Stefania Serafin

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2017, 2017 3DTV Conference: The True Vision - Capture, Transmission and Display of 3D Video (3DTV-CON).

Playability Evaluation of a Virtual Bowed String Instrument

Stefania Serafin, Diana Young, 2003, NIME.

The Perceived Naturalness of Virtual Locomotion Methods Devoid of Explicit Leg Movements

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2013, MIG.

Mobile virtual reality for musical genre learning in primary education

Stefania Serafin, Luca A. Ludovico, Rolf Nordahl, 2019, Comput. Educ..

AM '12 Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction with Sound

Cumhur Erkut, Antti Jylhä, Stefania Serafin, 2012 .

Proceedings of the International Computer Music Conference

Stefania Serafin, Karl Kristoffer Jensen, Karl Kristoffer Jensen, 2007 .

Sonic Interactions in Virtual Reality: State of the Art, Current Challenges, and Future Directions

Cumhur Erkut, Stefania Serafin, Rolf Nordahl, 2018, IEEE Computer Graphics and Applications.

A Threefold Approach for Precise and Efficient Locomotion in Virtual Environments with Varying Accessibility

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2018, 2018 IEEE Conference on Virtual Reality and 3D User Interfaces (VR).

Contextualisation and evaluation of novel sonic interfaces using problem based learning

Stefania Serafin, Rolf Nordahl, Olga Timcenko, 2008 .

Proceedings of the 5th international conference on new interfaces for musical expression

Stefania Serafin, Michel Guglielmi, Niels Böttcher, 2005 .

Controlling Physically Based Virtual Musical Instruments Using The Gloves

Stefania Serafin, Stefano Trento, Francesco Grani, 2014, NIME.

A Review of Interactive Sound in Computer Games

Stefania Serafin, Niels Böttcher, 2014 .

Estimation of detection thresholds for audiovisual rotation gains

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2016, 2016 IEEE Virtual Reality (VR).

Multimodal interactions, virtual reality and 360 movies: applications using Wavefield synthesis

Stefania Serafin, Rolf Nordahl, Francesco Grani, 2016, Audio Mostly Conference.

Participatory Amplitude Level Adjustment of Gesture Controlled Upper Body Garment Sound in Immersive Virtual Reality

Stefania Serafin, Erik Sikström, Amalia De Götzen, 2014 .

Medialogy and Interactive Sound Design

Stefania Serafin, Rolf Nordahl, 2005 .

MUSICAL APPLICATIONS OF GENERALISED MULTICHANNEL DIGITAL WAVEGUIDES

Stefania Serafin, Matthew Burtner, Christopher Burns, 2003 .

A multimodal architecture for simulating natural interactive walking in virtual environments

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2011, PsychNology J..

Interactive Simulation of rigid body interaction with friction-induced sound generation

Davide Rocchesso, Stefania Serafin, Federico Avanzini, 2005, IEEE Transactions on Speech and Audio Processing.

Recent advances in real-time bowed string synthesis: evaluation of the models

Stefania Serafin, Diana Young, 2007 .

Friction Sounds for Sensorial Substitution

Davide Rocchesso, Stefania Serafin, Federico Avanzini, 2004, ICAD.

International Computer Music Conference 2006

Stefania Serafin, Juraj Kojs, 2006 .

Real, foley or synthetic? An evaluation of everyday walking sounds

Stefania Serafin, Erik Sikström, Amalia de Götzen, 2013 .

Cyberinstruments via Physical Modeling Synthesis: Compositional Applications

Stefania Serafin, Chris Chafe, Juraj Kojs, 2007, Leonardo Music Journal.

Validation of a virtual reality tool to test consumer response in supermarket settings

Stefania Serafin, Bent Egberg Mikkelsen, Martin René Andersen, 2014 .

Proceedings - IEEE Virtual Reality

Stefania Serafin, Ferran Argelaguet, Anatole Lécuyer, 2014, IEEE Conference on Virtual Reality and 3D User Interfaces.

High-Density Sonification: Overview Information in Auditory Data Explorations

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Design and evaluation of interactive musical fruit

Cumhur Erkut, Stefania Serafin, Jonas Fehr, 2014, IDC.

Spatio-Operational Spectral (S.O.S) Synthesis

Stefania Serafin, Matthew Burtner, David Topper, 2003, ICMC.

Extraction of ground reaction forces for real-time synthesis of walking sounds

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2009 .

The StringPhone: a novel voice driven physically based synthesizer

Stefania Serafin, David Stubbe Teglbjærg, Jesper S. Andersen, 2015, AM '15.

Interdisciplinarity in Medialogy with applications to Sonic Interaction Design

Stefania Serafin, Rolf Nordahl, 2009 .

MODELING HIGH-FREQUENCY MODES OF COMPLEX RESONATORS USING A WAVEGUIDE MESH

Stefania Serafin, Julius O. Smith, Patty Huang, 2000 .

