A. Le Hô

发表

Advanced discriminating criteria for natural organic substances of cultural heritage interest: spectral decomposition and multivariate analyses of FT-Raman and FT-IR signatures.

M. Regert, L. Bellot-Gurlet, Celine Daher, 2013, Talanta.

Photochemical Origin of the Darkening of Copper Acetate and Resinate Pigments in Historical Paintings.

Maria P. Alter, L. Binet, D. Gourier, 2019, Inorganic chemistry.

Non-invasive study of 16th century Northern European chiaroscuro woodcuts: First insights

M. Menu, C. Boust, S. Lepape, 2018, Microchemical Journal.

New highlights on degradation process of verdigris from easel paintings

M. Menu, L. Binet, D. Gourier, 2014 .

The nature of the extraordinary finish of Stradivari's instruments.

Bertrand Lavédrine, Loïc Bertrand, Laurianne Robinet, 2010, Angewandte Chemie.

Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry.

J. Langlois, T. Miyakoshi, M. Regert, 2012, Analytica chimica acta.

Investigation of organic additives in Italian Renaissance devotion stucco reliefs from French collections

A. Bouquillon, W. Nowik, P. Lehuédé, 2019, Journal of Cultural Heritage.

The Consumption of Bone Powder in the Early Neolithic Societies of Southeastern Europe: Evidence of a Diet Stress?

M. Regert, L. Salanova, J. Vieugué, 2015, Cambridge Archaeological Journal.

Elucidation of molecular and elementary composition of organic and inorganic substances involved in 19th century wax sculptures using an integrated analytical approach.

J. Langlois, M. Regert, S. Pagés-Camagna, 2006, Analytica chimica acta.