Anne-Solenn Le Hô

The nature of the extraordinary finish of Stradivari's instruments.

Bertrand Lavédrine, Loïc Bertrand, Laurianne Robinet, 2010, Angewandte Chemie.

Elucidation of molecular and elementary composition of organic and inorganic substances involved in 19th century wax sculptures using an integrated analytical approach.

J. Langlois, M. Regert, S. Pagés-Camagna, 2006, Analytica chimica acta.

Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry.

J. Langlois, T. Miyakoshi, M. Regert, 2012, Analytica chimica acta.

Advanced discriminating criteria for natural organic substances of cultural heritage interest: spectral decomposition and multivariate analyses of FT-Raman and FT-IR signatures.

M. Regert, L. Bellot-Gurlet, Celine Daher, 2013, Talanta.

The Consumption of Bone Powder in the Early Neolithic Societies of Southeastern Europe: Evidence of a Diet Stress?

M. Regert, L. Salanova, J. Vieugué, 2015, Cambridge Archaeological Journal.

Photochemical Origin of the Darkening of Copper Acetate and Resinate Pigments in Historical Paintings.

Maria P. Alter, L. Binet, D. Gourier, 2019, Inorganic chemistry.

New highlights on degradation process of verdigris from easel paintings

M. Menu, L. Binet, D. Gourier, 2014 .

Alteration of Asian lacquer: in-depth insight using a physico-chemical multiscale approach.

M. Regert, L. Bellot-Gurlet, J. Desroches, 2013, The Analyst.

Advanced discriminating criteria for natural organic substances of cultural heritage interest: spectral decomposition and multivariate analyses of FT-Raman and FT-IR signatures.

M. Regert, Celine Daher, C. Paris, 2013, Talanta: The International Journal of Pure and Applied Analytical Chemistry.