Daniel B. Reed

Pop Goes the Sacred: Dan Mask Performance and Popular Culture in Postcolonial Côte d'Ivoire

Daniel B. Reed, 2001 .

"The 'Ge' is in the Church and 'Our Parents are Playing Muslim': Performance, Identity and Resistance among the Dan in Postcolonial Cote d'Ivoire"

Daniel B. Reed, 2005 .

Ambiguous agency: Dan/Mau stilt mask spirit performance as ontology in Côte d'Ivoire and the US

Daniel B. Reed, 2018, Africa.

Drums, Dance, Dreams, and Remittance: Transnational Interconnections in Ivorian Immigrant Mask Performance in the USA

Daniel B. Reed, 2016, African Arts.

Toward Common Cause: Music, Team Science, and Global Health

Judah M. Cohen, Daniel B. Reed, Theresa A. Allison, 2017 .