Jean-Philippe Échard

Identification of the finishing technique of an early eighteenth century musical instrument using FTIR spectromicroscopy

Loïc Bertrand, Laurianne Robinet, Jean-Philippe Echard, 2011, Analytical and bioanalytical chemistry.

Synchrotron UV-visible multispectral luminescence microimaging of historical samples.

Loïc Bertrand, Mathieu Thoury, Frédéric Jamme, 2011, Analytical chemistry.

Cover Picture: The Nature of the Extraordinary Finish of Stradivari’s Instruments (Angew. Chem. Int. Ed. 1/2010)

Bertrand Lavédrine, Loïc Bertrand, Laurianne Robinet, 2010 .

A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes

Céline Daher, Ludovic Bellot-Gurlet, Jean-Philippe Echard, 2010 .

The nature of the extraordinary finish of Stradivari's instruments.

Bertrand Lavédrine, Loïc Bertrand, Laurianne Robinet, 2010, Angewandte Chemie.

The use of XRF imaging for the chemical discrimination of iron‐gall ink inscriptions: A case study in Stradivari's workshop

J. Échard, M. Radepont, V. Rouchon, 2020, X-Ray Spectrometry.

Insights into the varnishes of historical musical instruments using synchrotron micro-analytical methods

L. Bertrand, E. Dooryhee, M. Cotte, 2008 .

A multiscalar photoluminescence approach to discriminate among semiconducting historical zinc white pigments.

M. Réfrégiers, L. Bertrand, M. Thoury, 2013, The Analyst.