Peter Desain

发表

Make Me a Match: An Evaluation of Different Approaches to ScorePerformance Matching

Luke Windsor, Hank Heijink, Peter Desain, 2000, Computer Music Journal.

Tree doctor, a software package for graphical manipulation and animation of tree structures

Peter Desain, 1986 .

A decomposition model of expressive timing

Peter Desain, A. Penel, E.G.G. Maris, 1999 .

Graphical Programming in Computer Music: A Proposal

Peter Desain, 1986, ICMC.

Brain-Computer Interfacing using selective attention and frequency- tagged stimuli

Peter Desain, Rianne Hupse, Michiel Kallenberg, 2006 .

Designing a multi trial classifier for EEG signals: classifying for EEG signals: classifying rhythms perceived

B. J. de Kruif, Peter Desain, 2006 .

Review of ZIPI: Proposal of a New Networking Interface for Electronic Musical Devices (version 1.0.)

Peter Desain, Henkjan Honing, 1994 .

Advanced issues in beat induction modeling: syncopation, tempo and timing

Peter Desain, Henkjan Honing, 1994, ICMC.

Programming language design for music

Roger B. Dannenberg, Peter Desain, Henkjan Honing, 1997 .

Rhythmic stability as explanation of category size

Peter Desain, Henkjan Honing, 2002 .

LOCO, composition microworld, manual Apple IIe

Peter Desain, Henkjan Honing, 1987 .

Development of real-time visual feedback assistance in singing training: a review

Peter Desain, Makiko Sadakata, D. Hoppe, 2006, J. Comput. Assist. Learn..

Computational modelling of rhythm perception

Peter Desain, Henkjan Honing, 1997 .

Single trial ERP allows Detection of Perceived and Imagined Rhythm

Peter Desain, Henkjan Honing, 2003, IJCAI 2003.

Foot-tapping: a brief intoduction to beat induction

Peter Desain, Henkjan Honing, 1994, ICMC.

Music, Mind, Machine: beatinductie computationeel modelleren [Music, Mind, Machine: computational modeling of beat-induction]

Peter Desain, Henkjan Honing, 1997 .

A (De)Composable Theory of Rhythm Perception

Peter Desain, P. Desain, 1992 .

The Bayesian Way to Relate Rhythm Perception and Production

Peter Desain, Henkjan Honing, Makiko Sadakata, 2006 .

Tempo curves considered harmful (part 1)

Peter Desain, Henkjan Honing, 1991 .

State-of-the-art in fundamental frequency tracking

Peter Desain, Henkjan Honing, Stéphane Rossignol, 2001 .

The quantization problem: traditional and connectionist approaches

Peter Desain, Henkjan Honing, 1992 .

Generalized Time Functions

Peter Desain, Henkjan Honing, 1991, ICMC.

Improving rhythmic performance with the aid of visual feedback

Peter Desain, Alex Brandmeyer, Renee Timmers, 2007 .

Towards Algorithmic Descriptions of Continuous Modulations of Musical Parameters

Peter Desain, Henkjan Honing, 1995, ICMC.

Tempo Curves Considered Harmful

Peter Desain, Henkjan Honing, 1991, ICMC.

Spectral analysis of timing profiles of piano performances

Peter Desain, Henkjan Honing, Paul Trilsbeek, 2001, ICMC.

LOCO, composition microworld, manual Apple Macintosh

Peter Desain, Henkjan Honing, 1988 .

Parsing the parser: A case study in programming style

Peter Desain, 1991 .

Waiting for the gift of sound and vision, on natural language sentence production in multi-modal interfaces

Peter Desain, K. de Smedt, B. Geurts, 1987 .

A Connectionist Quantizer

Peter Desain, Henkjan Honing, Klaus de Rijk, 1989, ICMC.

Generalising generalised time functions

Peter Desain, Henkjan Honing, 1992 .

