K. Chan

发表

"Bad Gal" and the "Bad" Refugee: Refugee Narratives, Neoliberal Violence, and Musical Autobiography in Honey Cocaine's Cambodian Canadian Hip-Hop

K. Chan, 2018 .

The relevance of the open society to Hong Kong’s fight against moral and institutional decay: Lessons for Central and Eastern Europe

K. Chan, 2022 .

Images, visibility and the prospects of soft power of the EU in Asia: the case of China

K. Chan, 2010 .

Idealism versus realism in institutional choice: Explaining electoral reform in Poland

K. Chan, 2001 .

The Construction of Black Male Identity in Black Action Films of the Nineties

K. Chan, 1998 .

Power through trade: opportunities and constraints of the European Union’s norm entrepreneurship—the case of Hong Kong

K. Chan, 2020, Asia Europe Journal.

Power through trade: opportunities and constraints of the European Union’s norm entrepreneurship—the case of Hong Kong

K. Chan, 2019, Asia Europe Journal.

Shaw-Tarantino Connection: Rolling Thunder Pictures and the Exploitation Aesthetics of Cool

K. Chan, 2008 .

Rice Sticking Together: Cultural Nationalist Logic and the Cinematic Representations of Gay Asian-Caucasian Relationships and Desire

K. Chan, 2008 .

Nostalgia: Reading Hong Kong Director Yonfan's Prince of Tears

K. Chan, 2014 .

The Politics of Citizenship Formation: Political Participation of Mental Health Service Users in Hong Kong

M. Chiu, K. Chan, 2007 .

The Origins of Compulsion in Australia: The Case of Victoria, 1888-1894

K. Chan, 1971 .

Remade in Hollywood: The Global Chinese Presence in Transnational Cinemas

K. Chan, 2009 .

A critical appraisal of the international factors in “One Country, Two Systems” and democratization in Hong Kong

K. Chong, K. Chan, 2019, Asian Education and Development Studies.

The Global Return of the Wu Xia Pian (Chinese Sword-Fighting Movie): Ang Lee's Crouching Tiger, Hidden Dragon

K. Chan, 2004 .

Constructing the International Criminal Court’s rule of law identity

J. Wouters, K. Chan, 2015 .

Poland at the Crossroads: The 1993 General Election

K. Chan, 1995 .

Structuralism versus Intentionalism in Post-Communist Party System Evolution

K. Chan, 2001 .

Tactics of Tears: Excess/Erasure in the Gay Chinese Melodramas of Fleeing by Night and Lan Yu

K. Chan, 2008 .

Cross-Dress for Success: Performing Ivan Heng and Chowee Leow's "An Occasional Orchid" and Stella Kon's "Emily of Emerald Hill" on the Singapore Stage

K. Chan, 2004 .

“Asia” as Global Hollywood Commodity

K. Chan, 2011 .

Gay Sexuality in Singaporean Chinese Popular Culture

K. Chan, 2008 .

Policies, Not Politics: The Pursuit of Justice in Prosecutorial Strategy at the International Criminal Court

J. Wouters, K. Chan, 2012 .

The Chinese Cinematic Remake as Transnational Appeal: Zhang Yimou’s A Woman, a Gun and a Noodle Shop

K. Chan, 2018 .

The EU Through the Eyes of the Asia-Pacific: Public Perceptions and Media Representations. NCRE Research Series No. 4

N. Chaban, M. Holland, B. Jones, 2005 .