G. Bolens

发表

Inventive embodiment and sensorial imagination in medieval drawings: The marginalia of the Walters Book of Hours MS W.102

G. Bolens, 2022, Cogent Arts & Humanities.

Kinesic intelligence, medieval illuminated psalters, and the poetics of the psalms

G. Bolens, 2022, Studia Neophilologica.

Embodied Cognition, Kinaesthetic Knowledge, and Kinesic Imagination in Literature and Visual Arts

G. Bolens, 2022, Frontiers in Communication.

Kinesis in Literature and the Cognitive Dynamic of Gestures in Chaucer, Shakespeare, and Cervantes

G. Bolens, 2018 .

Kinesthetic Empathy in Charlie Chaplin's Silent Films

G. Bolens, 2012 .

The limits of textuality : Mobility and fire production in Homer and Beowulf

G. Bolens, 2001 .

Chess, Clocks, and Counsellors in Chaucer'S Book Of The Duchess

G. Bolens, Paul Taylor, 2001 .

Traditions of Simulated Folly in The Canterbury Interlude and Tale of Beryn

G. Bolens, 2010 .

Kit's Sneeze: Bodily Communication, Gender Roles and the Performativity of Literature in the Prologue to the Tale of Beryn

G. Bolens, 2011 .

The Sense of Movement in the Stanzaic Morte Arthur and the Alliterative Morte Arthure

G. Bolens, 2022, English Studies.

G. Bolens, 2021 .

Horse-Riding Storytellers and Distributed Cognition in Chaucer’s Canterbury Tales

G. Bolens, 2019, Distributed Cognition in Medieval and Renaissance Culture.

The Gunpowder Revolution in Literature: Early Modern Wounds in Folengo and Rabelais

G. Bolens, 2018 .

The Style of Gestures: Embodiment and Cognition in Literary Narrative

G. Bolens, 2012 .

Medieval and Early Modern Authorship

L. Erne, G. Bolens, 2011 .

Adults’ visual recognition of actions simulations by finger gestures (ASFGs) produced by sighted and blind individuals

E. Gentaz, Jennifer Malsert, Amaya Palama, 2019, PloS one.