Afasie Gespreksboek, van papier naar app [Gespreksboek: transforming a paper based communication aid for people with aphasia into an app]

Wessel Kraaij, Peter Desain, M. B. Ruiter, 2014 .

Rule-based models of initial beat induction and an analysis of their behaviour

Peter Desain, Henkjan Honing, 1994 .

Quantization of musical time: a connectionist approach

Peter Desain, Henkjan Honing, P. Desain, 1989 .

An Ergonomic Model of Keyboard Fingering for Melodic Fragments Sibelius Academy of Music, Helsinski

Peter Desain, John A. Sloboda, Richard Parncutt, 2022 .

Brain-Computer Interfacing using frequency tagged stimuli

B. J. de Kruif, Peter Desain, Michiel Kallenberg, 2006 .

Real-Time Visual Feedback for Learning to Perform Short Rhythms with Expressive Variations in Timing and Loudness

Peter Desain, Makiko Sadakata, Alex Brandmeyer, 2008 .

Detecting imagined music from EEG

Patrick Suppes, Peter Desain, Marcos Perreau Guimaraes, 2008 .

The effect of real-time visual feedback on the training of expressive performance skills

Peter Desain, Makiko Sadakata, Alex Brandmeyer, 2006 .

Probabilistic classification of the style of drum performances

Peter Desain, Alex Brandmeyer, Renee Timmers, 2007 .

Introducing a model of grace note timing

Peter Desain, Henkjan Honing, Paul Trilsbeek, 2002 .

Rulebased models of initial beat induction and an analysis of their behavior

Peter Desain, Henkjan Honing, 1994, ICMC.

EEG signatures of subjective rhythmisation and applications to Brain-Computer Interfacing.

Peter Desain, Rebecca Schaefer, 2007 .

A connectionist and a traditional AI quantizer, symbolic versus sub-symbolic models of rhythm perception

Peter Desain, P. Desain, 1993 .

Tempo curves considered harmful. A critical review of the representation of timing in computer music

Peter Desain, Henkjan Honing, P. Desain, 1991 .

Vibrato and portamento, hypotheses and tests

Peter Desain, 1999 .

Subjective rhythmization as a paradigm for BCI

Jason Farquhar, Peter Desain, Stan C. A. M. Gielen, 2009 .

A structurally guided method for the decomposition of expression in music performance.

Peter Desain, W Luke Windsor, Amandine Penel, 2006, The Journal of the Acoustical Society of America.

What Ever Happened to our Beautiful Schematics

Peter Desain, Tom Brus, 1993, ICMC.

The Role of Visual Feedback and Creative Exploration for the Improvement of Timing Accuracy in Performing Musical Ornaments

Peter Desain, Makiko Sadakata, Renee Timmers, 2012 .

Lisp programming for computer music

Peter Desain, Henkjan Honing, 1993 .

Online decoding of object‐based attention using real‐time fMRI

Mannes Poel, Peter Desain, Stefan Klanke, 2014, The European journal of neuroscience.

Quantifying inter-subject agreement in brain-imaging analyses

Patrick Suppes, Peter Desain, Dik Kin Wong, 2008, NeuroImage.

Re(con)volution: Accurate Response Prediction for Broad-Band Evoked Potentials-Based Brain Computer Interfaces

Jason Farquhar, Peter Desain, Jordy Thielen, 2017, Brain-Computer Interface Research.

Robust Time-quantization for Music, from Performance to Score

Ali Taylan Cemgil, Hilbert J. Kappen, Peter Desain, 1999 .

Re-phrase: chat-by-click: a fundamental new mode of human communication over the internet

Peter Desain, Jeroen Geuze, Joop Ringelberg, 2008, CHI Extended Abstracts.

A computer music composition systems questionaire

Peter Desain, Henkjan Honing, 1993 .

LOCO: A composition microworld in Logo

Peter Desain, Henkjan Honing, 1988 .

Dense codes at high speeds: varying stimulus properties to improve visual speller performance

Peter Desain, Jeroen Geuze, Jason D R Farquhar, 2012, Journal of neural engineering.

