Peter Q. Pfordresher

发表

Auditory feedback in music performance : serial order and relative timing /

Peter Q. Pfordresher, 2001 .

The acoustics of music

Rom Harré, Peter Q. Pfordresher, Siu-Lan Tan, 2017 .

Speed, Accuracy, and Serial Order in Sequence Production

Caroline Palmer, Peter Q. Pfordresher, Melissa K. Jungers, 2007, Cogn. Sci..

Modular Processing? Phonetic Information Facilitates Speech and Song Imitation

James T. Mantell, Peter Q. Pfordresher, 2010 .

Construction and Validation of the Seattle Singing Accuracy Protocol (SSAP) : An Automated Online Measure of Singing Accuracy

Steven M. Demorest, Peter Q. Pfordresher, 2020 .

Context and meter enhance long-range planning in music performance

Caroline Palmer, Brian Mathias, Peter Q. Pfordresher, 2015, Front. Hum. Neurosci..

The Neural Basis of Vocal Pitch Imitation in Humans

Michel Belyk, Steven Brown, Mario Liotti, 2016, Journal of Cognitive Neuroscience.

Vocal mistuning reveals the origin of musical scales

Steven Brown, Peter Q. Pfordresher, Steven Brown, 2017 .

From my hand to your ear: The faces of meter in performance and perception.

Caroline Palmer, Peter Q. Pfordresher, C. Palmer, 2000 .

Coordination of perception and action in music performance

Peter Q. Pfordresher, P. Pfordresher, 2006 .

Imitating Sounds: A Cognitive Approach to Understanding Vocal Imitation

Eduardo Mercado, James T. Mantell, Peter Q. Pfordresher, 2014 .

Effects of hearing the past, present, or future during music performance

Caroline Palmer, Peter Q. Pfordresher, C. Palmer, 2006, Perception & psychophysics.

METHODOLOGICAL PERSPECTIVES ON SINGING ACCURACY: AN INTRODUCTION TO THE SPECIAL ISSUE ON SINGING ACCURACY (PART 2)

Psyche Loui, Steven M. Demorest, Simone Dalla Bella, 2015 .

Brain responses to altered auditory feedback during musical keyboard production: An fMRI study

Robert Zivadinov, Steven Brown, James T. Mantell, 2014, Brain Research.

Vocal imitation of song and speech

James T. Mantell, Peter Q. Pfordresher, P. Pfordresher, 2013, Cognition.

POOR-PITCH SINGING IN THE ABSENCE OF "TONE DEAFNESS"

Peter Q. Pfordresher, P. Pfordresher, Steven Brown, 2007 .

Singing with yourself: Evidence for an inverse modeling account of poor-pitch singing

James T. Mantell, Peter Q. Pfordresher, P. Pfordresher, 2014, Cognitive Psychology.

Individuals with autism spectrum disorder are impaired in absolute but not relative pitch and duration matching in speech and song imitation

Peter Q. Pfordresher, P. Pfordresher, Fang Liu, 2021, Autism research : official journal of the International Society for Autism Research.

Brain responses to altered auditory feedback during musical keyboard production: An fMRI study

James T. Mantell, Peter Q. Pfordresher, Steven Brown, 2014, Brain Research.

The role of auditory feedback in speech and song.

Peter Q. Pfordresher, P. Pfordresher, Tim A Pruitt, 2015, Journal of experimental psychology. Human perception and performance.

Making and monitoring errors based on altered auditory feedback

Peter Q. Pfordresher, P. Pfordresher, Robertson Beasley, 2014, Front. Psychol..

Annals of the New York Academy of Sciences Musical Training and the Role of Auditory Feedback during Performance

Peter Q. Pfordresher, P. Pfordresher, Sci, 2022 .

The dynamics of disruption from altered auditory feedback: Further evidence for a dissociation of sequencing and timing.

Peter Q. Pfordresher, P. Pfordresher, J. Kulpa, 2011, Journal of experimental psychology. Human perception and performance.

Temporal coordination between actions and sound during sequence production.

