B. Hamamra

发表

‘Here I disclaim all my paternal care’: Intersubjectivity and the dissolution of affectional bonds in Shakespeare’s King Lear

M. Uebel, B. Hamamra, 2020 .

Domestic Violence in Palestine during the Outbreak of COVID-19: A Qualitative Content Analysis

B. Hamamra, 2022, Women & Criminal Justice.

Jerusalem and Arabia in Cary’s The Tragedy of Mariam

B. Hamamra, 2020, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews.

“I pray sir, hear me: I am married”: Language and Sexual Politics in Webster’s The Duchess of Malfi

B. Hamamra, 2020 .

A Presentist, Palestinian, Pedagogical Reading of Language and Gender Politics in Middleton’s Women Beware Women

B. Hamamra, 2018, Changing English.

The Dialectics of Speech and Silence in Shakespeare’s King Lear

B. Hamamra, 2016 .

Code-Switching and Diasporic Identity in Edward Said’s Out of Place: A Memoir and Fawaz Turki’s Exile’s Return: The Making of a Palestinian-American

B. Hamamra, Ahmad Qabaha, 2022, Changing English.

Huxley ’ s Brave New World

B. Hamamra, 2017 .

Online education and surveillance during COVID-19 pandemic in Palestinian universities

B. Hamamra, Ahmad Qabaha, Abdelkareem Daragmeh, 2022, International Studies in Sociology of Education.

Running head: THE SPECTERS OF NATION AND NARRATION

B. Hamamra, Sanaa Abusamra, 2017 .

Silence, Speech and Gender in Shakespeare's Othello: A Presentist, Palestinian Perspective

B. Hamamra, 2015 .

“I Stink of You”: Queer Sexuality in Sarah Kane’s Blasted

B. Hamamra, 2022, ANQ. A Quarterly Journal of Short Articles, Notes, and Reviews.

“Speak of me as I am”: Othello’s and Desdemona’s Farewell Words

B. Hamamra, 2020, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews.

‘Never shame to hear / What you have nobly done’: The Representation of Existential Shame in Shakespeare’s Coriolanus

B. Hamamra, 2017 .

‘Can the subaltern speak?’: COVID-19 and decolonial pedagogy in Palestinian universities

B. Hamamra, Ahmad Qabaha, 2021, Journal for Cultural Research.

Covid-19 and the decolonisation of education in Palestinian universities

N. Alawi, B. Hamamra, A. Daragmeh, 2021, Educational Philosophy and Theory.

Palestinian Bereaved Mothers of Martyrs: Religious and National Discourses of Sacrifice and Bereavement

B. Hamamra, 2021, Women & Criminal Justice.

Mothers of martyrs: Rethinking Shakespeare’s Volumnia’s collective motherhood from a Palestinian perspective

B. Hamamra, 2020, Psychodynamic Practice.

Witness and martyrdom: Palestinian female martyrs’ video-testimonies

B. Hamamra, 2018, Journal for Cultural Research.

Queering sexuality in Sarah Kane’s Phaedra’s Love

M. Uebel, B. Hamamra, 2021, Psychodynamic Practice.

Shakespeare’s Othello and The Romance of Antar: The Politics of Racism and Self-Fashioning

B. Hamamra, 2019, Comparative Literature: East & West.

“I Would I Had No Tongue, No Ears”: Oral, Aural and Sexual Openness in Heywood’s A Woman Killed With Kindness

B. Hamamra, 2016 .

“Tell thou my lord thou saw’st me lose my breath”: Silence, speech, and authorial identity in Cary’s The Tragedy of Mariam

B. Hamamra, 2019 .

‘Noooooooooooooooooooooo’: word elongation, gender and emotions in Realistic Fiction

B. Hamamra, Tharwat Arafat, 2021, Psychodynamic Practice.

A socio-political study of gendered proper names in Palestine

N. Alawi, B. Hamamra, A. Daragmeh, 2021, Social Identities.

The misogynist representation of women in Palestinian oral tradition: a socio-political study

B. Hamamra, 2020, Journal of Gender Studies.

A Contemporary Palestinian Reading of Gender Politics in Margaret Cavendish’s The Unnatural Tragedy

B. Hamamra, 2019 .

Silence, Speech and Gender in Webster's The White Devil : A Presentist Palestinian Perspective

B. Hamamra, 2016 .

The dialectics of honour and shame in Middleton’s The Changeling and contemporary Palestine

B. Hamamra, 2020 .

The Nakba Continues: The Palestinian Crisis from the Past to the Present

B. Hamamra, Ahmad Qabaha, 2021 .

‘Sleep is an Overlord and Sovereign’ The Poetics and Politics of Sleep in Mahmoud Darwish’s In the Presence of Absence

B. Hamamra, Sanaa Abu Samra, 2022, Interventions.

Shakespearean Intertextuality in Mahmoud Darwish: The Otherness of the Proper Name in Darwish and Rita and Shakespeare’s Romeo and Juliet

B. Hamamra, Ahmad Qabaha, 2022, English Studies.

A Reference to Shakespeare’s Othello in Fadia Faqir’s Willow Tress Don’t Weep

B. Hamamra, 2018, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews.

Sulayman Al-Bassam’s The Al Hamlet Summit: normalisation and Arab treacherous politics

B. Hamamra, Ayman Mleitat, Abdel Karim Daragmeh, 2022, Journal for Cultural Research.

A Reference to Shakespeare’s Othello in Samar Attar’s Lina: A Portrait of a Damascene Girl

B. Hamamra, 2019, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews.

“O, I die, Horatio”: Witness and martyrdom in Shakespeare’s Hamlet

B. Hamamra, Sanaa Abusamra, 2020 .

Violence and violation: A Palestinian reading of rape and revenge in Shakespeare’s Titus Andronicus

B. Hamamra, 2020 .

Disowning Daughters in Shakespeare’s Othello and Romeo and Juliet

B. Hamamra, 2020, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews.

Gender and word elongation in Facebook-mediated communication in Palestinian Arabic

B. Hamamra, Tharwat Arafat, 2021, Communication Research and Practice.

“You are only as healthy as your neighbour”: collective vulnerability and (un)ethical responsiveness to the early phases of the pandemic in Palestine

M. Uebel, B. Hamamra, Sanaa Abu Samra, 2021, Global Affairs.

Boredom and alienation during online education in Palestinian universities: a socio-philosophical perspective

B. Hamamra, Ahmad Qabaha, 2023, Interactive Learning Environments.

Suppression of the Female Name in Contemporary Palestine

N. Alawi, B. Hamamra, Ruqqaya Herzallah, 2020 .

Mahmoud Darwish: Palestine’s poet and the other as the beloved

B. Hamamra, 2020 .

Code-Switching, Memory and the (Im)possibility of Return in Ghada Karmi’s Return: A Palestinian Memoir

B. Hamamra, Asala Mayaleh, 2023, Changing English.

Word elongation as an audience-design strategy in social media marketing in Palestine

B. Hamamra, Tharwat Arafat, 2022, Cogent Arts & Humanities.

“Born in the Wrong Body”: Fragmentation of the Self in Kane’s 4.48 Psychosis

B. Hamamra, 2022, The Explicator.