Peter Manning

发表

Francis Dhomont's Phonurgie: A New Case Study from the TaCEM Project

Michael Clarke, Frédéric Dufeu, Peter Manning, 2015 .

Working with the TIAALS Software

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2013 .

Towards incorporating computer-aided techniques to interactive aural analysis

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2016 .

New Horizons for MIDI-based Technologies

Peter Manning, 2004 .

A Preliminary to Development of Expert Systems for Total Design of Entire Buildings

Peter Manning, J. Treur, Samir Mattar, 1992 .

The oramics machine: From vision to reality

Peter Manning, 2012 .

The Changing Fortunes of the MIDI Manufacturing Sector

Peter Manning, 2013 .

Performance Controllers, Evolution and Change

Peter Manning, 2013 .

Synthesis, Signal Processing, and Spatialization

Peter Manning, 2013 .

From Minicomputer to Advanced Computer Workstation

Peter Manning, 2013 .

TaCEM: Technology and Creativity in Electroacoustic Music

Michael Clarke, Frédéric Dufeu, Peter Manning, 2015 .

The Development of the MIDI Communications Protocol

Peter Manning, 2004 .

The Microprocessor Revolution

Peter Manning, 2004 .

Environmental design as a routine

Peter Manning, 1995 .

Lighting in Relation to other Components of the Total Environment

Peter Manning, 1968 .

New Horizons in Synthesis and Signal Processing Software

Peter Manning, 2004 .

From Analog to Digital: The Evolution of MIDI Hardware

Peter Manning, 2004 .

Tracking the creative process in Trevor Wishart’s Imago

Michael Clarke, Frédéric Dufeu, Peter Manning, 2015 .

The significance of techné in understanding the art and practice of electroacoustic composition

Peter Manning, 2006 .

Further Advances in Hardware Design

Peter Manning, 2013 .

Technology and Creativity in Music for Real-Time Electronics: An interactive approach to Philippe Manoury and Cort Lippe’s works

Michael Clarke, Frédéric Dufeu, Peter Manning, 2015 .

Electronic music and the computer: a critical study of the development of electronic music systems and the introduction of computer-based technology, with particular reference to the interface problems encountered in composer/machine communications

Peter Manning, 1977 .

A New Curated Corpus of Historical Electronic Music: Collation, Data and Research Findings

Nick Collins, Peter Manning, Simone Tarsitani, 2018, Trans. Int. Soc. Music. Inf. Retr..

A multipurpose soil inorganic carbon prediction model

Peter Manning, Saran Sohi, Ben W. Kolosz, 2016 .

Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2014 .

An interactive simulation of John Chowning’s creative environment for the composition of Stria (1977)

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2015 .

The Significance of Technical Research in the Study of Electroacoustic Music: A Perspective from the TaCEM Project

Michael Clarke, Frédéric Dufeu, Peter Manning, 2014 .

Distributed parallel processing: Lessons learned from a 160-transputer network

Peter Manning, Takebumi Itagaki, 1997 .

Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning's Stria, a case study from the TaCEM project

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2016, ICMC.

Environmental aesthetic design

Peter Manning, 1991 .

Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis)

Frédéric Dufeu, Peter Manning, Michael Clarke, 2014 .

Tracking Creativity and Investigating Technology in Electroacoustic Music: Methods and perspectives of the TaCEM project

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2013 .

Performing works with instruments and real-time electronics. An analytical and interactive perspective from the TaCEM project

Frédéric Dufeu, Peter Manning, Michael F. Clarke, 2016 .

The Digital Audio Workstation

Peter Manning, 2013 .

Some observations on hierarchical, multiple-instruction-multiple-data computers

Ian Bowler, Peter Manning, Nick Bailey, 1992, Microprocess. Microprogramming.

Sound Synthesis Using Computers

Peter Manning, 2011 .

The influence of technology on the composition of Stockhausen's Octophonie , with particular reference to the issues of spatialisation in a three-dimensional listening environment

Peter Manning, Michael Clarke, 2008 .

Personal Computers and Sound Processing

Peter Manning, 2004 .

The Characteristics of Digital Audio

Peter Manning, 2004 .

The Voltage-Controlled Synthesizer

Peter Manning, 2004 .

Towards an Analysis of Trevor Wishart’s Imago: Form, Structure and Technology

Michael Clarke, Frédéric Dufeu, Peter Manning, 2014 .

The evolution of interactive graphical control interfaces for music applications

Peter Manning, 1999 .

Ownership and Control of the Creative Process in the Composition and Performance of Electroacoustic Music

Peter Manning, 1999, Leonardo Music Journal.