I. Winter

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Carchemish ša kišad puratti

I. Winter, 1983 .

Is There a South Syrian Style of Ivory Carving in the Early First Millennium B.C.?

I. Winter, 1981, Iraq.

Phoenician and North Syrian Ivory Carving in Historical Context: Questions of Style and Distribution

I. Winter, 1976, Iraq.

Culture and History of the Ancient Near East

I. Winter, E. Frahm, 2008 .

Chapter Twenty-Three. ‘Idols Of The King’: Royal Images As Recipients Of Ritual Action In Ancient Mesopotamia

I. Winter, 2009 .

Chapter Twenty-Five. Reading Ritual In The Archaeological Record: Deposition Pattern And Function Of Two Artifact Types From The Royal Cemetery Of Ur

I. Winter, 2009 .

Chapter Twenty. Tree(S) On The Mountain: Landscape And Territory On The Victory Stele Of Naram-Sîn Of Agade

I. Winter, 2009 .

Chapter Three. Le Palais Imaginaire: Scale And Meaning In The Iconography Of Neo-Assyrian Cylinder Seals

I. Winter, 2009 .

Chapter Two. Art In Empire: The Royal Image And The Visual Dimensions Of Assyrian Ideology

I. Winter, 2009 .

Chapter Twenty-Two. The Body Of The Able Ruler: Toward An Understanding Of The Statues Of Gudea

I. J. Winter, I. Winter, 2009 .

Royal Rhetoric and the Development of Historical Narrative in Neo-Assyrian Reliefs

Irene J. Winter, I. Winter, 1981 .

Chapter Nineteen. Sex, Rhetoric, And The Public Monument: The Alluring Body Of Naram-Sîn Of Agade

I. Winter, 2009 .

Chapter Thirty-Three. Babylonian Archaeologists Of The(Ir) Mesopotamian Past

I. Winter, 2009 .

The Hasanlu Gold Bowl : Thirty Years Later in East of Assyria : the Highland Settlement of Hasanlu.

I. Winter, 1989 .

On the Problems of Karatepe: The Reliefs and their Context

I. Winter, 1979, Anatolian Studies.

Chapter Thirteen. Art As Evidence For Interaction: Relations Between The Assyrian Empire And North Syria

I. Winter, 2009 .

Chapter Eighteen. Women In Public: The Disk Of Enheduanna, The Beginning Of The Office Of En-Priestess, And The Weight Of Visual Evidence

I. Winter, 2009 .

What/When is a Portrait?: Royal Images of the Ancient Near East

I. Winter, 2009 .

On Art in the Ancient Near East Volume II: From the Third Millennium BCE

I. Winter, 2009 .

On Art in the Ancient Near East, Volume 1 Of the First Millennium BCE On Art in the Ancient Near East Volume I

I. Winter, 2009 .

Ornamental Wall Painting in the Art of the Assyrian Empire

I. Winter, 2007 .

On Art in the Ancient Near East

I. Winter, 2009 .

Ornament and the rhetoric of abundance in Assyria

I. Winter, 2009 .

Carved Ivory Furniture Panels from Nimrud: A Coherent Subgroup of the North Syrian Style

I. Winter, 1976, Metropolitan Museum Journal.

"Seat Of Kingship"/"A Wonder To Behold": The Palace As Construct In The Ancient Near East

I. Winter, 2009 .

Agency Marked, Agency Ascribed: The Affective Object in Ancient Mesopotamia

I. Winter, 2008 .

Chapter Ten. Establishing Group Boundaries: Toward Methodological Refinement In The Determination Of Sets As A Prior Condition To The Analysis Of Cultural Contact And/Or Innovation In First Millennium B.C.E. Ivory Carving

I. J. Winter, I. Winter, 2009 .

Seals and seal impressions

W. Hallo, I. Winter, 2001 .

CULTURE AND HISTORY OF THE ANCIENT NEAR EAST

Leslie Anne Warden, Tero Alstola, W. Garr, 2003 .

Chapter Fifteen. Homer’S Phoenicians: History, Ethnography, Or Literary Trope? [A Perspective On Early Orientalism]

I. Winter, 2009 .

Chapter Eight. North Syria As A Bronzeworking Centre In The Early First Millennium B.C.: Luxury Commodities At Home And Abroad

I. Winter, 2009 .

Chapter Twenty-Seven. The Aesthetic Value Of Lapis Lazuli In Mesopotamia

I. Winter, 2009 .

Chapter Twenty-Eight. Agency Marked, Agency Ascribed: The Affective Object In Ancient Mesopotamia

I. Winter, 2009 .

Chapter Thirty-One. The Affective Properties Of Styles: An Inquiry Into Analytical Process And The Inscription Of Meaning In Art History

I. Winter, 2009 .