Mitsuko Aramaki

发表

Time–Frequency Synthesis of Noisy Sounds With Narrow Spectral Components

Richard Kronland-Martinet, Damián Marelli, Mitsuko Aramaki, 2010, IEEE Transactions on Audio, Speech, and Language Processing.

Timbre control of a real-time percussive synthesizer

Richard Kronland-Martinet, Mitsuko Aramaki, Thierry Voinier, 2007 .

Navigating in a space of synthesized interaction-sounds: rubbing, scratching and rolling sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Olivier Derrien, 2013 .

Relationship between sound classification of xylophone-like bars and wood species properties

Richard Kronland-Martinet, Henri Baillères, Mitsuko Aramaki, 2006 .

Exploring the usability of sound strategies for guiding task: toward a generalization of sonification design

Mitsuko Aramaki, Sølvi Ystad, Charles Gondre, 2013 .

Intuitive Control of Rolling Sound Synthesis

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2012, CMMR.

Music Technology with Swing

Matthew E. P. Davies, Richard Kronland-Martinet, Mitsuko Aramaki, 2017, Lecture Notes in Computer Science.

Towards congruent BCI feedback

Richard Kronland-Martinet, Emmanuel Christophe, Jérémy Frey, 2018 .

Spatialized additive synthesis of environmental sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Verron, 2008 .

Rolling sound synthesis : work in progress

Richard Kronland-Martinet, Mitsuko Aramaki, Simon Conan, 2012, CMMR 2012.

Bridging People and Sound

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2016, Lecture Notes in Computer Science.

On the potentiality of abstract sounds in perception research

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2010, CMMR 2010.

Perception-based interactive sound synthesis of morphing solids' interactions

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2015, SIGGRAPH Asia Technical Briefs.

Modal Analysis of Impact Sounds with ESPRIT in Gabor Transforms

Richard Kronland-Martinet, Mitsuko Aramaki, Olivier Derrien, 2011 .

Exploring the perceived harshness of cello sounds by morphing and synthesis techniques.

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2017, The Journal of the Acoustical Society of America.

The process of sonification design for guidance tasks

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2015 .

Modeling vibrations response of wooden beams with singularities using mechanical models

Henri Baillères, Mitsuko Aramaki, Loïc Brancheriau, 2000 .

Evaluation of a congruent auditory feedback for Motor Imagery BCI pdf

Richard Kronland-Martinet, Emmanuel Christophe, Jérémy Frey, 2018, ArXiv.

Effects of Test Duration in Subjective Listening Tests

Richard Kronland-Martinet, Guillaume Lemaitre, Mitsuko Aramaki, 2016, ICMC.

Sound Categorization and Conceptual Priming for Nonlinguistic and Linguistic Sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2010, Journal of Cognitive Neuroscience.

Sound Morphologies Due To Non-Linear Interactions: Towards A Perceptive Control Of Environmental Sound-Synthesis Processes

Stefan Bilbao, Mitsuko Aramaki, Richard Kronland Martinet, 2018 .

Proceedings of the 6th international conference on Auditory Display

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2009 .

On the influence of non-linear phenomena on perceived interactions in percussive instruments

Richard Kronland-Martinet, Mitsuko Aramaki, Stefan Bilbao, 2019 .

Modeling vibrations response of wooden beams with singularities using sound synthesis models

Henri Baillères, Mitsuko Aramaki, Loïc Brancheriau, 2000 .

Assessing the Effects of a Primary Control Impairment on the Cellists’ Bowing Gesture Inducing Harsh Sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2018, IEEE Access.

A Synthesis Model With Intuitive Control Capabilities for Rolling Sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Olivier Derrien, 2014, IEEE/ACM Transactions on Audio, Speech, and Language Processing.

Resynthesis of Coupled Piano String Vibrations Based on Physical Modeling

Richard Kronland-Martinet, Mitsuko Aramaki, Laurent Daudet, 2001 .

