D. Avorgbedor

发表

Freedom to sing, license to insult : the influence of halo performance on the social violence among the Anlo Ewe

D. Avorgbedor, 1994 .

The Construction and Manipulation of Temporal Structures in Yeve Cult Music

D. Avorgbedor, 1987 .

"It's a Great Song!" Halo Performance as Literary Production

D. Avorgbedor, 2001 .

The impact of rural-urban migration on a village music culture: some implications for applied ethnomusicology

D. Avorgbedor, 1992 .

Steven Mithen, The Singing Neanderthals: The Origins of Music, Language, Mind, and Body

D. Avorgbedor, 2008 .

The Turner-Schechner Model of Performance as Social Drama: A Re-Examination in the Light of Anlo-Ewe Halo

D. Avorgbedor, 1999 .

Nigerian Art Music: with an Introductory Study of Ghanaian Art Music (review)

D. Avorgbedor, 2001 .

Dancing Prophets: Musical Experience in Tumbuka Healing (review)

D. Avorgbedor, 2001 .

Public Enemy, Or, Sensing Censorship: Musical Performance and Semiotic Disobedience—Popular Music Censorship in African Music (2006) in Perspective

D. Avorgbedor, 2009 .

Malagasy tale index

L. Haring, D. Avorgbedor, 1982 .

In and Out of Song

D. Avorgbedor, 2008 .

Nightsong. Performance, Power, and Practice in South Africa

D. Avorgbedor, 1996, African Studies Review.

Competition and conflict as a framework for understanding performance culture among the urban Anlo-Ewe

D. Avorgbedor, 2001 .

The place of the ‘folk’ in Ghanian popular music

D. Avorgbedor, 1983 .

Social Drama : A Re-Examination in the Light of Anlo-Ewe H a l ó 1

D. Avorgbedor, 2003 .

Language Plots in Musical Spaces: A Response to Adams Bodomo and Manolete Mora

D. Avorgbedor, 2007 .