M. Eveno

发表

Unraveling the Composition of Rembrandt's Impasto through the Identification of Unusual Plumbonacrite by Multimodal X-ray Diffraction Analysis.

M. Cotte, K. Keune, G. Wallez, 2019, Angewandte Chemie.

Rembrandt’s impasto deciphered via identification of unusual plumbonacrite by multi‐modal Synchrotron X‐ray Diffraction

M. Cotte, K. Keune, G. Wallez, 2019 .

Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers

G. Valentini, Austin Nevin, D. Comelli, 2017, Materials.

Composition and microstructure of the lead white pigment in Masters paintings using HR Synchrotron XRD

M. Menu, G. Wallez, T. Calligaro, 2016 .

Synchrotron-Based High Angle Resolution and High Lateral Resolution X-ray Diffraction: Revealing Lead White Pigment Qualities in Old Masters Paintings.

M. Menu, M. Cotte, G. Wallez, 2017, Analytical chemistry.

Early occurrences of the use of smalt and shell gold in the Madonna of Humility by Jacopo Bellini at the beginning of the fifteenth century

É. Ravaud, M. Eveno, 2021, The European Physical Journal Plus.

ATR-FTIR microscopy in mapping mode for the study of verdigris and its secondary products

M. Menu, M. Cotte, S. Prati, 2015 .

Portable Apparatus for In Situ X-Ray Diffraction and Fluorescence Analyses of Artworks

Myriam Eveno, Brice Moignard, J. Castaing, 2011, Microscopy and Microanalysis.

A portable X-ray diffraction apparatus for in situ analyses of masters’ paintings

A. Durán, J. Castaing, M. Eveno, 2010 .

Depth profiling reveals multiple paint layers of Louvre Renaissance paintings using non-invasive compact confocal micro-X-ray fluorescence

M. Menu, I. Reiche, M. Eveno, 2012 .

A comparative study of Vincent van Gogh ’ s Bedroom series

Ella Hendriks, Myriam Eveno, Michel Menu, 2010 .

Development of a versatile XRF scanner for the elemental imaging of paintworks

L. Pichon, T. Calligaro, É. Ravaud, 2015 .

The Louvre Crucifix by Giotto – Unveiling the original decoration by 2D-XRF, X-ray radiography, Emissiography and SEM-EDX analysis

L. Pichon, T. Calligaro, É. Ravaud, 2014, Heritage Science.

Influence of gum arabic on iron-gall ink Corrosion. Part II: Observation and elemental analysis of originals

L. Pichon, C. Rémazeilles, T. Calligaro, 2005 .

Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints

M. Cotte, P. Iedema, K. Keune, 2020, Science Advances.

Examination of the Uomini Illustri: looking for the origins of the portraits in the Studiolo of the Ducal Palace of Urbino. Part II

M. Menu, S. Prati, G. Sciutto, 2011 .

Influence of the Addition of Crushed Glass on the Physical and Chemical Properties of Lead White Oil Paint

Y. Mélinge, C. Andraud, D. Caurant, 2023, SSRN Electronic Journal.

Microchemical analysis of Leonardo da Vinci’s lead white paints reveals knowledge and control over pigment scattering properties

M. Menu, M. Réfrégiers, D. Gourier, 2020, Scientific Reports.

Blanching of paint and varnish layers in easel paintings: contribution to the understanding of the alteration

M. Menu, A. Genty-Vincent, J. Uziel, 2015 .

Determination of the complex optical index of red pigments, vermillon

Jacques Lafait, Raphaelle Jarrige, Christine Andraud, 2011, Optical Metrology.

The Tomb of the Three Brothers in Palmyra: The Use of Mimetite, A Rare Yellow Pigment, in A Rich Decoration

M. Eveno, D. Burlot, N. Buisson, 2015 .

Confocal XRF depth profiling non-destructively reveals the original blue pigments in a Renaissance painting by Caroto

I. Reiche, E. Mysak, M. Eveno, 2016 .

New insights into the painting stratigraphy of L’Homme blessé by Gustave Courbet combining scanning macro-XRF and confocal micro-XRF

B. Mottin, I. Reiche, L. Pichon, 2016 .