C. Krekel

发表

The Development of a DNA Microarray for the Rapid Identification of Moulds on Works of Art

T. Bachmann, D. Leinberger, U. Schumacher, 2010 .

Visualising iron gall ink underdrawings in sixteenth century paintings in-situ by micro-XRF scanning (MA-XRF) and LED-excited IRR (LEDE-IRR)

C. Krekel, Mareike Gerken, Jochen Sander, 2022, Heritage Science.

MA‐XRF investigation of the Altenberg Retable from 1330

W. Ensinger, S. Flege, R. Tagle, 2018 .

Are cellulose ethers safe for the conservation of artwork? New insights in their VOC activity by means of Oddy testing

Simon Steger, G. Eggert, C. Krekel, 2022, Heritage Science.

Combination of FEM simulations and shearography for defect detection on artwork

G. Pedrini, W. Osten, D. Buchta, 2018 .

Lime Blue – A Mediaeval Pigment for Wall Paintings?

K. Polborn, C. Krekel, 2003 .

Rapid high-efficiency site-directed mutagenesis by the phosphorothioate approach.

J. Sayers, F. Eckstein, C. Krekel, 1992, BioTechniques.

The chemistry of historical iron gall inks: understanding the chemistry of writing inks used to prepare historical documents

Christoph Krekel, C. Krekel, 1999 .

The Mokvi Gospel

Andrea Pataki-Hundt, Julia Schultz, Tamara Dvalishvili, 2016 .

ARTISTS' PIGMENTS RECONSIDERED: DOES MODERN SCIENCE MATCH THE HISTORICAL CONTEXT?

A. Burmester, C. Krekel, Ursula Haller, 2006 .

The relationship between Albrecht Dürer's palette and fifteenth/sixteenth-century pharmacy price lists: the use of azurite and ultramarine

A. Burmester, C. Krekel, 1998 .

Combination of topology and structural information for damages and deterioration analysis of artworks

Wolfgang Osten, Giancarlo Pedrini, D. Buchta, 2015, Optical Metrology.