Proceedings of 2016 IEEE Virtual Reality

Stefania Serafin, Rolf Nordahl, Mark Bolas, 2016 .

Proceedings of the 6th Audio Mostly

Stefania Serafin, Smilen Dimitrov, 2011, AM 2011.

Step aside: an initial exploration of gestural input for lateral movement during walking-in-place locomotion

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2018, VRST.

Medialogy: a bridge between technology and creativity based on the Aalborg model

Stefania Serafin, Rolf Nordahl, 2004, ICMC.

Poster: The Fwobble: Continuous audio-haptic feedback for balance control

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2012, 2012 IEEE Symposium on 3D User Interfaces (3DUI).

The musical heritage of futurism: A digital reconstruction of the intonarumori family

Stefania Serafin, Amalia de Götzen, 2009, JOCCH.

An alternative controller for a virtual bowed string instrument

Stefania Serafin, Richard Dudas, 2000 .

Self-characterstics and sound in immersive virtual reality — Estimating avatar weight from footstep sounds

Stefania Serafin, Erik Sikström, Amalia de Götzen, 2015, 2015 IEEE Virtual Reality (VR).

Walking pace affected by interactive sounds simulating stepping on different terrains

Luca Turchet, Stefania Serafin, Paola Cesari, 2013, ACM Trans. Appl. Percept..

Multisensory Plucked Instrument Modeling in Unity3D: From Keytar to Accurate String Prototyping

Stefania Serafin, Federico Fontana, Roberto Ranon, 2020 .

Proceedings of the 19th International Congress on Acoustics

Stefania Serafin, Stefania Serafin, S. Serafin, 2007 .

Longitudinal Evaluation of the Integration of Digital Musical Instruments into Existing Compositional Work Processes

Stefania Serafin, Steven Gelineck, Steven Gelineck, 2012 .

Design and evaluation of Binaural auditory rendering for CAVEs

Stefania Serafin, Ferran Argelaguet, Anatole Lécuyer, 2014, 2014 IEEE Virtual Reality (VR).

Designing Recreational Virtual Environments for Older Adult Nursing Home Residents: How Nature And Content Matter For Improving Augmented Exercise Experiences

Stefania Serafin, Jon Ram Bruun-Pedersen, Lise Busk Kofoed, 2016, Audio Mostly Conference.

INFLUENCE OF INTERACTIVE AUDITORY FEEDBACK ON THE HAPTIC PERCEPTION OF VIRTUAL OBJECTS

Stefania Serafin, Hans Peter Kjær, Christian Clive Taylor, 2007 .

Interactions in Mobile Sound and Music Computing

Stefania Serafin, Federico Fontana, Michele Geronazzo, 2019, Wirel. Commun. Mob. Comput..

The balance between generalists and specialists in the Medialogy education

Stefania Serafin, Rolf Nordahl, Lise Busk Kofoed, 2012, IxD&A.

Sound and Music Computing at Aalborg University in Copenhagen

Bob L. Sturm, Cumhur Erkut, Stefania Serafin, 2014, ICMC.

An Enactive Approach to the Preservation of Musical Instruments Reconstructing Russolo's Intonarumori

Stefania Serafin, Amalia De Götzen, 2009 .

PHYSMISM: a control interface for creative exploration of physical models

Stefania Serafin, Steven Gelineck, Niels Böttcher, 2007, NIME '07.

Procedural Audio in Computer Games Using Motion Controllers: An Evaluation on the Effect and Perception

Stefania Serafin, Niels Böttcher, Héctor Perez Martínez, 2013, Int. J. Comput. Games Technol..

A comparison of different methods for reducing the unintended positional drift accompanying walking-in-place locomotion

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2014, 2014 IEEE Symposium on 3D User Interfaces (3DUI).

Inside the Boundaries of the Physical World: Audio-Haptic Feedback as Support for the Navigation in Virtual Environments

Luca Turchet, Stefania Serafin, Niels C. Nilsson, 2012, EuroHaptics.

The Sonification Handbook

Davide Rocchesso, Stefania Serafin, Karmen Franinovic, 2011 .

Multimodal Design for Enactive Toys

Stefania Serafin, Federico Avanzini, Amalia de Götzen, 2007, CMMR.

Immersion revisited: A review of existing definitions of immersion and their relation to different theories of presence

Stefania Serafin, Rolf Nordahl, Niels Christian Nilsson, 2016 .

Towards the Design and Evaluation of Delay-based Modeling of Acoustic Scenes in Mobile Augmented Reality

Cumhur Erkut, Stefania Serafin, Alex Baldwin, 2018, 2018 IEEE 4th VR Workshop on Sonic Interactions for Virtual Environments (SIVE).

Physically Based Sound Synthesis and Control of Footsteps Sounds

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2010 .

Virtual reality musical instruments: Guidelines for multisensory interaction design

Cumhur Erkut, Stefania Serafin, Rolf Nordahl, 2016, Audio Mostly Conference.

