K. Rogers

发表

Public Intimacies: Frances Burney’s and Jane Cave Winscom’s Accounts of Illness

K. Rogers, 2014 .

Intellectual Monomania and Enthusiasm in Mary Shelley’s Frankenstein and Mary Hays’s Memoirs of Emma Courtney

K. Rogers, 2019 .

Cosmopolitical Futures: Fate Maps – Black Lace: Scanning Electron Microscope Narratives

K. Rogers, 2017 .

Breeding Scorpions in the Brain: Obsession in Keats's Isabella, or the Pot of Basil

K. Rogers, 2012 .

The North vs. the South: Conditions at Civil War Hospitals

Ann Kutney-Lee, B. Wall, K. Rogers, 2016 .

Objects and Objectivity

K. Rogers, Abigail Mann, 2011 .

Ideality and Art in Samuel Taylor Coleridge’s “Rime of the Ancient Mariner” and Edgar Allan Poe’s “Berenice” and “The Tell-Tale Heart”

K. Rogers, 2019, Creating Romantic Obsession.

The Monstrous Idea in Mary Shelley’s Frankenstein

K. Rogers, 2019 .

Virtual Seminar on the Bioapparatus

Warren Robinett, David Rothenberg, David Tomas, 1991 .

Vigilia and the Science of the Mind in William Godwin’s Caleb Williams and Charles Brockden Brown’s Edgar Huntly, or Memoirs of a Sleepwalker

K. Rogers, 2019 .

Introduction: Scorpions in the Mind

K. Rogers, 2019 .

PERMEABILITY AND ITS USES: AFFECT AND AUDIENCE IN CHARLOTTE SMITH'S ELEGIAC SONNETS

K. Rogers, 2009 .

Coda: From Scorpions to Spiders in A.S. Byatt’s Possession

K. Rogers, 2019 .

The Stings of Love: Erotomania and Nymphomania in John Keats’s Isabella, or the Pot of Basil and Charlotte Dacre’s The Passions

K. Rogers, 2019 .

Definitions of Feminine Virtue: Exploring the Ideologies of Ariosto, Tasso, and Spenser An essay submitted in partial fulfillment of the requirements for graduation from the Honors College at the College of Charleston with a Bachelor of Arts in English

P. Doty, K. Rogers, M. Mclaughlin, 2014 .

Revolutiana and the Sublime in George Gleig’s Subaltern, Lord Byron’s Siege of Corinth, and Joanna Baillie’s Count Basil

K. Rogers, 2019 .