Daniel Martin

发表

The superhero and the cyberpunk: transforming genres in Spider-Man 2099

Daniel Martin, 2015 .

Ghostly Foundations: Multicultural Space and Vancouver’s Chinatown in Sky Lee’s Disappearing Moon Cafe

Daniel Martin, 2004 .

Reckoning with the Past: The History and Historiography of the Kisrawan Uprising

Daniel Martin, 2012 .

Japan’s Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring

Daniel Martin, 2009 .

Subtitles and Audiences: The Translation and Global Circulation of the Films of Akira Kurosawa

Daniel Martin, 2017 .

South Korean animation today: national identity and the appeal to local audiences

Daniel Martin, 2018, Journal of Japanese and Korean Cinema.

How Wonderful Days Became Sky Blues: The Transnational Circulation of South Korean Animation

Daniel Martin, 2011 .

Body of Action, Face of Authenticity: Symbolic Stars in the Transnational Marketing and Reception of East Asian Cinema

Daniel Martin, 2014 .

Reanimating the Dark Knight: Superheroes, Animation and the Critical Reception of The Lego Batman Movie

Daniel Martin, 2020 .

The Left Behind: Precarity, Place and Racial Identity in the Contemporary ‘Serious Drama’

Daniel Martin, 2023, Journal of British Cinema and Television.

John Fowles' narrative stylistics in The Collector, Daniel Martin, and A Maggot

Daniel Martin, 2017 .

Korean Horror Cinema

A. Peirse, Daniel Martin, 2013 .

Extreme Asia: The Rise of Cult Cinema from the Far East

Daniel Martin, 2015 .

The Americanization of the Hong Kong Kung Fu Hero: Orientalism and Social Class in Marvel Comics’Iron Fist

Daniel Martin, 2018, Journal of Popular Culture.

Railway Fatigue and the Coming-of-Age Narrative in Lady Audley’s Secret

Daniel Martin, 2015 .

South Korean Cinema’s Postwar Pain: Gender and National Division in Korean War Films from the 1950s to the 2000s

Daniel Martin, 2014 .

Choices and consequences: Methodological issues in the study of gender.

V. Rabinowitz, Daniel Martin, 2001 .