A High-Fidelity Orchestra Simulator for Individual Musicians’ Practice
暂无分享,去创建一个
Jeremy R. Cooperstock | Nicolas Bouillot | Adriana Olmos | Trevor Knight | Nordhal Mabire | Josh Redel | Adriana Olmos | J. Cooperstock | Nicolas Bouillot | Trevor Knight | N. Mabire | Josh Redel
[1] Kjetil Falkenberg Hansen,et al. IMUTUS : an interactive system for learning to play a musical instrument , 2004 .
[2] Jeremy R. Cooperstock,et al. Extended User Control over Multichannel Content Delivered over the Web , 2011 .
[3] Megan A. Winget. Annotations on musical scores by performing musicians: Collaborative models, interactive methods, and music digital library tool development , 2008 .
[4] Pete Candeland. Harmonix "Rock Band II" , 2009, SIGGRAPH ASIA '09.
[5] Megan A. Winget,et al. Annotations on musical scores by performing musicians: Collaborative models, interactive methods, and music digital library tool development , 2008, J. Assoc. Inf. Sci. Technol..
[6] Christopher Raphael,et al. Demonstration of Music Plus One - A Real-Time System for Automatic Orchestral Accompaniment , 2006, AAAI.
[7] Yann Geslin,et al. Sound and musical representation: the Acousmographe software , 2004, ICMC.
[8] Pedro Rebelo,et al. Networked Music Performance: State of the Art , 2007 .
[9] Kjetil Falkenberg Hansen,et al. Design and Implementation of Automatic Evaluation of recorder Performance in Imutus , 2005, ICMC.
[10] Anders Friberg,et al. pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules , 2006, Computer Music Journal.
[11] George Tzanetakis,et al. Polyphonic audio matching and alignment for music retrieval , 2003, 2003 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (IEEE Cat. No.03TH8684).
[12] E. Lindemann. Music Synthesis with Reconstructive Phrase Modeling , 2007, IEEE Signal Processing Magazine.
[13] Meinard Müller,et al. Syncplayer - An Advanced System for Multimodal Music Access , 2005, ISMIR.
[14] Anton Nijholt,et al. Temporal interaction between an artificial orchestra conductor and human musicians , 2008, CIE.
[15] Sung Yong Shin,et al. Rhythmic-motion synthesis based on motion-beat analysis , 2003, ACM Trans. Graph..
[16] Michael F. Schober. Virtual environments for creative work in collaborative music-making , 2006, Virtual Reality.
[17] Joseph Sammut. Performance Learning System , 2012 .
[18] Robert Joseph,et al. Results from the Piano Tutor Project 1 , 1993 .
[19] Dominique Fober,et al. VEMUS - Feedback and Groupware Technologies for Music Instrument Learning , 2007 .
[20] Elaine Chew,et al. Distributed musical performances: Architecture and stream management , 2008, TOMCCAP.
[21] Arshia Cont,et al. A Coupled Duration-Focused Architecture for Real-Time Music-to-Score Alignment , 2010, IEEE Transactions on Pattern Analysis and Machine Intelligence.
[22] Barry Vercoe,et al. The Synthetic Performer in The Context of Live Performance , 1984, International Conference on Mathematics and Computing.
[23] Yuri Ivanov,et al. The UBS Virtual Maestro: an Interactive Conducting System , 2009, NIME.
[24] Donald Byrd,et al. Prospects for Improving OMR with Multiple Recognizers , 2006, ISMIR.
[25] David Hsu,et al. Digital violin tutor: an integrated system for beginning violin learners , 2005, ACM Multimedia.
[26] Meinard Müller,et al. Automatic Mapping of Scanned Sheet Music to Audio Recordings , 2008, ISMIR.
[27] Mathieu Lagrange,et al. Analysis of Saxophone Performance for Computer-Assisted Tutoring , 2007, ICMC.
[28] Mark B. Sandler,et al. The Sonic Visualiser: A Visualisation Platform for Semantic Descriptors from Musical Signals , 2006, ISMIR.
[29] Roger B. Dannenberg,et al. An On-Line Algorithm for Real-Time Accompaniment , 1984, ICMC.
[30] Niina Koivunen. Organizational Music the Role of Listening in Interaction Processes , 2002 .
[31] Christopher Raphael,et al. Music score alignment and computer accompaniment , 2006, CACM.
[32] R. Shepard. Circularity in Judgments of Relative Pitch , 1964 .
[33] Meinard Müller,et al. Sheet Music-Audio Identification , 2009, ISMIR.
[34] Rumi Hiraga,et al. Visualization of music performance as an aid to listener's comprehension , 2004, AVI.
[35] Georg Hajdu,et al. Maxscore: Music Notation in Max/MSP , 2009, ICMC.
[36] Stefania Serafin,et al. Proceedings of the International Computer Music Conference , 2007 .
[37] Gerhard Widmer,et al. MATCH: A Music Alignment Tool Chest , 2005, ISMIR.
[38] Stefanos Nikolaidis,et al. REAL-TIME DETECTION AND VISUALIZATION OF CLARINET BAD SOUNDS 1 , 2008 .
[39] William L. Martens,et al. Shake, rattle, and roll : Getting immersed in multisensory, interactive music via broadband networks , 2005 .
[40] Ichiro Fujinaga,et al. Optical Music Recognition System within a Large-Scale Digitization Project , 2000, ISMIR.
[41] George Tzanetakis,et al. Effective use of multimedia for computer-assisted musical instrument tutoring , 2007, Emme '07.
[42] Gerhard Widmer,et al. Machine Discoveries: A Few Simple, Robust Local Expression Principles , 2002 .
[43] Jeremy R. Cooperstock,et al. Visualization feedback for musical ensemble practice: a case study on phrase articulation and dynamics , 2012, Visualization and Data Analysis.
[44] Daniel P. W. Ellis,et al. Improving MIDI-audio alignment with acoustic features , 2009, 2009 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics.
[45] Steve DiPaola,et al. Emotional remapping of music to facial animation , 2006, Sandbox '06.
[46] Guerino Mazzola,et al. Performance and Interpretation , 2002 .
[47] J. Progler. Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section , 1995 .
[48] Joseph Psotka,et al. Immersive training systems: Virtual reality and education and training , 1995 .
[49] Gerhard Widmer,et al. Computational Models of Expressive Music Performance: The State of the Art , 2004 .
[50] Nell P. McAngusTodd,et al. The dynamics of dynamics: A model of musical expression , 1992 .
[51] Meinard Müller,et al. Information retrieval for music and motion , 2007 .
[52] Stefanos Nikolaidis,et al. REAL-TIME DETECTION AND VISUALIZATION OF CLARINET BAD SOUNDS , 2008 .
[53] Gérard Assayag,et al. High Level Musical Control of Sound Synthesis in OpenMusic , 2000, ICMC.
[54] Max Mühlhäuser,et al. Personal orchestra: a real-time audio/video system for interactive conducting , 2004, Multimedia Systems.