暂无分享,去创建一个
Sayan Mukherjee | Vahid Tarokh | Mohammadreza Soltani | Robert J. Ravier | Anna K. Yanchenko | V. Tarokh | Mohammadreza Soltani | S. Mukherjee
[1] Cynthia Rudin,et al. This Looks Like That: Deep Learning for Interpretable Image Recognition , 2018 .
[2] Heiga Zen,et al. WaveNet: A Generative Model for Raw Audio , 2016, SSW.
[3] Justin Salamon,et al. Look, Listen, and Learn More: Design Choices for Deep Audio Embeddings , 2019, ICASSP 2019 - 2019 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[4] Scott Lundberg,et al. A Unified Approach to Interpreting Model Predictions , 2017, NIPS.
[5] Dumitru Erhan,et al. A Benchmark for Interpretability Methods in Deep Neural Networks , 2018, NeurIPS.
[6] Biing-Hwang Juang,et al. Fundamentals of speech recognition , 1993, Prentice Hall signal processing series.
[7] Chuang Gan,et al. Deep Audio Priors Emerge From Harmonic Convolutional Networks , 2020, ICLR.
[8] Harsh Verma,et al. Convolutional Composer Classification , 2019, ISMIR.
[9] Andrew K. Lampinen,et al. What shapes feature representations? Exploring datasets, architectures, and training , 2020, NeurIPS.
[10] Xavier Serra,et al. Experimenting with musically motivated convolutional neural networks , 2016, 2016 14th International Workshop on Content-Based Multimedia Indexing (CBMI).
[11] Li Su,et al. Learning Domain-Adaptive Latent Representations of Music Signals Using Variational Autoencoders , 2018, ISMIR.
[12] Karen Simonyan,et al. Neural Audio Synthesis of Musical Notes with WaveNet Autoencoders , 2017, ICML.
[13] Liwei Wang,et al. Towards Understanding Learning Representations: To What Extent Do Different Neural Networks Learn the Same Representation , 2018, NeurIPS.
[14] Shenglan Liu,et al. Bottom-up broadcast neural network for music genre classification , 2019, Multimedia Tools and Applications.
[15] Colin Raffel,et al. librosa: Audio and Music Signal Analysis in Python , 2015, SciPy.
[16] James Zou,et al. Towards Automatic Concept-based Explanations , 2019, NeurIPS.
[17] Scott Lundberg,et al. Understanding Global Feature Contributions With Additive Importance Measures , 2020, NeurIPS.
[18] Hierarchical multidimensional scaling for the comparison of musical performance styles , 2020, 2004.13870.
[19] Zaïd Harchaoui,et al. Learning Features of Music from Scratch , 2016, ICLR.
[20] Been Kim,et al. Sanity Checks for Saliency Maps , 2018, NeurIPS.
[21] Meinard Müller,et al. Fundamentals of Music Processing , 2015, Springer International Publishing.
[22] Kamalesh Palanisamy,et al. Rethinking CNN Models for Audio Classification , 2020, ArXiv.
[23] Yi Li,et al. Deformable Convolutional Networks , 2017, 2017 IEEE International Conference on Computer Vision (ICCV).
[24] Benjamin Schrauwen,et al. End-to-end learning for music audio , 2014, 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[25] Geoffrey E. Hinton,et al. Similarity of Neural Network Representations Revisited , 2019, ICML.
[26] Hod Lipson,et al. Convergent Learning: Do different neural networks learn the same representations? , 2015, FE@NIPS.
[27] Ankur Taly,et al. Axiomatic Attribution for Deep Networks , 2017, ICML.
[28] E. B. Newman,et al. A Scale for the Measurement of the Psychological Magnitude Pitch , 1937 .
[29] Avanti Shrikumar,et al. Learning Important Features Through Propagating Activation Differences , 2017, ICML.
[30] Xavier Serra,et al. Multi-Label Music Genre Classification from Audio, Text and Images Using Deep Features , 2017, ISMIR.
[31] Andrew Zisserman,et al. Deep Inside Convolutional Networks: Visualising Image Classification Models and Saliency Maps , 2013, ICLR.