P. Zarrilli

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Contested Narratives on and off the Kathakali Dance-Drama Stage

P. Zarrilli, 1992 .

Physical Theatres: A Critical Introduction, and: Physical Theatres: A Critical Reader (review)

P. Zarrilli, 2010 .

Concerning Theory for Performance Studies

Tracy C. Davis, J. Butler, Marvin A. Carlson, 2009, The Drama Review.

Asian Martial Arts in Actor Training

D. Daugherty, P. Zarrilli, 1996 .

Kalarippayatt, Martial Art of Kerala

P. Zarrilli, 1979 .

Acting as a Way of Salvation: A Study of Rāgānūga Bhakti Sādhana@@@Acting as a Way of Salvation: A Study of Raganuga Bhakti Sadhana

P. Zarrilli, D. Haberman, 1991 .

Toward a Phenomenological Model of the Actor's Embodied Modes of Experience

P. Zarrilli, 2004 .

Theatre Histories: An Introduction

P. Zarrilli, G. Williams, 2016 .

Three bodies of practice in a traditional South Indian martial art.

P. Zarrilli, 1989, Social science & medicine.

Toward an Intersubjective Ethics of Acting and Actor Training

P. Zarrilli, 2014 .

Notes and queries 2

P. Zarrilli, 2011 .

An Ocean of Possibilities: From Lokadharmī to Nāṭyadharmī in a Kathakaḷi Santānagōpālam

P. Zarrilli, 2016 .

Acting (re)considered : a theoretical and practical guide

Phillip B. Zarrilli, P. Zarrilli, 2005 .

By Means of Performance: What does it mean to “become the character”: power, presence, and transcendence in Asian in-body disciplines of practice

P. Zarrilli, 1990 .

Kathakali Dance-Drama: Where Gods and Demons Come to Play

P. Zarrilli, 1999 .

The Kathakali Complex: Actor, Performance, Structure

P. Zarrilli, 1983, The Journal of Asian Studies.

“Beneath the Surface” of Told by the Wind: An Intercultural Experiment in Performance Dramaturgy and Aesthetics

P. Zarrilli, 2015 .

An Enactive Approach to Understanding Acting

P. Zarrilli, 2008 .

The Aftermath: When Peter Brook Came to India

P. Zarrilli, 1986 .

"Doing the Exercise": The In-Body Transmission of Performance Knowledge in a Traditional Martial Art

P. Zarrilli, 1984 .

Negotiating Performance Epistemologies: knowledges ‘about’, ‘in’ and ‘for’

P. Zarrilli, 2001 .

Responses to W. B. Worthen's "Disciplines of the Text/Sites of Performance"

R. Schechner, P. Zarrilli, Jill Dolan, 1995 .

A Microanalysis of Performance Structure and Time in Kathakali Dance-Drama

P. Zarrilli, 1983 .

What a Body Can Do: Technique as Knowledge, Practice as Research by Ben Spatz (review)

P. Zarrilli, 2016 .

Embodying the Lion's ‘fury’

P. Zarrilli, 2000 .

Psychophysical Acting: An Intercultural Approach after Stanislavski

P. Zarrilli, 2008 .

When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art

P. Zarrilli, 1998 .

"...It Was like a Play in a Play in a Play!" "Tales from South Asia" in an Intercultural Production

P. Zarrilli, Sharon Grady, 1994 .

Structure and Subjunctivity: Putu Wijaya's Theatre of Surprise

P. Zarrilli, Michael H. Bodden, Putu Wijaya, 1987 .

Toward a General Theory of Acting: Cognitive Science and Performance. By John Lutterbie. New York: Palgrave Macmillan, 2011; 280pp. $85.00 cloth, e-book available

P. Zarrilli, 2013, TDR/The Drama Review.

The Metaphysical Studio

P. Zarrilli, 2002, TDR/The Drama Review.

Between Theory[es] and Practice[s] of Acting: Dichotomies or Dialogue?

P. Zarrilli, 2010 .

Indian Theatre: Traditions of Performance

P. Zarrilli, Richard A. Frasca, F. Richmond, 1990, Dance Research Journal.

More Aftermath after Peter Brook

Deborah Neff, P. Zarrilli, Avanthi Meduri, 1988 .