CLOSe to the edge? Advanced object-oriented techniques in the representation of musical knowledge

Peter Desain, Henkjan Honing, P. Desain, 1997 .

Physical Motion as a Metaphor for Timing in Music: The Final Ritard

Peter Desain, Henkjan Honing, 1996, ICMC.

Autocorrelation and the Study of Musical Expression

Peter Desain, Siebe de Vos, 1990, ICMC.

On Continuous Musical Control of Discrete Musical Objects

Peter Desain, Henkjan Honing, 1993, ICMC.

Robust Score-Performance Matching: Taking Advantage of Structural Information

Hank Heijink, Peter Desain, Henkjan Honing, 1997, ICMC.

Probing the representation of melody, an ERP study

Peter Desain, Rebecca Schaefer, 2006 .

LOCO: Composition Microworlds in LOGO

Peter Desain, Henkjan Honing, 1986, ICMC.

A Max Forum

Roger B. Dannenberg, Stephen Travis Pope, Peter Desain, 1993 .

Semantic Probing: Feasibility of using sequential probes to decode what is on a user’s mind

Karen Dijkstra, Jason Farquhar, Peter Desain, 2018, bioRxiv.

Practice Space: A platform for real-time visual feedback in music instruction

Peter Desain, Makiko Sadakata, Alex Brandmeyer, 2006 .

Can Computer Music Benefit from Cognitive Models of Rhythm Perception?

Peter Desain, 1992, ICMC.

How to evaluate generative models of expression in music performance

Peter Desain, Henkjan Honing, 1997, IJCAI 1997.

Shared processing of perception and imagery of music in decomposed EEG

Jason Farquhar, Peter Desain, Rebecca S. Schaefer, 2013, NeuroImage.

CLOSe to the edge? Multiple and mixin inheritance, multi methods, and method combination as techniques in the representation of musical knowledge

Peter Desain, Henkjan Honing, 1993 .

Modeling the effect of meter in rhythmic categorization; Preliminary results

Peter Desain, Henkjan Honing, 2001 .

Refined Knowledge-Based ƒ0 Tracking: Comparing Three Frequency Extraction Methods

Peter Desain, Henkjan Honing, Stéphane Rossignol, 2001, ICMC.

Author environments: fifth generation text processors

Peter Desain, Gerard Kempen, Leo Konst, 1987 .

Conference for Applied Neuroscience

Peter Desain, Bas De Kruif, Rebecca Schaefer, 2007 .

Name that tune: Decoding music from the listening brain

Jason Farquhar, Peter Desain, Makiko Sadakata, 2011, NeuroImage.

Feasibility of measuring event Related Desynchronization with electroencephalography during walking

Peter Desain, Jacques Duysens, M. Severens, 2012, 2012 Annual International Conference of the IEEE Engineering in Medicine and Biology Society.

Time functions function best as functions of multiple times

Peter Desain, Henkjan Honing, 1992 .

What BCI research needs

Jason Farquhar, Peter Desain, Pim Haselager, 2008, CHI 2008.

Can music cognition benefit from computer music research? From foot-tapper systems to beat induction models

Peter Desain, Henkjan Honing, P. Desain, 1994 .

Rhythm Perception and Production

Luke Windsor, Peter Desain, 2000 .

Computational Modeling of Music Cognition: Problem or Solution?

Luke Windsor, Peter Desain, Henkjan Honing, 1998 .

How identification of rhythmic categories depends on tempo and meter

Peter Desain, Henkjan Honing, Cornelis Maria Jansen, 2000 .

A multi-signature brain–computer interface: use of transient and steady-state responses

Jason Farquhar, Peter Desain, Marianne Severens, 2013, Journal of neural engineering.

Aep p300 modulation by two different temporal contexts in both rhythmically trained and nontrained subjects

Peter Desain, Henkjan Honing, T. van Rijn, 2002 .

