Marcela Sepúlveda

发表

Superhydrophobic–Oleophobic Visible–Transparent Antireflective Nanostructured Anodic HfO2Multifunctional Coatings for Potential Solar Panel Applications

J. Prásek, A. Mozalev, M. Sepúlveda, 2021 .

Marine food consumption in coastal northern Chilean (Atacama Desert) populations during the Formative Period: Implications of isotopic evidence (C, N, S) for the Neolithic process in south central Andes

H. Bocherens, D. Drucker, P. Richardin, 2016 .

The Dry Puna as an ecological megapatch and the peopling of South America: Technology, mobility, and the development of a late Pleistocene/early Holocene Andean hunter-gatherer tradition in northern Chile

J. Steele, C. Latorre, C. Santoro, 2017 .

Hunter-Gatherer Mobility Strategies in the High Andes of Northern Chile during the Late Pleistocene-Early Holocene Transition (ca. 11,500–9500 CAL B.P.)

José M. Capriles, C. Latorre, C. Santoro, 2017 .

An assessment of methods for the digital enhancement of rock paintings: the rock art from the precordillera of Arica (Chile) as a case study

Enrique Cerrillo-Cuenca, Marcela Sepúlveda, Enrique Cerrillo-Cuenca, 2015 .

Unraveling the polychromy and antiquity of the Pachacamac Idol, Pacific coast, Peru

P. Walter, P. Sarrazin, C. Moulhérat, 2020, PloS one.

Polychromy in the Atacama Desert during the Late Intermediate Period (1000–1450 AD): pigments characterization by XRF and VNIR hyperspectral images

Benjamín Ballester, Philippe Walter, Sebastián Gutiérrez, 2023, Archaeological and Anthropological Sciences.

Independent component analysis (ICA): A statistical approach to the analysis of superimposed rock paintings

Enrique Cerrillo-Cuenca, Marcela Sepúlveda, Zaray Guerrero-Bueno, 2021 .

ELEMENTAL CHARACTERISATION OF PRE-HISPANIC ROCK ART AND ARSENIC IN NORTHERN CHILE

L. Cornejo, M. Sepúlveda, É. Laval, 2012 .

Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America

M. Sepúlveda, Marcela Sepúlveda, 2020 .

First absolute dating of Andean hunter-gatherer rock art paintings from North Central Chile

M. Sepúlveda, A. Troncoso, J. Cárcamo, 2017, Archaeological and Anthropological Sciences.

Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes)

J. L. Ruvalcaba-Sil, M. Sepúlveda, E. Casanova-González, 2021, Heritage Science.

El Condor mine: Prehispanic production and consumption of hematite pigments in the Atacama Desert, northern Chile

M. Sepúlveda, Benjamín Ballester, F. Gallardo, 2019, Journal of Anthropological Archaeology.

Micro-Raman spectral identification of manganese oxides black pigments in an archaeological context in Northern Chile

B. Arriaza, V. Standen, M. Sepúlveda, 2015, Heritage Science.

Yendegaia Rockshelter, the First Rock Art Site on Tierra del Fuego Island and Social Interaction in Southern Patagonia (South America)

Alfredo Prieto, D. Fiore, M. Sepúlveda, 2022, Latin American Antiquity.

Rock art painting and territoriality in the precordillera of northernmost Chile (South-Central Andes). Archeological and spatial approaches to the Naturalistic Tradition

Enrique Cerrillo-Cuenca, M. Sepúlveda, Luis Cornejo, 2017, Quaternary International.

Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)

Eugenia P. Tomasini, V. Careaga, M. Maier, 2018, Heritage Science.