Peter Q. Pfordresher, P. Pfordresher, B. Benítez, 2007, Human movement science.

Auditory feedback in music performance: the role of melodic structure and musical skill.

Peter Q Pfordresher, Peter Q. Pfordresher, P. Pfordresher, 2005, Journal of experimental psychology. Human perception and performance.

Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing.

Peter Q Pfordresher, Peter Q. Pfordresher, P. Pfordresher, 2003, Journal of experimental psychology. Human perception and performance.

Effects of altered auditory feedback across effector systems: production of melodies by keyboard and singing.

James T. Mantell, Peter Q. Pfordresher, P. Pfordresher, 2012, Acta psychologica.

Pitch Imitation Ability in Mental Transformations of Melodies

Peter Q. Pfordresher, A. Halpern, P. Pfordresher, 2017 .

The experience of agency in sequence production with altered auditory feedback

Peter Q. Pfordresher, P. Pfordresher, Justin J. Couchman, 2012, Consciousness and Cognition.

Auditory feedback in music performance: the role of transition-based similarity.

Peter Q Pfordresher, Peter Q. Pfordresher, P. Pfordresher, 2008, Journal of experimental psychology. Human perception and performance.

Introduction to The Neurosciences and Music IV: Learning and Memory

Steven M. Demorest, Peter Q. Pfordresher, E. Altenmüller, 2012, Annals of the New York Academy of Sciences.

The somatotopy of speech: Phonation and articulation in the human motor cortex

Peter Q. Pfordresher, Steven Brown, A. Laird, 2009, Brain and Cognition.

Temporal coordination in joint music performance: effects of endogenous rhythms and auditory feedback

Peter Q. Pfordresher, C. Palmer, P. Pfordresher, 2014, Experimental Brain Research.

Effects of intention in the imitation of sung and spoken pitch

James T. Mantell, Peter Q. Pfordresher, P. Pfordresher, 2021, Psychological Research.

Pitch-specific contributions of auditory imagery and auditory memory in vocal pitch imitation

Peter Q. Pfordresher, P. Pfordresher, Emma B. Greenspon, 2019, Attention, Perception, & Psychophysics.

Enhanced production and perception of musical pitch in tone language speakers

Peter Q. Pfordresher, Steven Brown, P. Pfordresher, 2009, Attention, perception & psychophysics.

Native Experience with a Tone Language Enhances Pitch Discrimination and the Timing of Neural Responses to Pitch Change

Peter Q. Pfordresher, Ryan J. Giuliano, S. Narayana, 2011, Front. Psychology.

Transfer Effects in the Vocal Imitation of Speech and Song

Matthew G. Wisniewski, James T. Mantell, Peter Q. Pfordresher, 2013 .

The role of pitch and temporal diversity in the perception and production of musical sequences.

Peter Q Pfordresher, Peter Q. Pfordresher, J. Prince, 2012, Acta psychologica.

What do less accurate singers remember? Pitch-matching ability and long-term memory for music

Peter Q. Pfordresher, A. Halpern, 2021, Attention, Perception, & Psychophysics.

Pitch Perception in Music: Do Scoops Matter?

Peter Q. Pfordresher, P. Pfordresher, P. Larrouy-Maestri, 2018, Journal of experimental psychology. Human perception and performance.

Activation of learned action sequences by auditory feedback

Peter Q. Pfordresher, C. Palmer, P. Keller, 2011, Psychonomic bulletin & review.

Tracking Musical Patterns using Joint Accent Structure

Peter Q. Pfordresher, M. Jones, P. Pfordresher, 1997 .

A Mechanism For Sensorimotor Translation in Singing: The Multi-Modal Imagery Association (Mmia) Model

Peter Q. Pfordresher, A. Halpern, P. Pfordresher, 2015 .

Auditory imagery and the poor-pitch singer

Peter Q. Pfordresher, A. Halpern, P. Pfordresher, 2013, Psychonomic bulletin & review.

