M. Vagnini

发表

Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM

L. Cartechini, M. Palmieri, M. Vagnini, 2016, Topics in Current Chemistry.

MOLECULAR TRACING OF THE BIOLOGICAL ORIGIN OF DRYING OILS USED IN WORKS OF ART

F. Veronesi, Domenico Aiello, E. Albertini, 2020 .

An uncovered XIII century icon: particular use of organic pigments and gilding techniques highlighted by analytical methods.

A. Romani, B. Doherty, M. Vagnini, 2015, Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy.

Tracing the biological origin of animal glues used in paintings through mitochondrial DNA analysis

A. Achilli, F. Veronesi, C. Miliani, 2011, Analytical and bioanalytical chemistry.

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 3. Synthesis, characterization, and detection of different crystal forms of the chrome yellow pigment.

M. Menu, M. Cotte, G. Falkenberg, 2013, Analytical chemistry.

Tracking Metal Oxalates and Carboxylates on Painting Surfaces by Non-invasive Reflection Mid-FTIR Spectroscopy

C. Anselmi, B. Doherty, C. Miliani, 2019, Metal Soaps in Art.

The Bone Black Pigment Identification by Noninvasive, In Situ Infrared Reflection Spectroscopy

M. Malagodi, M. Vagnini, A. Daveri, 2018, Journal of analytical methods in chemistry.

Advances in characterization of colourful residues unearthed in Persepolis West craft zone using microscopic and spectroscopic techniques

C. Anselmi, R. Vivani, M. Vagnini, 2021 .

P-Type Photochromism of New Helical Naphthopyrans: Synthesis and Photochemical, Photophysical and Theoretical Study.

J. Marrot, F. Ortica, P. Gentili, 2015, ChemPhysChem.

Surface and Interface Treatments on Wooden Artefacts: Potentialities and Limits of a Non-Invasive Multi-Technique Study

M. Malagodi, C. Invernizzi, D. Bersani, 2020, Coatings.

A multi-analytical non-invasive approach to violin materials: The case of Antonio Stradivari “Hellier” (1679)☆

Marco Malagodi, Claudia Invernizzi, Maurizio Licchelli, 2016 .

Multitechnique approach for unveiling the technological evolution in building materials during the Roman Imperial Age: The Atrium Vestae in Rome

A. Romani, M. Vagnini, F. Rosi, 2019, The European Physical Journal Plus.

Blackening of lead white: Study of model paintings

R. Vivani, C. Miliani, A. Sgamellotti, 2020 .

Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art.

D. Sali, M. Vagnini, D Sali, 2017, Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy.

FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings

C. Miliani, L. Cartechini, A. Sgamellotti, 2009, Analytical and bioanalytical chemistry.

Investigation on the process of lead white blackening by Raman spectroscopy, XRD and other methods: Study of Cimabue’s paintings in Assisi

R. Vivani, C. Miliani, A. Sgamellotti, 2018, Vibrational Spectroscopy.

Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings.

A. Romani, C. Anselmi, R. Vivani, 2017, Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy.

Archaeometric study of Etruscan scarab gemstones by non-destructive chemical and topographical analysis

R. Vivani, C. Miliani, M. Vagnini, 2016 .

Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations

B. Doherty, C. Miliani, C. Clementi, 2011, Analytical and Bioanalytical Chemistry.

Immunodetection of proteins in ancient paint media.

Lucia Pitzurra, Giacomo Chiari, Joy Mazurek, 2010, Accounts of chemical research.

Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA)

L. Cartechini, M. Palmieri, M. Vagnini, 2013, Analytical and Bioanalytical Chemistry.

Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA)

B. G. Brunetti, Manuela Vagnini, A. Sgamellotti, 2011, Analytical and bioanalytical chemistry.

Identification of proteins in painting cross-sections by immunofluorescence microscopy

C. Miliani, L. Cartechini, A. Sgamellotti, 2008, Analytical and bioanalytical chemistry.

AN INTEGRATED AND ANALYTICAL APPROACH TO STUDY OF MURAL PAINTINGS: THE CASE OF “LO SPAGNA” IN SPOLETO

M. Malagodi, M. Vagnini, A. Daveri, 2018 .

Organic Matter and Pigments in the Wall Paintings of Me-Taw-Ya Temple in Bagan Valley, Myanmar

A. Casoli, M. Vagnini, P. Holakooei, 2021, Applied Sciences.

A vibrational spectroscopic and principal component analysis of triarylmethane dyes by comparative laboratory and portable instrumentation.

B. Doherty, C. Miliani, A. Sgamellotti, 2014, Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy.

An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques

Costanza Miliani, Francesca Rosi, Brunetto Giovanni Brunetti, 2010 .

Imaging the antique: unexpected Egyptian blue in Raphael’s Galatea by non-invasive mapping

C. Anselmi, A. Sgamellotti, M. Vagnini, 2020, Rendiconti Lincei. Scienze Fisiche e Naturali.

Acute episodes of black carbon and aerosol contamination in a museum environment: Results of integrated real-time and off-line measurements

D. Cappelletti, R. Selvaggi, L. Cartechini, 2015 .

Role of protolytic interactions in photo-aging processes of carminic acid and carminic lake in solution and painted layers

A. Romani, C. Miliani, G. Favaro, 2002 .

New perspectives in the non-invasive, in situ identification of painting materials: The advanced MWIR hyperspectral imaging

Alessia Daveri, Simone Paziani, Mathiew Marmion, 2018 .