Richard Cohn

发表

Transpositional combination in twentieth-century music

Richard Cohn, 1987 .

Properties and Generability of Transpositionally Invariant Sets

Richard Cohn, 1991 .

Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions

Richard Cohn, 1996 .

Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations

Richard Cohn, 1997 .

Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective

Richard Cohn, 1998 .

Audacious Euphony: Chromaticism and the Triad's Second Nature

Richard Cohn, 2012 .

As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert

Richard Cohn, Richard Cohn, 1999 .

Uncanny Resemblances: Tonal Signification in the Freudian Age

Richard Cohn, 2004 .

Hexatonic Poles and the Uncanny in Parsifal

Richard Cohn, 2007 .

Bartók's Octatonic Strategies: A Motivic Approach

Richard Cohn, 1991 .

A Platonic Model of Funky Rhythms

Richard Cohn, 2016 .

The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony

Richard Cohn, 1992 .

Metric and Hypermetric Dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550

Richard Cohn, 2016 .

The Autonomy of Motives in Schenkerian Accounts of Tonal Music

Richard Cohn, 1992 .

Inversional Symmetry and Transpositional Combination in Bartók

Richard Cohn, 1988 .

Audacious EuphonyChromatic Harmony and the Triad's Second Nature

Richard Cohn, Richard Cohn, 2012 .

Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes

Richard Cohn, Richard Cohn, 2000 .

Letters on Hook's group, 2000

J. Douthett, Richard Cohn, Dani Zanuttini-Frank, 2022, Journal of Mathematics and Music.