Real Time Extended Physical Models for the Composer and Performer

Stefania Serafin, Matthew Burtner, 2001, ICMC.

A Practical Approach towards an Exploratory Framework for Physical Modeling

Stefania Serafin, Steven Gelineck, Steven Gelineck, 2010, Computer Music Journal.

Comparisons of Two Commercial and Two Low-cost Interfaces for Virtual Skiing

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2015, PsychNology J..

Sonification of Human Activities

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Unintended positional drift and its potential solutions

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2013, 2013 IEEE Virtual Reality (VR).

An investigation on the impact of auditory and haptic feedback on rhythmic walking interactions

Cumhur Erkut, Stefania Serafin, Justyna Maculewicz, 2016, Int. J. Hum. Comput. Stud..

Pedagogical Approaches and Methods

Stefania Serafin, Karmen FraninoviÂ, Stefania Serafin, 2013 .

Design and evaluation of a gesture driven wave field synthesis auditory game

Stefania Serafin, Francesco Grani, Jan Banas, 2016, NIME.

Computer models and compositional applications of plastic corrugated tubes

Stefania Serafin, Juraj Kojs, Juraj Kojs, 2005, Organised Sound.

Influence of auditory and haptic feedback on a balancing task

Stefania Serafin, Niels C. Nilsson, David Skaarup, 2013, Int. J. Auton. Adapt. Commun. Syst..

Effect on high versus low fidelity haptic feedback in a virtual reality baseball simulation

Stefania Serafin, Rolf Nordahl, Lui Thomsen, 2017, 2017 IEEE Virtual Reality (VR).

Preliminary Investigation of Self-Reported Emotional Responses to Approaching and Receding Footstep Sounds in a Virtual Reality Context

Stefania Serafin, Rolf Nordahl, Erik Sikström, 2013 .

Head-Mounted Display-Based Virtual Reality as a Tool to Reduce Disruptive Behavior in a Student Diagnosed with Autism Spectrum Disorder

Stefania Serafin, Ali Adjorlu, Stefania Serafin, 2019, ArtsIT/DLI.

Preliminary Experiment Combining Virtual Reality Haptic Shoes and Audio Synthesis

Vincent Hayward, Luca Turchet, Stefania Serafin, 2010, EuroHaptics.

A Case of Cooperative Sound Design

Davide Rocchesso, Cumhur Erkut, Stefania Serafin, 2016, NordiCHI.

How can soundscapes affect the preferred walking pace

Cumhur Erkut, Stefania Serafin, Justyna Maculewicz, 2016 .

Sonic Interactions in Multimodal Environments

Stefania Serafin, 2014 .

Audio-Visual Perception - The Perception of Object Material in a Virtual Environment

Ryan Anderson, Stefania Serafin, Joosep Arro, 2016, AVR.

Audio-Haptic Simulation of Walking on Virtual Ground Surfaces to Enhance Realism

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2012, HAID.

ScatAR: a mobile augmented reality application that uses scattering delay networks for room acoustic synthesis

Cumhur Erkut, Stefania Serafin, Alex Baldwin, 2017, VRST.

Physical models and real-time control with the Sensel Morph

Stefania Serafin, Stefan Bilbao, Silvin Willemsen, 2019 .

Conflicting Audio-haptic Feedback in Physically Based Simulation of Walking Sounds

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2010, HAID.

Synthesis and control of everyday sound reconstructing Russolo's Intonarumori

Stefania Serafin, Amalia de Götzen, Steven Gelineck, 2006, NIME.

Perceived spatial positioning of self-footstep sounds in three surround sound speaker setups for immersive virtual reality

Stefania Serafin, Rolf Nordahl, Erik Sikström, 2013, CMMR 2013.

Auditory feedback in a multimodal balancing task:: Walking on a virtual rope

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2011 .

Special Issue on “Sound and Music Computing”

Stefania Serafin, Tapio Lokki, Vesa Välimäki, 2018 .

MODELING INTERACTIONS BETWEEN RUBBED DRY SURFACES USING AN ELASTO-PLASTIC FRICTION MODEL

Davide Rocchesso, Stefania Serafin, Federico Avanzini, 2002 .

Proceedings of Sound and Music Computing Conference

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2010 .

Following Tempo on an Exercising Bike With and Without Auditory Feedback

Stefania Serafin, Lise Busk Kofoed, Justyna Maculewicz, 2013, CMMR 2013.

Sonic interaction in virtual environments

Cumhur Erkut, Stefania Serafin, Rolf Nordahl, 2015, 2015 IEEE 2nd VR Workshop on Sonic Interactions for Virtual Environments (SIVE).

CARess, a Gentle Touch Informs the Driver

Stefania Serafin, Amalia de Götzen, Stefano Trento, 2014, EuroHaptics.

ACM SUI 2018 welcome message

Stefania Serafin, Christian Sandor, Kyle Johnsen, 2018 .

