论文引用

Younghwa Lee, Kenneth A. Kozar, Younghwa Lee et al.,
2007 40th Annual Hawaii International Conference on System Sciences (HICSS'07)

Web site usability has been reported to have crucial effects on online purchases, but few theoretical models thoroughly examine its effects. In this article we adopt music composition theory to propos...

This study investigates the role of the cue abstraction mechanism within the framework of cognitive processes underlying listening to a piece of music by 10- to 11-year-old children. Four experiments ...

This chapter reviews the development of the comprehension and production of drawing and music, focusing on typical development in the absence of formal training. For each art form, the following quest...

The past decade of research has provided compelling evidence that the ability to engage with music is a fundamental human trait, and its biological basis is increasingly scrutinized. In this endeavor,...

N. Bruno, M. Brandimonte, I. Gratton,
2016,
PloS one

The ability to remember tempo (the perceived frequency of musical pulse) without external references may be defined, by analogy with the notion of absolute pitch, as absolute tempo (AT). Anecdotal rep...

THIS ARTICLE INTRODUCES THEORETICAL and analytical tools for research involving musical emotion or musical change. We describe techniques for visualizing and analyzing data drawn from timevarying proc...

THIS ARTICLE INTRODUCES THEORETICAL and analytical tools for research involving musical emotion or musical change. We describe techniques for visualizing and analyzing data drawn from timevarying proc...

Katrin Krumbholz, Paul M. Briley, K. Krumbholz et al.,
2012,
Cerebral cortex

Some areas in auditory cortex respond preferentially to sounds that elicit pitch, such as musical sounds or voiced speech. This study used human electroencephalography (EEG) with an adaptation paradig...

G. Welch,
2006

Singing in one form or another is an essential feature of musical development and behaviour. In each age phase (infancy, early childhood, older childhood, adolescence), the human voice has a distincti...

Naomi Ziv, Zohar Eitan, Z. Eitan et al.,
2007

Similarity judgments and corresponding categorizations often differ, as the former does not predict the latter (Keil, 1989). Prototype-based models suggest that categorization emphasizes features whic...

I. Peretz, R. Zatorre,
2005,
Annual review of psychology

Research on how the brain processes music is emerging as a rich and stimulating area of investigation of perception, memory, emotion, and performance. Results emanating from both lesion studies and ne...

G. Schlaug, C. Y. Wan, T. Rüber et al.,
2013

Music making (playing an instrument or singing) is a multimodal activity that involves the integration of auditory and sensorimotor processes. The ability to sing in humans is evident from infancy, an...

Gottfried Schlaug, Anja Hohmann, Theodor Rüber et al.,
2010,
Music perception

Music making (playing an instrument or singing) is a multimodal activity that involves the integration of auditory and sensorimotor processes. The ability to sing in humans is evident from infancy, an...

Music composition is a complex, multi-modal human activity, engaging faculties of perception, memory, motor control, and cognition, and drawing on skills in abstract reasoning, problem solving, creati...

John A. Sloboda, J. Sloboda,
2000,
Trends in Cognitive Sciences

Music cognition depends on the existence and deployment of processes for detecting, storing and organizing musical materials according to underlying structural features. Common cultural experiences de...

Isabelle Peretz, Simone Dalla Bella, I. Peretz et al.,
2007,
The Journal of the Acoustical Society of America

Most believe that the ability to carry a tune is unevenly distributed in the general population. To test this claim, we asked occasional singers (n=62) to sing a well-known song in both the laboratory...

L. Robert Slevc, Anthony Brandt, P. Belin et al.,
2012,
Front. Psychology

Language is typically viewed as fundamental to human intelligence. Music, while recognized as a human universal, is often treated as an ancillary ability – one dependent on or derivative of language. ...

In two experiments, the principles of cognitive load theory were applied to the design of alternatives to conventional music instruction hypothesised to facilitate learning. Experiment 1 demonstrated ...

Marco Congedo, Michaël A. S. Acquadro, M. Congedo et al.,
2016,
Front. Hum. Neurosci.

Humans are fundamentally social and tend to create emergent organizations when interacting with each other; from dyads to families, small groups, large groups, societies, and civilizations. The study ...

I. Peretz,
2009

Here, I examine to what extend music and speech share processing components by focusing on vocal production, that is, singing and speaking. In shaping my review, the modularity concept has been and co...