CONTROLLINGA SPATIALIZED ENVIRONMENTALSOUND SYNTHESIZER

Mitsuko Aramaki, Charles Verron, Grégory Pallone, 2009 .

Controlling the Perceived Material in an Impact Sound Synthesizer

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2011, IEEE Transactions on Audio, Speech, and Language Processing.

Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion

Richard Kronland-Martinet, Mitsuko Aramaki, Lionel Bringoux, 2016, PloS one.

Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2013, CMMR.

Sonifying drawings: characterization of perceptual attributes of sounds produced by human gestures

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2012 .

A spatialized additive synthesizer

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Verron, 2007 .

Perceptual differences between sounds produced by different continuous interactions

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2012 .

Synthesis and perceptual manipulation of percussive sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Thierry Voinier, 2005, ICMC.

Harnessing Audio in Auto Control: The Challenge of Sonifying Virtual Objects for Gesture Control of Cars

Richard Kronland-Martinet, Mitsuko Aramaki, Sebastien Denjean, 2018, IEEE Consumer Electronics Magazine.

A 3-D Immersive Synthesizer for Environmental Sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Verron, 2010, IEEE Transactions on Audio, Speech, and Language Processing.

From shape to sound: sonification of two dimensional curves by reenaction of biological movements

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2012, CMMR 2012.

Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical Expressivity

Richard Kronland-Martinet, Christophe Bourdin, Delphine Chadefaux, 2015, CMMR.

Synchronizing Gestures with Friction Sounds: Work in Progress

Richard Kronland-Martinet, Christophe Bourdin, Mitsuko Aramaki, 2013 .

Exploration of Sonification Strategies for Guidance in a Blind Driving Game

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2017, CMMR.

Music, Mind, and Embodiment

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2016, Lecture Notes in Computer Science.

Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2008, CMMR.

High-level control of sound synthesis for sonification processes

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2011, AI & SOCIETY.

Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and Materials

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2017, CMMR.

Sound, Music, and Motion

Richard Kronland-Martinet, Mitsuko Aramaki, Olivier Derrien, 2013, Lecture Notes in Computer Science.

Controlling a spatialized environmental sound synthesizer

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Verron, 2009, 2009 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics.

From Piano String Vibrations to the Acoustic Field Radiated by the Soundboard

Mitsuko Aramaki, Philippe Guillemain, Alain Roure, 2001, ICMC.

An intuitive synthesizer of sustained interaction sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2013 .

Analysis-synthesis of impact sounds by real-time dynamic filtering

Richard Kronland-Martinet, Mitsuko Aramaki, R. Kronland-Martinet, 2006, IEEE Transactions on Audio, Speech, and Language Processing.

Perceptual characterization of motion evoked by sounds for synthesis control purposes

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2013, TAP.

Exploring Music Contents

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2010, Lecture Notes in Computer Science.

Proceedings of the 7th international conference on Exploring music contents

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2010 .

A unified time-frequency method for synthesizing noisy sounds with short transients and narrow spectral components

Richard Kronland-Martinet, Damián Marelli, Mitsuko Aramaki, 2010, ICASSP.

Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2009, CMMR.

Eluding the Physical Constraints in a Nonlinear Interaction Sound Synthesis Model for Gesture Guidance

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2016 .

An Intuitive Synthesizer of Continuous-Interaction Sounds: Rubbing, Scratching, and Rolling

Richard Kronland-Martinet, Mitsuko Aramaki, Olivier Derrien, 2014, Computer Music Journal.

Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2012, CMMR.

An Efficient Time–Frequency Method for Synthesizing Noisy Sounds With Short Transients and Narrow Spectral Components

Richard Kronland-Martinet, Damián Marelli, Mitsuko Aramaki, 2012, IEEE Transactions on Audio, Speech, and Language Processing.

Analysis/synthesis and spatialization of noisy environmental sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Verron, 2009 .

Controlling a non linear friction model for evocative sound synthesis applications

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2013 .