Sound design in virtual reality concert experiences using a wave field synthesis approach

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2017, 2017 IEEE Virtual Reality (VR).

Fitt's laws in an audio perspective

Stefania Serafin, Rolf Nordahl, Amalia De Goetzen, 2004 .

Evaluation of multimodal ground cues

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2012 .

The Medialogy education - AAU Copenhagen: Where art and creativity meet technology. Special focus on interactive systems design, programming and evaluation in problem based learning.

Stefania Serafin, Rolf Nordahl, 2007 .

Movement Patterns in the Harmonic Walk Interactive Environment

Cumhur Erkut, Stefania Serafin, Marcella Mandanici, 2018 .

A comparison of four different approaches to reducing unintended positional drift during walking-In-Place locomotion

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2014, 2014 IEEE Virtual Reality (VR).

Audio Mostly 2007 - 2nd Conference on Interaction with Sound

Stefania Serafin, Rolf Nordahl, Smilen Dimitrov, 2007 .

An investigation on the influence of soundscapes and footstep sounds in affecting preferred walking pace

Cumhur Erkut, Stefania Serafin, Justyna Maculewicz, 2015, ICAD.

Tromba Moderna: A Digitally Augmented Medieval Instrument

Stefania Serafin, Dan Overholt, Peter Williams, 2016, NIME.

Gameplay as a Source of Intrinsic Motivation for Individuals in Need of Ankle Training or Rehabilitation

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2012, PRESENCE: Teleoperators and Virtual Environments.

Audio-visual attractors for capturing attention to the screens when walking in CAVE systems

Stefania Serafin, Ferran Argelaguet, Anatole Lécuyer, 2014, 2014 IEEE Virtual Reality (VR).

Sonic interaction design: sound, information and experience

Davide Rocchesso, Stefania Serafin, Patrick Susini, 2008, CHI Extended Abstracts.

Investigating the relationship between pressure force and acoustic waveform in footstep sounds

Stefania Serafin, Spencer Topel, Dan Overholt, 2013, 2013 18th International Conference on Digital Signal Processing (DSP).

The Gamelunch: Basic SID Exploration of a Dining Scenario

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Influence of auditory and visual feedback for perceiving walking over bumps and holes in desktop VR

Maud Marchal, Luca Turchet, Stefania Serafin, 2010, VRST '10.

Exploring sonic interaction design and presence: Natural Interactive Walking in Porto.

Stefania Serafin, Rolf Nordahl, Frederico Fontana, 2009 .

The A20: Interactive Instrument Techniques for Sonic Design Exploration

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Sound Synthesis and Evaluation of Interactive Footsteps and Environmental Sounds Rendering for Virtual Reality Applications

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2011, IEEE Transactions on Visualization and Computer Graphics.

Analyzing Bowstrokes: Why Do We Need Calibrated, Multi-Parameter Data?

Stefania Serafin, Diana Young, 2006 .

The effect of visual display properties and gain presentation mode on the perceived naturalness of virtual walking speeds

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2015, 2015 IEEE Virtual Reality (VR).

Co-creating Virtual Reality Applications for Motor Rehabilitation with Physiotherapists

Stefania Serafin, Emil Rosenlund Høeg, Jon Ram Bruun-Pedersen, 2019, ArtsIT/DLI.

Cue and Mood Mapping for Rendering Presence

Stefania Serafin, Salvatore Livatino, Jens Arnspang, 2004 .

Computer generation and manipulation of sounds

Stefania Serafin, S. Serafin, 2012, The Cambridge Companion to Electronic Music.

Semiacoustic Sound Exploration with the Sound of Touch

Stefania Serafin, Karmen FraninoviÂ, 2013 .

ZiZi: The Affectionate Couch and the Interactive Affect Design Diagram

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Physical Model Synthesis and Performance Mappings of Bowl Resonators

Stefania Serafin, Carmen Ng, Carr Wilkerson, 2002, ICMC.

BOWED STRING PHYSICAL MODEL VALIDATION THROUGH USE OF A BOW CONTROLLER AND EXAMINATION OF BOW STROKES

Stefania Serafin, Diana Young, D. Young, 2003 .

Data driven identification and computer animation of bowed string model

Stefania Serafin, Julius O. Smith, Harvey D. Thornburg, 2001, ICMC.

Rhythmic walking interactions with auditory feedback: an exploratory study

Cumhur Erkut, Antti Jylhä, Stefania Serafin, 2012, Audio Mostly Conference.

Sound design to enhance presence in photorealistic virtual environments

Stefania Serafin, 2004 .

Medialogy at Aalborg University Copenhagen

Stefania Serafin, Rolf Nordahl, Amalia de Götzen, 2005, ICMC.

Going Outside While Staying Inside — Exercise Motivation with Immersive vs. Non–immersive Recreational Virtual Environment Augmentation for Older Adult Nursing Home Residents

Stefania Serafin, Jon Ram Bruun-Pedersen, Lise Busk Kofoed, 2016, 2016 IEEE International Conference on Healthcare Informatics (ICHI).

