltereyst, P. Meers, L. V. D. Vijver, 2012 .

Social Class, Experiences of Distinction and Cinema in Postwar Ghent

D. Biltereyst, P. Meers, L. V. D. Vijver, 2011 .

‘Down with French vaudevilles!’ The Catholic film movement's resistance and boycott of French cinema in the 1930s

D. Biltereyst, 2006 .

Film Censorship in a Liberal Free Market Democracy: Strategies of Film Control and Audiences’ Experiences of Censorship in Belgium

D. Biltereyst, 2013 .

Qualitative Audience Research and Transnational Media Effects

D. Biltereyst, 1995 .

Language and Culture as Ultimate Barriers? An Analysis of the Circulation, Consumption and Popularity of Fiction in Small European Countries

D. Biltereyst, 1992 .

European audiovisual policy and the cross‐border circulation of fiction: A follow‐up flow study

D. Biltereyst, 1995 .

Media audiences and the game of controversy

Daniël Biltereyst, D. Biltereyst, Daniel Biltereyst, 2004 .

The X-factor of charity: a critical analysis of celebrities’ involvement in the 2010 Flemish and Dutch Haiti relief shows

Stijn Joye, D. Biltereyst, Olivier Driessens, 2012 .

Film history in the

D. Biltereyst, R. Maltby, C. Olesen, 2017 .

Memories of cinemagoing and film experience: An introduction

A. Kuhn, D. Biltereyst, P. Meers, 2017 .

CINEMAGOING AS A CONDITIONAL PART OF EVERYDAY LIFE

D. Biltereyst, Lies Van de Vijver, 2013 .

Afterword: school documentaries, childhood and new cinema history

D. Biltereyst, 2011 .

Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp

D. Biltereyst, P. Meers, 2018 .

Crisis At The Capitole: A Cultural Economics Analysis Of A Major First-Run Cinema In Ghent, 1953–1971

D. Biltereyst, Khaël Velders, Lies Van de Vijver, 2015 .

Metropolitan vs rural cinemagoing in Flanders, 1925–75

Liesbeth Van de Vijver, D. Biltereyst, P. Meers, 2010 .

Cinema, Audiences and Modernity : New perspectives on European cinema history

D. Biltereyst, R. Maltby, P. Meers, 2012 .

Naïve and sophisticated long-term readings of foreign and national films viewed in a Mexican Northern town during the 1930-60s

D. Biltereyst, P. Meers, José-Carlos Lozano, 2017 .

Film, cinema and reception studies

D. Biltereyst, P. Meers, 2018, Reception Studies and Audiovisual Translation.

Film, cinema and reception studies : revisiting research on audience’s filmic and cinematic experiences

D. Biltereyst, P. Meers, 2018 .

Let's talk about sex: audience research of Flemish teenage television viewers and their view on sexuality

D. Biltereyst, Elke Van Damme, 2013 .

Attracting the un-served audience: the sustainability of long tail-based business models for cultural television content

Rik Van de Walle, Lieven De Marez, Tom Evens, 2010, New Media Soc..

The cultural imperalism thesis and qualitative audience research – more than revisionism and cultural populism?

D. Biltereyst, 1996 .