Analysis-synthesis of impact sounds

Richard Kronland-Martinet, Mitsuko Aramaki, 2004, 2004 12th European Signal Processing Conference.

When eyes drive hand: Influence of non-biological motion on visuo-motor coupling

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2016, Neuroscience Letters.

Abstract Sounds and Their Applications in Audio and Perception Research

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2010, CMMR.

Perceptual Control of Environmental Sound Synthesis

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2011, CMMR/FRSM.

Timbre from Sound Synthesis and High-Level Control Perspectives

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2019, Timbre: Acoustics, Perception, and Cognition.

Comparison and Evaluation of Sonification Strategies for Guidance Tasks

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Gondre, 2016, IEEE Transactions on Multimedia.

Perceptual Categorization of Moving sounds for synthesis Applications

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2007, ICMC.

Electrophysiological Study of Algorithmically Processed Metric/Rhythmic Variations in Language and Music

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2006, EURASIP J. Audio Speech Music. Process..

Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2008, CMMR.

Spatialized Synthesis of Noisy Environmental Sounds

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Verron, 2009, CMMR/ICAD.

Imagine the Sounds: An Intuitive Control of an Impact Sound Synthesizer

Richard Kronland-Martinet, Mitsuko Aramaki, Thierry Voinier, 2009, CMMR/ICAD.

Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features

Richard Kronland-Martinet, Christophe Bourdin, Mitsuko Aramaki, 2013, CMMR.

Sound Selection for Gesture Sonification and Manipulation of Virtual Objects

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2017 .

A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes

Richard Kronland-Martinet, Mitsuko Aramaki, Thierry Voinier, 2006, Computer Music Journal.

Conceptual priming for realistic auditory scenes and for auditory words

Mitsuko Aramaki, Mireille Besson, Aline Frey, 2014, Brain and Cognition.

From Sounds to Music and Emotions

Richard Kronland-Martinet, Mitsuko Aramaki, Mathieu Barthet, 2012, Lecture Notes in Computer Science.

Explorer Sound Morphologies Due To Non-Linear Interactions

Richard Kronland-Martinet, Stefan Bilbao, Mitsuko Aramaki, 2018 .

Prospective View on Sound Synthesis BCI Control in Light of Two Paradigms of Cognitive Neuroscience

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2014 .

The effect of real-time auditory feedback on learning new characters.

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2015, Human movement science.

Is the distinction between intra- and extra-musical meaning implemented in the brain? Comment on "Towards a neural basis of processing musical semantics" by Stefan Koelsch.

Mitsuko Aramaki, Mireille Besson, Aline Frey, 2011, Physics of life reviews.

Eluding the Influence of Postural Constraints on Cellists' Bowing Movements and Timbral Quality

Richard Kronland-Martinet, Christophe Bourdin, Mitsuko Aramaki, 2016, CMMR.

Sound quality assessment of wood for xylophone bars.

Richard Kronland-Martinet, Henri Baillères, Mitsuko Aramaki, 2007, The Journal of the Acoustical Society of America.

Categorization and timbre perception of environmental sounds in schizophrenia

Richard Kronland-Martinet, Mitsuko Aramaki, Jean-Arthur Micoulaud-Franchi, 2011, Psychiatry Research.

From sound to shape: auditory perception of drawing movements.

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2014, Journal of experimental psychology. Human perception and performance.

Spatialized additive synthesis

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Verron, 2008 .

THINKING THE SOUNDS : AN INTUITIVE CONTROL OF AN IMPACT SOUND SYNTHESIZER

Richard Kronland-Martinet, Mitsuko Aramaki, Charles Gondre, 2009 .

“Let Me Hear Your Handwriting!” Evaluating the Movement Fluency from Its Sonification

Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad, 2015, PloS one.

Toward an exploration of feeling of strangeness in schizophrenia: perspectives on acousmatic and everyday listening.

Richard Kronland-Martinet, Mitsuko Aramaki, Jean-Arthur Micoulaud-Franchi, 2012, Journal of abnormal psychology.