Digitally Augmented Everyday Objects in Music Composition

Stefania Serafin, Juraj Kojs, 2007 .

The Exbow MetaSax: Compositional Applications of Bowed String Physical Models Using Instrument Controller Subsititution

Stefania Serafin, Matthew Burtner, S. Serafin, 2002 .

Virtual Analog Simulation and Extensions of Plate Reverberation

Stefania Serafin, Jesper Jensen, Silvin Willemsen, 2017 .

Using problem based learning to support transdisciplinarity in an HCI education

Stefania Serafin, Rolf Nordahl, R. Nordahl, 2008, IxD&A.

An investigation of the effect of immersive visual and auditory feedback on rhythmic walking interaction

Stefania Serafin, Niels C. Nilsson, Justyna Maculewicz, 2016, Audio Mostly Conference.

Auditory Feedback to Improve Navigation in a Maze Game

Stefania Serafin, Erik Sikström, Nicolai Gajhede, 2013 .

A preliminary study of users' experiences of meditation in virtual reality

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2017, 2017 IEEE Virtual Reality (VR).

Keywords Sound Design, Auditory Display, Multimodal Interaction, Product Design, Interactive Arts and Music, Sound Perception and Cognition, Sound Modelling

Davide Rocchesso, Stefania Serafin, Patrick Susini, 2008 .

Establishing the Range of Perceptually Natural Visual Walking Speeds for Virtual Walking-In-Place Locomotion

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2014, IEEE Transactions on Visualization and Computer Graphics.

Audio-haptic physically-based simulation of walking on different grounds

Vincent Hayward, Luca Turchet, Stefania Serafin, 2010, 2010 IEEE International Workshop on Multimedia Signal Processing.

Rhythmic Walking Interaction with Auditory Feedback: Ecological Approaches in a Tempo Following Experiment

Cumhur Erkut, Antti Jylhä, Stefania Serafin, 2015 .

Simulating Contacts between Objects in Virtual Reality with Auditory, Visual, and Haptic Feedback

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Virtual Reality and The Senses

Cumhur Erkut, Stefania Serafin, Rolf Nordahl, 2017 .

Tapping-In-Place: Increasing the naturalness of immersive walking-in-place locomotion through novel gestural input

Stefania Serafin, Rolf Nordahl, Erik Sikström, 2013, 2013 IEEE Symposium on 3D User Interfaces (3DUI).

A Minimal Personalization of Dynamic Binaural Synthesis with Mixed Structural Modeling and Scattering Delay Networks

Stefania Serafin, Michele Geronazzo, Jason Yves Tissieres, 2020, ICASSP 2020 - 2020 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).

A Waveguide Mesh Model of High-Frequency Violin Body Resonances

Stefania Serafin, Julius O. Smith, Patty Huang, 2000, ICMC.

An Investigation on Temporal Aspects in the Audio-Haptic Simulation of Footsteps

Luca Turchet, Stefania Serafin, L. Turchet, 2010, COST TD0904 International Workshop.

Head-Mounted Display-Based Virtual Reality as a Tool to Teach Money Skills to Adolescents Diagnosed with Autism Spectrum Disorder

Stefania Serafin, Ali Adjorlu, Stefania Serafin, 2018, ArtsIT/DLI.

Spatial Asynchronous Visuo-Tactile Stimuli Influence Ownership of Virtual Wings

Stefania Serafin, Niels C. Nilsson, Anastassia Andreasen, 2018, ArtsIT/DLI.

Title: Perceived quality of smoke effects in virtual environments, using fluid systems and imposters. Project Period: Spring 2011 Semester Theme: Master thesis

Stefania Serafin, Lisbeth Nykjær, 2011 .

What Is It Like to Be a Virtual Bat?

Stefania Serafin, Niels C. Nilsson, Michele Geronazzo, 2018, ArtsIT/DLI.

The Effects of Ecological Auditory Feedback on Rhythmic Walking Interaction

Cumhur Erkut, Antti Jylhä, Stefania Serafin, 2015, IEEE MultiMedia.

A Stationary Bike in Augmented Audio Reality

Stefania Serafin, Justyna Maculewicz, S. Serafin, 2015, REHAB.

The Croaker: a Physical Model and a LEGO controller

Stefania Serafin, Amalia de Götzen, 2005, ICMC.

A physically informed model of a musical toy: the singing tube

Stefania Serafin, Juraj Kojs, 2004, ICMC.

The effect of head mounted display weight and locomotion method on the perceived naturalness of virtual walking speeds

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2015, 2015 IEEE Virtual Reality (VR).

Toward a generalized friction controller: from the bowed string to unusual musical instruments

Stefania Serafin, Diana Young, D. Young, 2004, NIME.

