L. Glinsman

Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts

Paola Ricciardi, Mathieu Thoury, John K. Delaney, 2014 .

The practical application of air-path X-ray fluorescence spectrometry in the analysis of museum objects

L. Glinsman, 2005 .

Complementary standoff chemical imaging to map and identify artist materials in an early Italian Renaissance panel painting.

John K Delaney, K. Dooley, J. Delaney, 2014, Angewandte Chemie.

First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art

K. Dooley, L. Glinsman, Alexandra Libby, 2022, Journal of Historians of Netherlandish Art.

Use of near infrared reflectance imaging spectroscopy to map wool and silk fibres in historic tapestries

P. Ricciardi, J. Delaney, Michael Palmer, 2016 .

An investigation of the photochemical stability of urea-aldehyde resin retouching paints: removability tests and colour spectroscopy

Christopher A. Maines, S. Lomax, Michael Palmer, 2000 .

Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper

Murray H. Loew, Koen Janssens, Kathryn A. Dooley, 2018, Heritage Science.

Use of Imaging Spectroscopy and in situ Analytical Methods for the Characterization of the Materials and Techniques of 15th Century Illuminated Manuscripts

Paola Ricciardi, John K. Delaney, Michelle Facini, 2013 .