P. Nordhagen

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Icons Designed for the Display of Sumptuous Votive Gifts

P. Nordhagen, 1987 .

Studies in Byzantine and early medieval painting

P. Nordhagen, 1990 .

The Art of Recycling Fresco-Icons. At the Roots of the Cult of Images.

P. Nordhagen, 2019, Acta ad archaeologiam et artium historiam pertinentia.

C. R. Morey and his Theory on the Development of Early Medieval Art 1

P. Nordhagen, 1992 .

The Frescoes of John VII (A. D. 705-707) in Santa Maria Antiqua in Rome

H. Orange, Josephine M. Harris, P. Nordhagen, 1970 .

The Codex Amiatinus and the Byzantine element in the Northumbrian renaissance

P. Nordhagen, 1977 .

The Mosaics of John VII, 705-707 A.D.

P. Nordhagen, 1965 .

Byzantine art and the West: The legacy of O. Demus

P. Nordhagen, 1991 .

THE MOSAICS OF THE GREAT PALACE OF THE BYZANTINE EMPERORS

P. Nordhagen, 1963 .

The Case of the Missing Anastasis. An iconographical conundrum in the presbytery of S. Maria Antiqua

P. O. Folgerø, P. Nordhagen, 2020 .

Lorentz Dietrichson (1834-1917) and the Beginnings of Systematic Studies on Iconography

P. Nordhagen, 2018, CLARA.

John VII's Adoration of the Cross in S. Maria Antiqua

P. Nordhagen, 1967, Journal of the Warburg and Courtauld Institutes.

Iconoclasm: Rupture or Interlude? A Reassessment of the Evidence

P. Nordhagen, 2017 .

"THE HARROWING OF HELL" AS IMPERIAL ICONOGRAPHY. A NOTE ON ITS EARLIEST USE.

P. Nordhagen, 1982 .

In the Iconographer's studio. The fashioning of the new motif types in Pre-Iconoclastic art.

P. Nordhagen, 1970 .

THE ORIGIN OF THE WASHING OF THE CHILD IN THE NATIVITY SCENE

P. Nordhagen, 1961 .