H. Strauss

发表

Affective return: anachronistic feeling and contemporary South African documentary form

H. Strauss, 2019, Social Dynamics.

Energy archives: of rocks, rubbish, and feminist feeling in Aliki Saragas’s Strike a Rock

H. Strauss, 2020, Subjectivity.

Contemporary African mediations of affect and access

Sarah Olutola, H. Strauss, Jessie Forsyth, 2016 .

POSTCOLONIAL INTIMACIES: GATHERINGS, DISRUPTIONS, DEPARTURES

S. Brophy, H. Strauss, Y-Dang Troeung, 2013 .

Contemporary orientations in African Cultural Studies

Sarah D’Adamo, H. Strauss, H. Wright, 2016 .

Spectacles of Promise and Disappointment: Political Emotion and Quotidian Aesthetics in Video Installations by Berni Searle and Zanele Muholi

H. Strauss, 2014 .

‘NOT WITHOUT AMBIVALENCE’

S. Brophy, H. Strauss, Y-Dang Troeung, 2013 .

Cinema of social recuperation: Xenophobic violence and migrant subjectivity in contemporary South Africa

H. Strauss, 2011 .

Squirming White Bodies: Interracial Encounters in Anton Kannemeyer's “True Love” and Ivan Vladislavić's The Restless Supermarket

H. Strauss, 2008 .

Managing public feeling: Temporality, mourning and the Marikana Massacre in Rehad Desai’s Miners Shot Down

H. Strauss, 2016 .

Memory, masculinity and responsibility : searching for 'good men' in Mtutuzeli Nyoka's I Speak to the Silent

H. Strauss, 2009 .