C. L. D. Chumaceiro

发表

A brief note on Freud and Mozart's Magic Flute.

C. L. D. Chumaceiro, 1992 .

Freud, three operas, and the affair with minna bernays: A reply to o'brien's interpretation of operatic allusions

C. L. D. Chumaceiro, 1993 .

Songs of the countertransference in psychotherapy dyads.

C. L. D. Chumaceiro, 1990 .

Serendipity Citations in the Biomedical Sciences

C. L. D. Chumaceiro, 1997 .

Serendipity's role in psychotherapy : a bridge to the creative arts therapies

C. L. D. Chumaceiro, 1995 .

Rosenman's "Serendipity and Scientific Discovery" Revisited: Toward Defining Types of Chance Events.

Guillermo Yáber, C. L. D. Chumaceiro, 1994 .

Serendipity analogues: Approval of modifications of the traditional case study for a psychotherapy research with music

C. L. D. Chumaceiro, O.Guillermo E. Yáber, 1995 .

A transfer of technique: From induced song recall to the induced recall of paintings

C. L. D. Chumaceiro, 1996 .

Unconsciously induced song recall: the process of unintentional rather than so-called spontaneous evocations of music.

C. L. D. Chumaceiro, 1996 .

The Secret Garden: On the loss of nannies in fiction and life

C. L. D. Chumaceiro, 2003 .

Wet Nurse and Nanny Loss: On Studies of Parental Loss of British Prime Ministers

C. L. D. Chumaceiro, 2006 .

Hamlet in Freud's Thoughts: Reinterpretations in the Psychoanalytic Literature

C. L. D. Chumaceiro, 1997 .

On the identity of Sigmund Freud's "prima donna".

C. L. D. Chumaceiro, 1992 .

Unconscious Ethnicity in Induced Song Recall: A Research Case Revisited

C. L. D. Chumaceiro, 2001 .

Induced Recall of Film Music: An Overlooked Mirror of Transference-Countertransference Interactions

C. L. D. Chumaceiro, 1998 .

Babes in [Surrogate] Arms: A Plea for Recognition

C. L. D. Chumaceiro, 2002 .

Dynamic implications of opera training in psychotherapy

C. L. D. Chumaceiro, 1990 .

Induced Recall of Music in a Biographical Film of a Great Poet

C. L. D. Chumaceiro, 1999 .

Induced recall of Mozart's Requiem in Amadeus.

C. L. D. Chumaceiro, 2000 .

Induced Recall of a Broadway Musical Film Revisited

C. L. D. Chumaceiro, 1998 .

Song synthesis: further neuropsychological assumptions of induced song recall.

C. L. D. Chumaceiro, 1997 .

Induced poetry and prose recall : A transfer of the induced song recall technique

C. L. D. Chumaceiro, 1996 .

What song comes to mind? Induced song recall: Transference/countertransference in dyadic music associations in treatment and supervision

C. L. D. Chumaceiro, 1992 .

On Freud's admiration for Beethoven and his "splendid creations".

C. L. D. Chumaceiro, 1992 .

Poetry and prose syntheses: an update of neuropsychological assumptions

C. L. D. Chumaceiro, 1998 .

Sources of Joy: Induced Recall of Sigmund Romberg's Music

C. L. D. Chumaceiro, 2000 .

The Consulting Office: Beauty and the Arts in Therapy

C. L. D. Chumaceiro, 1997 .

The analyst's consulting room.

C. L. D. Chumaceiro, 1996 .

The macho Don Juan: a reply to Javier and Yussef.

C. L. D. Chumaceiro, 1996 .

Research on Career Paths: Serendipity and Its Analog

Cora L. Diaz de Chumaceiro, C. L. D. Chumaceiro, 1999 .

Serendipity in Freud's Career: Before Paris

C. L. D. Chumaceiro, 1998 .

Dim spot": a variant in between countertransferential "bright" and "blind" spots.

C. L. D. Chumaceiro, 1996 .

What’s in a Daughter’s Name? A Poem for a Child with the Madonna’s Name

C. L. D. Chumaceiro, 1996 .

Maude Adams's Portrait as Muse for Richard Matheson

C. L. D. Chumaceiro, 2005 .

Lullabies are “transferential transitional songs”: Further considerations on resistance in music therapy

C. L. D. Chumaceiro, 1995 .

Parapraxes in song recall: a neglected variable.

C. L. D. Chumaceiro, 1993 .