Modelling Savart's trapezoidal violin using a digital waveguide mesh

Stefania Serafin, Federico Fontana, 2003 .

PHOXES - Modular Electronic Music Instruments based on Physical Modeling Sound Synthesis

Stefania Serafin, Steven Gelineck, Steven Gelineck, 2010 .

Superhuman Hearing - Virtual Prototyping of Artificial Hearing: a Case Study on Interactions and Acoustic Beamforming

Stefania Serafin, Michele Geronazzo, Niels Christian Nilsson, 2020, IEEE Transactions on Visualization and Computer Graphics.

An Expressive Multidimensional Physical Modelling Percussion Instrument

Stefania Serafin, Pablo Delgado, Sofia Dahl, 2018 .

The digital Intonarumori

Cumhur Erkut, Stefania Serafin, Rolf Nordahl, 2015, 2015 IEEE Symposium on 3D User Interfaces (3DUI).

Avatar weight estimates based on footstep sounds in three presentation formats

Stefania Serafin, Erik Sikström, Amalia de Götzen, 2015, 2015 IEEE 2nd VR Workshop on Sonic Interactions for Virtual Environments (SIVE).

International Computer Music Conference (ICMC)

Stefania Serafin, Rolf Nordahl, Amalia de Götzen, 2005 .

Knock on Wood: Combining Redirected Touching and Physical Props for Tool-Based Interaction in Virtual Reality

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2020, CHI.

The sound of friction: Real-time models, playability and musical applications

Stefania Serafin, Stefania Serafin, Stefania Serafin, 2004 .

Sound in Virtual Reality

Stefania Serafin, Karmen FraninoviÂ, 2013 .

MODELING BOWL RESONATORS USING CIRCULAR WAVEGUIDE NETWORKS

Stefania Serafin, Julius O. Smith, Carr Wilkerson, 2002 .

Enhancing realism in virtual environments by simulating the audio-haptic sensation of walking on ground surfaces

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2012, 2012 IEEE Virtual Reality Workshops (VRW).

Touch or touchless?: evaluating usability of interactive displays for persons with autistic spectrum disorders

Davide Rocchesso, Stefania Serafin, Vito Gentile, 2019, PerDis.

Sound design and perception in walking interactions

Stefania Serafin, Rolf Nordahl, Roberto Bresin, 2009, Int. J. Hum. Comput. Stud..

The Mutha Rubboard Contoller: Interactive Heritage

Stefania Serafin, Carmen Ng, Carr Wilkerson, 2002, NIME.

The role of sound in the sensation of ownership of a pair of virtual wings in immersive VR

Stefania Serafin, Erik Sikström, Amalia de Götzen, 2014, Audio Mostly Conference.

Motivating elderly to exercise - recreational virtual environment for indoor biking

Stefania Serafin, Jon Ram Bruun-Pedersen, Lise Busk Kofoed, 2016, International Conference on Serious Games and Applications for Health.

Spatial Sound and Multimodal Interaction in Immersive Environments

Cumhur Erkut, Stefania Serafin, Rolf Nordahl, 2015, AM '15.

Considerations on the use of virtual and augmented reality technologies in music education

Stefania Serafin, Rolf Nordahl, Lui Thomsen, 2017, 2017 IEEE Virtual Reality Workshop on K-12 Embodied Learning through Virtual & Augmented Reality (KELVAR).

Effects of vibrotactile stimulation during virtual sandboarding

Stefania Serafin, Rolf Nordahl, Lui Thomsen, 2016, 2016 IEEE Virtual Reality (VR).

Sonic Tennis: a rhythmic interaction game for mobile devices

Stefano Baldan, Stefania Serafin, Amalia de Götzen, 2013, NIME.

The Fujara: A Physical Model of The Bass Pipe Instrument in An Interactive Composition

Stefania Serafin, Juraj Kojs, 2006, ICMC.

Product Sound Design: Form, Function, and Experience

Cumhur Erkut, Stefania Serafin, Michael Hoby, 2015, AM '15.

Haptic Feedback for Enhancing Realism of Walking Simulations

Luca Turchet, Stefania Serafin, Paolo Burelli, 2013, IEEE Transactions on Haptics.

Audio-haptic physically based simulation and perception of contact textures

Stefania Serafin, Federico Avanzini, Christian Clive Taylor, 2007 .

Sonic Interaction Design

Davide Rocchesso, Stefania Serafin, D. Rocchesso, 2013, Int. J. Hum. Comput. Stud..

Co-designing a Head-Mounted Display Based Virtual Reality Game to Teach Street-Crossing Skills to Children Diagnosed with Autism Spectrum Disorder

Stefania Serafin, Ali Adjorlu, Stefania Serafin, 2019, ArtsIT/DLI.

Musical Applications of Banded Waveguides

Stefania Serafin, Julius O. Smith, Perry R. Cook, 2004, Computer Music Journal.

