Exploring the experiences, perceptions and reflections of popular electronic musicians at UK higher education institutions
暂无分享,去创建一个
[1] Ian Carr,et al. Role of technology. , 2016, Emergency nurse : the journal of the RCN Accident and Emergency Nursing Association.
[2] Ragnhild Brøvig-Hanssen,et al. Opaque Mediation : The Cut-and-Paste Groove in DJ Food’s ‘Break’ , 2016 .
[3] Ove Sernhede,et al. Hip-hop – what's in it for the academy? Self-understanding, pedagogy and aesthetical learning processes in everyday cultural Praxis , 2016 .
[4] Ragnhild Solberg. “Waiting for the Bass to Drop”: Correlations between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electronic Dance Music , 2014 .
[5] R. Mantie. A Comparison of “Popular Music Pedagogy” Discourses , 2013 .
[6] Clint Randles. Being an iPadist , 2013 .
[7] Heidi Westerlund,et al. Collaborative Learning in Higher Music Education , 2013 .
[8] P. Thompson. An empirical study into the learning practices and enculturation of DJs, turntablists, hip hop and dance music producers , 2012 .
[9] Paul Harkins,et al. Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation doi:10.5429/2079-3871(2010)v1i2.3en , 2011, IASPM Journal.
[10] H. Gaunt,et al. Music in universities and conservatoires , 2010 .
[11] H. McQueen. Music in the secondary school , 2010 .
[12] F. Morton,et al. Institutional culture and learning I: perceptions of the learning environment and musicians' attitudes to learning , 2010 .
[13] L. Väkevä. Garage band or GarageBand®? Remixing musical futures , 2010, British Journal of Music Education.
[14] Chris Jones,et al. Peer learning in the music studio , 2009 .
[15] Don Lebler. Student-as-master? Reflections on a learning innovation in popular music pedagogy , 2007 .
[16] Göran Folkestad,et al. Formal and informal learning situations or practices vs formal and informal ways of learning , 2006, British Journal of Music Education.
[17] K. Topping. Trends in Peer Learning , 2005 .
[18] Alan Rogers,et al. Non-Formal Education: Flexible Schooling or Participatory Education? , 2004 .
[19] Rick Snoman,et al. Dance Music Manual: Tools, Toys and Techniques , 2004 .
[20] R. Mason,et al. Broadband: A Solution for Rural e-Learning? , 2004 .
[21] Odd Are Berkaak. Entangled dreams and twisted memories: Order and disruption in local music making , 1999 .
[22] Susanna Hornig Priest,et al. Doing media research : an introduction , 1995 .
[23] Sara Cohen,et al. Ethnography and popular music studies , 1993, Popular Music.
[24] S. Cohen. Popular music and urban regeneration: The music industries of Merseyside , 1991 .
[25] R. Stebbins,et al. The Hidden Musicians: Music-Making in an English Town. , 1990 .
[26] K. Horn. Rock Music-making as a Work Model in Community Music Workshops , 1984, British Journal of Music Education.
[27] Mabel Lee. Playing by Ear , 1939 .
[28] Juliane Freud,et al. Capturing Sound How Technology Has Changed Music , 2016 .
[29] P. Burnard. Developing creativities in higher music education : international perspectives and practices , 2014 .
[30] On Nei Annie Mok,et al. Non-formal learning: Clarification of the concept and its application in music learning , 2011 .
[31] Evan S. Tobias,et al. Counterpoint or remix?: A dialogue on popular music and popular culture in the music teacher education curriculum , 2010 .
[32] Jonathan Savage,et al. Music education with digital technology : changing identities, researching digital classrooms, and strategies for change , 2008 .
[33] G. Folkestad. Music, informal learning and the school: a new classroom pedagogy , 2008 .
[34] Don Lebler. Popular music pedagogy: peer-learning in practice , 2007 .
[35] M. Butler,et al. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music , 2006 .
[36] Carola Boehm. Music Technology in Higher Education. , 2005 .
[37] S. Hawkins. Analyzing Popular Music: Feel the beat come down: house music as rhetoric , 2003 .
[38] L. Green. How Popular Musicians Learn: A Way Ahead for Music Education , 2002 .
[39] Alexander Minnaert,et al. Self-regulation with respect to informal learning , 1999 .
[40] P. Campbell. Lessons from the World: A Cross-Cultural Guide to Music Teaching and Learning , 1991 .