Talisha Goh

The Rise and Fall, and the Rise (Again) of Feminist Research in Music: ‘What Goes Around Comes Around’

Sophie Hennekam, D. Bennett, C. Hope, 2017 .

Women composers’ use of online communities of practice to build and support their careers

Sophie Hennekam, D. Bennett, C. Hope, 2019, Personnel Review.

Hiding gender: How female composers manage gender identity

Sophie Hennekam, D. Bennett, C. Hope, 2019, Journal of Vocational Behavior.

Creating a career as a woman composer: Implications for music in higher education

Sophie Hennekam, D. Bennett, C. Hope, 2018, British Journal of Music Education.

An International Perspective on Managing a Career as a Woman Composer

Sophie Hennekam, D. Bennett, C. Hope, 2019 .

Beyond the gender binary: a survey of gender marginalization and social boundaries in Australian jazz and improvisation

Talisha Goh, Cat Hope, Louise Devenish, 2024, Frontiers in psychology.

Gender as performance, experience, identity and, variable: A systematic review of gender research in jazz and improvisation

Margaret S. Barrett, C. Hope, L. Devenish, 2022, Frontiers in Education.