An exploration of input conditions for virtual teleportation

Stefania Serafin, Rolf Nordahl, Emil Rosenlund Høeg, 2017, 2017 IEEE Virtual Reality (VR).

Combining Texture-Derived Vibrotactile Feedback, Concatenative Synthesis and Photogrammetry for Virtual Reality Rendering

Gilberto Bernardes, Stefania Serafin, Rolf Nordahl, 2019 .

Designing Interactive Sound for Motor Rehabilitation Tasks

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Investigating the amplitude of interactive footstep sounds and soundscape reproduction

Luca Turchet, Stefania Serafin, L. Turchet, 2013 .

Electronic Armonica: a Tangible Musical Interface inspired by the Glass Harmonica

Cumhur Erkut, Stefania Serafin, Razvan Paisa, 2016, Audio Mostly Conference.

Sound synthesis and evaluation of interactive footsteps for virtual reality applications

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2010, 2010 IEEE Virtual Reality Conference (VR).

The Reality of Implementing Virtual Reality: A Case Study on the Challenges of Integrating VR-Based Rehabilitation

Stefania Serafin, Emil Rosenlund Høeg, Jon Ram Bruun-Pedersen, 2019, ArtsIT/DLI.

EXPRESSIVE CONTROLLERS FOR BOWED STRING PHYSICAL MODELS.

Stefania Serafin, Sile O'Modhrain, Matthew Burtner, 2001 .

Towards an open sound card: bare-bones FPGA board in context of PC-based digital audio: based on the AudioArduino open sound card system

Stefania Serafin, Smilen Dimitrov, Smilen Dimitrov, 2011, AM '11.

Haptically Induced Illusory Self-motion and the Influence of Context of Motion

Luca Turchet, Stefania Serafin, Rolf Nordahl, 2012, EuroHaptics.

The effect of geometric realism on presence in a virtual reality game

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2017, 2017 IEEE Virtual Reality (VR).

Sonic Interaction via Spatial Arrangement in Mixed-Reality Environments

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Influence of Attack Parameters on the Playability of a Virtual Bowed String Instrument

Stefania Serafin, Julius O. Smith, 2000, ICMC.

HOBA-VR: HRTF On Demand for Binaural Audio in immersive virtual reality environments

Stefania Serafin, Erik Sikström, Michele Geronazzo, 2018 .

Mobile AR In and Out: Towards Delay-Based Modeling of Acoustic Scenes

Cumhur Erkut, Stefania Serafin, Jonas Holfelt, 2018, 2018 IEEE Conference on Virtual Reality and 3D User Interfaces (VR).

Proceedings of the Fourth Danish Human-Computer Interaction Research Symposium

Stefania Serafin, Rolf Nordahl, Amalia De Götzen, 2004 .

Disguising rotational gain for redirected walking in virtual reality: Effect of visual density

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2016, 2016 IEEE Virtual Reality (VR).

The Perceived Naturalness of Virtual Walking Speeds during WIP locomotion: Summary and Meta-Analyses

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2016, PsychNology J..

Sonic interaction design for multimodal environments

Stefania Serafin, 2013, INTERACT 2013.

THE VOICE OF THE DRAGON: A PHYSICAL MODEL OF A ROTATING CORRUGATED TUBE

Stefania Serafin, Juraj Kojs, 2003 .

Developing Block-Movement, Physical-Model Based Objects for the Reactable

Stefania Serafin, Marcos Alonso, Smilen Dimitrov, 2008, NIME.

An Analog I/O Interface Board for Audio Arduino Open Sound Card System

Stefania Serafin, Smilen Dimitrov, 2011 .

The Impact of an Accurate Vertical Localization with HRTFs on Short Explorations of Immersive Virtual Reality Scenarios

Stefania Serafin, Erik Sikström, Federico Avanzini, 2018, 2018 IEEE International Symposium on Mixed and Augmented Reality (ISMAR).

Theory of Banded Waveguides

Stefania Serafin, Julius O. Smith, Perry R. Cook, 2004, Computer Music Journal.

A Stationary Bike in Augmented Audio Reality. An Investigation on Soundscapes Influence on Preferred Biking Speed

Stefania Serafin, Justyna Maculewicz, 2015, REHAB.

Prolegomena to sonic toys

Stefania Serafin, Amalia De Goetzen, 2007 .

Russolo's Intonarumori: acoustical description and real-time simulation using physical models

Stefania Serafin, Rolf Nordahl, 2005 .

Walking in Place Through Virtual Worlds

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2016, HCI.

Audio Arduino - an ALSA (Advanced Linux Sound Architecture) Audio Driver for FTDI-based Arduinos

Stefania Serafin, Smilen Dimitrov, 2011, NIME.

New Interfaces for Musical Expression (NIME 2013)

Stefania Serafin, Stefano Trento, 2013 .