Structural decomposition of EEG signatures of melodic processing

Patrick Suppes, Peter Desain, Rebecca S. Schaefer, 2009, Biological Psychology.

Towards a Communication Brain Computer Interface Based on Semantic Relations

Jason Farquhar, Peter Desain, Jeroen Geuze, 2014, PloS one.

The Timing of Grace Notes in Skilled Musical Performance at Different Tempi: A Preliminary Case Study

Luke Windsor, Hank Heijink, Peter Desain, 2001 .

Auditory selective attention as a method for a brain computer interface

Peter Desain, Stan Gielen, Michiel Kallenberg, 2007 .

Towards a calculus for expressive timing in music

Peter Desain, Henkjan Honing, P. Desain, 1991 .

An analysis of rhythm in japanese and english popular music

Peter Desain, Henkjan Honing, Makiko Sadakata, 2003 .

Matching Scores and Performances

Hank Heijink, Peter Desain, Henkjan Honing, 2001 .

The Formation of Rhythmic Categories and Metric Priming

Peter Desain, Henkjan Honing, P. Desain, 2003, Perception.

Rhythmic context influences the auditory evoked potentials of musicians and nonmusicians

Peter Desain, Henkjan Honing, P. Desain, 2004, Biological Psychology.

A cross-cultural study of the rhythm in English and Japanese popular music

Peter Desain, Henkjan Honing, Makiko Sadakata, 2004 .

Neural dynamics during repetitive visual stimulation

Peter Desain, Tsvetomira Tsoneva, Gary Garcia-Molina, 2015, Journal of neural engineering.

Timing of Ornaments in the Theme from Beethoven's Paisiello Variations: Empirical Data and a Model

Peter Desain, Henkjan Honing, W. L. Windsor, 2002 .

Single trial classification of perceived and imagined music from EEG

Jason Farquhar, Peter Desain, Yvonne Blokland, 2009 .

Learning expressive percussion performance under different visual feedback conditions

Peter Desain, Makiko Sadakata, Alex Brandmeyer, 2010, Psychological research.

Editor's notes: Putting Max in perspective

Peter Desain, Henkjan Honing, 1993 .

Society for Neuroscience Meeting

Peter Desain, Rutger Vlek, Rebecca Schaefer, 2010 .

On time: the influence of tempo, structure and style on the timing of grace notes in skilled musical perfomance

Hank Heijink, Peter Desain, Henkjan Honing, 2000 .

Does expressive timing in music performance scale proportionally with tempo?

Peter Desain, Henkjan Honing, P. Desain, 1994 .

Music Performance Panel: NICI / MMM Position Statement

Peter Desain, Henkjan Honing, Renee Timmers, 2003 .

Modeling Continuous Aspects of Music Performance: Vibrato and Portamento

Peter Desain, Henkjan Honing, 1996 .

Data processing in music performance research: Using structural information to improve score-performance matching

Luke Windsor, Hank Heijink, Peter Desain, 2000, Behavior research methods, instruments, & computers : a journal of the Psychonomic Society, Inc.

The Influence of Musical Context on Tempo Rubato

Hank Heijink, Peter Desain, Richard D Ashley, 2000 .

Rhythmic aspects of vibrato

Peter Desain, Henkjan Honing, W. L. Windsor, 1998 .

Effects of Tempo on the Timing of Simple Musical Rhythms

Peter Desain, W. L. Windsor, Bruno H. Repp, 2002 .

Preserved and attenuated electrophysiological correlates of visual spatial attention in elderly subjects

Jason Farquhar, Peter Desain, Luciano Fasotti, 2017, Behavioural Brain Research.

Decoding Sensorimotor Rhythms during Robotic-Assisted Treadmill Walking for Brain Computer Interface (BCI) Applications

Jason Farquhar, Peter Desain, Bart Nienhuis, 2015, PloS one.

Structural Expression Component Theory (SECT), and a method for decomposing expression in music performance

Peter Desain, Henkjan Honing, 1997 .