Spatial Structures Programming for Music

We survey works and applications of visual programming for the control of sound spatialization in the OpenMusic computer-aided composition environment. Several salient aspects of the control and spatialization processes are described, such as the high-level description of spatial sound scenes, their unfolding in musical or computational time flows, as well as the concept of spatial sound synthesis.

[1]  Todor Todoroff,et al.  NeXTSTEP Graphical Interfaces to Control Sound Processing and Spatialization Instruments , 1997, ICMC.

[2]  Nils Günther Peters,et al.  A STRATIFIED APPROACH FOR SOUND SPATIALIZATION , 2009 .

[3]  Ewan Stefani,et al.  Music, Space and Theatre: Site-specific approaches to multichannel spatialisation , 2010, Organised Sound.

[4]  Jan C. Schacher,et al.  Ambisonics Spatialization Tools for Max/MSP , 2006, ICMC.

[5]  J. Daniel,et al.  Représentation de champs acoustiques, application à la transmission et à la reproduction de scènes sonores complexes dans un contexte multimédia , 2000 .

[6]  Axel Röbel,et al.  MuBu and Friends - Assembling Tools for Content Based Real-Time Interactive Audio Processing in Max/MSP , 2009, ICMC.

[7]  Matthew Wright,et al.  Extensions and Applications of the SDIF Sound Description Interchange Format , 2000, ICMC.

[8]  Frédéric Gruau,et al.  Computing Media and Languages for Space-Oriented Computation, 03.09. - 08.09.2006 , 2007, Computing Media and Languages for Space-Oriented Computation.

[9]  Stephen McAdams,et al.  Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis , 2011, Computer Music Journal.

[10]  Gérard Assayag.  Visual Programming in Music , 1995, ICMC.

[11]  Scott Wilson.  Spatial Swarm Granulation , 2008, ICMC.

[12]  WrightMatthew.  Open Sound Control: an enabling technology for musical networking , 2005 .

[13]  Stefania Serafin,et al.  Spatio-Operational Spectral (S.O.S) Synthesis , 2003, ICMC.

[14]  Christian Freksa,et al.  Qualitative spatial reasoning , 1990, Forschungsberichte, TU Munich.

[15]  David Kim-Boyle.  Spectral spatialization - an Overview , 2008, ICMC.

[16]  Jean Bresson,et al.  OMChroma: Compositional Control of Sound Synthesis , 2011, Computer Music Journal.

[17]  F. Otondo.  Contemporary trends in the use of space in electroacoustic music , 2008, Organised Sound.

[18]  Bill Schottstaedt.  Machine Tongues XVII: CLM: Music V Meets Common Lisp , 1994 .

[19]  Marlon Schumacher,et al.  Spatial sound synthesis in computer-aided composition* , 2010 .

[20]  A. Berkhout,et al.  Acoustic control by wave field synthesis , 1993 .

[21]  Marlon Schumacher,et al.  Compositional Control of Periphonic Sound Spatialization , 2010 .

[22]  Olivier Delerue,et al.  Spatialisation du son et programmation par contraintes : le système MusicSpace , 2004 .

[23]  Camilo Rueda,et al.  Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic , 1999, Computer Music Journal.

[24]  Marlon Schumacher,et al.  Representation and Interchange of Sound Spatialization Data for Compositional Applications , 2011, ICMC.

[25]  Marije a. j. Baalman.  Spatial composition techniques and sound spatialisation technologies , 2010 .

[26]  Fernando Lopez-Lezcano.  A dynamic spatial locator ugen for CLM , 2008 .

[27]  Jean Bresson,et al.  SDIF sound description data representation and manipulation in computer assisted composition , 2004, ICMC.

[28]  Gérard Assayag,et al.  Visual Lisp/CLOS programming in OpenMusic , 2009, High. Order Symb. Comput..

[29]  A. U. Frank,et al.  Qualitative Spatial Reasoning , 2008, Encyclopedia of GIS.

[30]  Gérard Assayag,et al.  OpenMusic: visual programming environment for music composition, analysis and research , 2011, ACM Multimedia.

[31]  Sascha Spors,et al.  The SoundScape Renderer: A Unified Spatial Audio Reproduction Framework for Arbitrary Rendering Methods , 2008 .

[32]  Ville Pulkki,et al.  Virtual Sound Source Positioning Using Vector Base Amplitude Panning , 1997 .

[33]  Stephen McAdams,et al.  Towards a Spatial Sound Description Interchange Format (SpatDIF) , 2007 .

[34]  Jean-Marc Jot,et al.  A Real-Time Spatial Sound Processor for Music and Virtual Reality Applications , 1995, ICMC.