Gabriela Siracusano

发表

Green, Yellow, and Red Pigments in South American Painting, 1610–1780

A. Seldes, J. E. Burucúa, Gabriela Siracusano, 2002 .

Investigation of proteins in samples of a mid-18th century colonial mural painting by MALDI-TOF/MS and LC-ESI/MS (Orbitrap)

M. P. Valacco, S. Moreno, M. Maier, 2018, Microchemical Journal.

Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment

Eugenia P. Tomasini, M. Maier, Gabriela Siracusano, 2012 .

Direct inlet mass spectrometry for a rapid characterization of indigo in lipidic and proteinaceous matrices

V. Careaga, M. Maier, Gabriela Siracusano, 2016 .

Atacamite as a natural pigment in a South American colonial polychrome sculpture from the late XVI century

Eugenia P. Tomasini, M. Maier, Gabriela Siracusano, 2013 .

Conceptions and reworkings of baroque and neobaroque in recent years

C. Farago, Gabriela Siracusano, H. Hills, 2015 .

Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)

Eugenia P. Tomasini, V. Careaga, M. Maier, 2016, Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences.

High performance liquid chromatography as a micro-destructive technique for the identification of anthraquinone red dyestuffs in cultural heritage objects

V. Careaga, M. Maier, Gabriela Siracusano, 2023, Chemistry Teacher International.

Finding of muscle proteins in art samples from mid-18th century murals by LC–MSMS

M. P. Valacco, S. Moreno, M. Maier, 2020 .

Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)

Eugenia P. Tomasini, V. Careaga, M. Maier, 2018, Heritage Science.

BLUE PIGMENTS IN SOUTH AMERICAN PAINTING (1610–1780)

M. Maier, Andre Jauregui, A. Seldes, 1999 .

INTEGRATED ANALYTICAL TECHNIQUES FOR THE CHARACTERIZATION OF PAINTING MATERIALS IN TWO SOUTH AMERICAN POLYCHROME SCULPTURES

M. Maier, S. D. Parera, Gabriela Siracusano, 2010 .

Fungal deterioration of a Jesuit South American polychrome wood sculpture

M. Maier, L. Papinutti, A. Fazio, 2010 .

Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature‐controlled stage for the study of thermal induced antlerite degradation

Eugenia P. Tomasini, J. Madariaga, K. Castro, 2021, Journal of Raman Spectroscopy.

A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia)

Eugenia P. Tomasini, M. Maier, Gabriela Siracusano, 2016 .

Identification of carbon-based black pigments in four South American polychrome wooden sculptures by Raman microscopy

Eugenia P. Tomasini, M. Maier, Gabriela Siracusano, 2015, Heritage Science.

Mary’s Green Brilliance: The Case of the Virgin of Copacabana

Gabriela Siracusano, 2014, Journal of Interdisciplinary History.

Materiality between Art, Science, and Culture in the Viceroyalties (16th–17th Centuries): An Interdisciplinary Vision toward the Writing of a New Colonial Art History

Gabriela Siracusano, A. R. Romero, 2017 .

Alternative methodology for traditional interventions: A colonial painting and its lining with the nap bond method

Ana Morales, Fernando Marte, Damasia Gallegos, 2016 .

Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals

Eugenia P. Tomasini, J. Madariaga, K. Castro, 2023, Journal of Cultural Heritage.