Continuous Auditory and Tactile Interaction Design

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Agency Enhances Body Ownership Illusion of Being a Virtual Bat

Stefania Serafin, Niels C. Nilsson, Anastassia Andreasen, 2018, 2018 IEEE Conference on Virtual Reality and 3D User Interfaces (VR).

Waiting for the ultimate display: can decreased fidelity positively influence perceived realism?

Stefania Serafin, Rolf Nordahl, Niels C. Nilsson, 2017, 2017 IEEE 3rd Workshop on Everyday Virtual Reality (WEVR).

Sonic Interactions in Virtual Environments

Stefania Serafin, S. Serafin, 2019, Encyclopedia of Computer Graphics and Games.

Multimodal interaction in physics based sound synthesis

Stefania Serafin, Rolf Nordahl, Amalia De Goetzen, 2004 .

Sonification of the Human EEG

Stefania Serafin, Karmen FraninoviÂ, 2013 .

Open soundcard as a platform for practical, laboratory study of digital audio: a proposal

Stefania Serafin, Smilen Dimitrov, 2014 .

The Mutha Rubboard controller

Stefania Serafin, Carr Wilkerson, Carmen Ng, 2002 .

Sound Design to Enhance Presence in Photorealistic Virtual Reality

Stefania Serafin, Giovanni Serafin, S. Serafin, 2004, ICAD.

Augmenting sonic reality. Cyberinstruments designed with digital waveguides

Stefania Serafin, Juraj Kojs, Juraj Kojs, 2008, Digit. Creativity.

Is this bridge safe? Evaluation of audiovisual cues for a walk on a small bridge over a canyon

Stefania Serafin, Erik Sikström, Niels C. Nilsson, 2016, 2016 IEEE Virtual Reality (VR).

Investigating the Role of Auditory Feedback in a Multimodal Biking Experience

Stefania Serafin, Jon Ram Bruun-Pedersen, Francesco Grani, 2017, CMMR.

Stirring, Shaking, and mixing: Musicalizing everyday Actions

Stefania Serafin, Juraj Kojs, 2007, ICMC.

Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions

Cumhur Erkut, Stefania Serafin, Rolf Nordahl, 2016, Computer Music Journal.

NordicSMC: A nordic university hub on sound and music computing

Stefania Serafin, Vesa Välimäki, Alexander Refsum Jensenius, 2018 .

A preliminary study on sound delivery methods for footstep sounds

Luca Turchet, Stefania Serafin, 2011 .

Connecting strangers at a train station

Stefania Serafin, Michel Guglielmi, Niels Böttcher, 2005, NIME.

System Immersion in Virtual Reality-Based Rehabilitation of Motor Function in Older Adults: A Systematic Review and Meta-Analysis

Stefania Serafin, Emil Rosenlund Høeg, Niels Christian Nilsson, 2021, Frontiers in Virtual Reality.

Virtual Reality-Based High-Intensity Interval Training For Pulmonary Rehabilitation: A Feasibility and Acceptability Study

Stefania Serafin, Emil Rosenlund Høeg, Jon Ram Bruun-Pedersen, 2021, 2021 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW).

Estimation of Spectral Notches From Pinna Meshes: Insights From a Simple Computational Model

Stefania Serafin, Simone Spagnol, Runar Unnthorsson, 2021, IEEE/ACM Transactions on Audio, Speech, and Language Processing.

MARTYR: Exploring Ingredients of Virtual Dining Experiences

Stefania Serafin, Niels C. Nilsson, Razvan Paisa, 2021, 2021 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW).

Proc. of the 10th International Symposium on Computer Music Multidisciplinary Research, Marseille, France, October 15-18, 2013

Stefania Serafin, Lise Busk Kofoed, Justyna Maculewicz, 2013, CMMR 2013.

15 Years of Research on Redirected Walking in Immersive Virtual Environments

Mary C. Whitton, Gerd Bruder, Stefania Serafin, 2018, IEEE Computer Graphics and Applications.

A Technological Review of the Instrumented Footwear for Rehabilitation with a Focus on Parkinson’s Disease Patients

Stefania Serafin, Lise Busk Kofoed, Justyna Maculewicz, 2016, Front. Neurol..

Restorative Virtual Environment Design for Augmenting Nursing Home Rehabilitation

Stefania Serafin, Jon Ram Bruun-Pedersen, Lise Busk Kofoed, 2016 .

The Effects of Ecological Feedback on Rhythmic Interaction

Cumhur Erkut, Stefania Serafin, Justyna Maculewicz, 2015 .

Augmented exercise biking with virtual environments for elderly users: A preliminary study for retirement home physical therapy

Stefania Serafin, Jon Ram Bruun-Pedersen, Lise Busk Kofoed, 2014, 2014 2nd Workshop on Virtual and Augmented Assistive Technology (VAAT).

A Stationary Bike in Virtual Reality - Rhythmic Exercise and Rehabilitation

Stefania Serafin, Lise Busk Kofoed, Justyna Maculewicz, 2015, BIOSIGNALS 2015.