Frédéric Dufeu

发表

Francis Dhomont's Phonurgie: A New Case Study from the TaCEM Project

Michael Clarke, Frédéric Dufeu, Peter Manning, 2015 .

Building analytical tools from digital instruments: methods and perspectives for program reconstructions in Max/MSP and SuperCollider

Frédéric Dufeu, 2011 .

Working with the TIAALS Software

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2013 .

From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun

Peter D. Manning, Frédéric Dufeu, Michael Clarke, 2014, ICMC.

Towards incorporating computer-aided techniques to interactive aural analysis

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2016 .

The Impact of Technology on the Creative Processes of Composing Electroacoustic Music

Michael Clarke, Frédéric Dufeu, Peter Manning, 2013 .

Introducing Tacem and the Tiaals Software

Peter D. Manning, Frédéric Dufeu, Michael Clarke, 2013, ICMC.

An Introduction to the TIAALS software (Tools for Interactive Aural Analysis)

Frédéric Dufeu, Michael F. Clarke, 2013 .

TaCEM: Technology and Creativity in Electroacoustic Music

Michael Clarke, Frédéric Dufeu, Peter Manning, 2015 .

L'instrument numérique comme objet d'analyse des musiques mixtes

Frédéric Dufeu, Frédéric Dufeu, 2010 .

How Can We Model Behaviours of Digital Instruments?: Propositions in fuzzy logic from Philippe Manoury’s works

Frédéric Dufeu, Alain Bonardi, 2013 .

Tracking the creative process in Trevor Wishart’s Imago

Michael Clarke, Frédéric Dufeu, Peter Manning, 2015 .

Technology and Creativity in Music for Real-Time Electronics: An interactive approach to Philippe Manoury and Cort Lippe’s works

Michael Clarke, Frédéric Dufeu, Peter Manning, 2015 .

TIAALS: A New Generic Set of Tools for the Interactive Aural Analysis of Electroacoustic Music

Frédéric Dufeu, Michael F. Clarke, Peter Manning, 2013 .

Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2014 .

An interactive simulation of John Chowning’s creative environment for the composition of Stria (1977)

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2015 .

The Significance of Technical Research in the Study of Electroacoustic Music: A Perspective from the TaCEM Project

Michael Clarke, Frédéric Dufeu, Peter Manning, 2014 .

Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning's Stria, a case study from the TaCEM project

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2016, ICMC.

A Permissive Graphical Patcher for SuperCollider Synths

Frédéric Dufeu, 2016, ICMC.

Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku's Entwurzelt

Frédéric Dufeu, Alain Bonardi, 2014 .

Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis)

Frédéric Dufeu, Peter Manning, Michael Clarke, 2014 .

Tracking Creativity and Investigating Technology in Electroacoustic Music: Methods and perspectives of the TaCEM project

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2013 .

Performing works with instruments and real-time electronics. An analytical and interactive perspective from the TaCEM project

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2016 .

The IRiMaS Software: Integrating interactive listening and play into musicological research

Frédéric Dufeu, Axel Roebel, Michael Clarke, 2019 .

Towards an Analysis of Trevor Wishart’s Imago: Form, Structure and Technology

Michael Clarke, Frédéric Dufeu, Peter Manning, 2014 .

UNE INTERFACE GRAPHI QUE DE MANIPULATION D'UN ITES MODULAIRES DANS SUPERCOLLIDER

Frédéric Dufeu, 2012 .