Beverley Diamond

发表

Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology’s Coherence

Beverley Diamond, 2006, Ethnomusicology.

The Power of Stories: Canadian Music Scholarship’s Narratives and Counter-Narratives

Beverley Diamond, 2015 .

Native American ways of (music) history

Beverley Diamond, 2013 .

Aboriginal Music in Contemporary Canada: Echoes and Exchanges

Anna Hoefnagels, Beverley Diamond, 2012 .

The Sámi People: Traditions in Transition. By Veli-Pekka Lehtola. (Translated by Linna Weber Muller-Wille, Aanaar-Inari: Kustannus-Puntsi, 2002. Pp. 136, ill., ISBN 952-5343-11-1.)

Beverley Diamond, 2003 .

Music and gender

Pirkko Moisala, Beverley Diamond, Beverley Diamond, 2000 .

What's the Difference? Reflections on Discourses of Morality, Modernism, and Mosaics in the Study of Music in Canada

Beverley Diamond, 2000 .

Canadian music : issues of hegemony and identity

R. Witmer, Beverley Diamond, 1994 .

Shadows in the Field. New Perspectives for Fieldwork in Ethnomusicology. 2nd edition. Gregory Barz and Timothy J. Cooley (eds.).

Beverley Diamond, 2013 .

Western Music and Its Others: Difference, Representation, and Appropriation in Music.

D. Hesmondhalgh, Beverley Diamond, 2019 .

Hatton, Giglio, or Vennum for Plains; or the Tedlocks for Pueblo chapters

Beverley Diamond, 2016 .

Re-placing Performance: A case study of the Yukon music scene in the Canadian north

Beverley Diamond, 2001 .

Native American contemporary music: The women

Beverley Diamond, 2002 .