AM ECHANISM F OR S ENSORIMOTOR T RANSLATION I N S INGING : T HE M ULTI -M ODAL I MAGERY A SSOCIATION (MMIA) M ODEL

Peter Q. Pfordresher, A. Halpern, Emma B. Greenspon, 2015 .

Delayed auditory feedback and movement.

Peter Q Pfordresher, Simone Dalla Bella, Peter Q. Pfordresher, 2011, Journal of experimental psychology. Human perception and performance.

DAF and movement : 1 Running head : DAF and movement Delayed auditory feedback and movement

Peter Q. Pfordresher, P. Pfordresher, 2010 .

Music in the Mind

Peter Q. Pfordresher, P. Pfordresher, 2007 .

Incremental planning in sequence production.

Caroline Palmer, Peter Q Pfordresher, Peter Q. Pfordresher, 2003, Psychological review.

Effects of delayed auditory feedback on timing of music performance

Peter Q. Pfordresher, C. Palmer, C. Palmer, 2002, Psychological research.

ALTERED AUDITORY FEEDBACK EFFECTS ON KEYBOARD AND SINGING PERFORMANCE

Peter Q. Pfordresher, T. Varco, 2010 .

“Deafness” effects in detecting alterations to auditory feedback during sequence production

Peter Q. Pfordresher, P. Pfordresher, 2013, Psychological Research.

Sensitivity to Meter in Auditory Feedback During Music Performance

Peter Q. Pfordresher, P. Pfordresher, Anastasiya Kobrina, 2017 .

Effects of delayed auditory and visual feedback on sequence production

Peter Q. Pfordresher, J. Kulpa, 2012, Experimental Brain Research.

Can altered auditory information affect planning ? Evidence from music performance

Peter Q. Pfordresher, P. Pfordresher, 2005 .

Methodological Perspectives on Singing Accuracy

Steven M. Demorest, Peter Q. Pfordresher, S. D. Bella, 2015 .

Imprecise singing is widespread.

Michel Belyk, Peter Q Pfordresher, Mario Liotti, 2010, The Journal of the Acoustical Society of America.

THEORETICAL PERSPECTIVES ON SINGING ACCURACY : AN INTRODUCTION TO THE SPECIAL ISSUE ON SINGING ACCURACY ( PART 1 )

Peter Q. Pfordresher, PETER Q. PFORDRESHER, 2015 .

How do we perceive vocal pitch accuracy during singing

Peter Q. Pfordresher, P. Pfordresher, P. Larrouy-Maestri, 2014 .

Perception of melodic accuracy in occasional singers: role of pitch fluctuations?

Peter Q. Pfordresher, P. Larrouy-Maestri, 2014 .

Human Perception and Performance Pitch Perception in Music : Do Scoops Matter ?

Peter Q. Pfordresher, P. Pfordresher, P. Larrouy-Maestri, 2018 .

On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?

Peter Q. Pfordresher, P. Pfordresher, P. Larrouy-Maestri, 2015, Front. Hum. Neurosci..

A cost of musical training? Sensorimotor flexibility in musical sequence learning

Peter Q. Pfordresher, P. Pfordresher, K. Chow, 2018, Psychonomic Bulletin & Review.

Effects of Metrical Encoding on Melody Recognition

Peter Q. Pfordresher, D. Temperley, P. Pfordresher, 2014 .

Effects of Metrical Encoding on Melody Recognition Author ( s ) :

Peter Q. Pfordresher, D. Temperley, P. Pfordresher, 2014 .

Globally, songs and instrumental melodies are slower and higher and use more stable pitches than speech: A Registered Report

Patrick E. Savage, Peter Q. Pfordresher, P. M. Sadaphal, 2024, Science advances.

Individuals with congenital amusia imitate pitches more accurately in singing than in speaking: Implications for music and language processing

James T. Mantell, Peter Q. Pfordresher, Yufang Yang, 2013, Attention, Perception, & Psychophysics.

Singing accuracy across the lifespan

Peter Q. Pfordresher, P. Pfordresher, 2022, Annals of the New York Academy of Sciences.