Constructing a Sociology of the Arts

Preface 1. What is art? What is the sociology of art? 2. Why sociologists have neglected the arts and why this is changing 3. Studying the art object sociologically 4. The art object as social process 5. Are artists born or made? 6. Structural support, audiences, and social uses of art 7. How the arts change and why 8. Where does the sociology of art stand, and where is it going? References Index.

[1]  L. B. Miller.  Patrons and Patriotism: The Encouragement of the Fine Arts in the United States, 1790-1860 , 1974 .

[2]  D. Cohen.  In the ghetto , 1983, Nature.

[3]  H. Harris,et al.  The Sociology of Art and Literature: A Reader , 1973 .

[4]  R. Peterson,et al.  Cycles in Symbol Production: The Case of Popular Music , 1975 .

[5]  Robert N. Wilson,et al.  The Social Limits of Art. , 1982 .

[6]  Howard Gardner,et al.  The arts and human development : a psychological study of the artistic process. , 1975 .

[7]  D. Crane.  The Transformation of the Avant-Garde: The New York Art World, 1940-1985 , 1987 .

[8]  Magali Sarfatti Larson,et al.  Painting and Experience in Fifteenth Century Italy. , 1996 .

[9]  C. Mills,et al.  Sociology and pragmatism : the higher learning in America , 1967 .

[10]  P. Baran.  The Theory of the Leisure Class , 1957 .

[11]  L. S. Vygotskiĭ.  The psychology of art , 1971 .

[12]  Maxim J. Schlossberg,et al.  Quest for Excitement: Sport and Leisure in the Civilizing Process. , 1987 .

[13]  R. Hall,et al.  The Supply of Performing Arts in Metropolitan Places , 1986 .

[14]  M. Deutsch.  Tally's Corner: A Study of Negro Streetcorner Men. , 1967 .

[15]  G. Ritzer.  Sociology : A Multiple Paradigm Science , 1975 .

[16]  Geoffrey Nowell‐Smith,et al.  Selections from Cultural Writings , 1985 .

[17]  W. Sewell.  Theory of Action, Dialectic, and History: Comment on Coleman , 1987, American Journal of Sociology.

[18]  C. Ginzburg,et al.  Domination symbolique et géographie artistique [dans l'histoire de l'art italien] , 1981 .

[19]  E. Durkheim.  Suicide: A Study in Sociology , 1897 .

[20]  N. Faith.  Sold: The Revolution in the Art Market , 1991 .

[21]  Barry D. Karl,et al.  History on Art's Side: Social Dynamics in Artistic Efflorescences , 1972 .

[22]  C. Ratner.  Considerations on Western Marxism , 1977 .

[23]  C. Geertz.  The interpretation of cultures: Selected essays , 1975 .

[24]  Alan Lomax.  Song Structure and Social Structure , 1962 .

[25]  Eric Dunning,et al.  The Social Process of Innovation: A Study in the Sociology of Science , 1973 .

[26]  N. Denzin.  The Death of Sociology in the 1980s: Comment on Collins , 1987, American Journal of Sociology.

[27]  James Clifford,et al.  On Ethnographic Authority , 1983 .

[28]  Richard P. Horwitz,et al.  Making Sense of Mural America@@@Wall-to-Wall America: A Cultural History of Post-Office Murals in the Great Depression. , 1984 .

[29]  W. Tatarkiewicz.  A Note on the Modern System of the Arts , 1963 .

[30]  P. Burke.  The Social History of Art , 1990, The Historical Journal.

[31]  E. G. Holt.  The Art of all nations, 1850-73: The emerging role of exhibitions and critics , 1981 .

[32]  J. Lethève.  Impressionnistes et symbolistes devant la presse , 1959 .

[33]  R. Peterson,et al.  The Simplex Located in Art Worlds , 1979 .

[34]  W. Griswold,et al.  Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theater, 1576-1980. , 1986 .

[35]  V. Zolberg.  Displayed Art and Performed Music: Selective Innovation and the Structure of Artistic Media* , 1980 .

[36]  The democratic muse : visual arts and the public interest , 1985 .

[37]  J. Wolff.  Aesthetics and the Sociology of Art , 1982 .

[38]  Andrew Arato,et al.  The Essential Frankfurt School Reader , 1978 .

[39]  M. Weber,et al.  The Rational and Social Foundations of Music , 1958 .

[40]  D. Polan,et al.  Noise: The Political Economy of Music , 1989 .

[41]  T. Clark.  The Absolute Bourgeois: Artists and Politics in France, 1848-1851 , 1973 .

[42]  R. Park,et al.  Introduction to the Science of Sociology , 1921 .

[43]  L. Steinberg.  The sexuality of Christ in Renaissance art and in modern oblivion , 1983 .

[44]  R. Redfield,et al.  The Little Community and Peasant Society and Culture , 1955 .

[45]  Marjorie B. Cohn,et al.  How prints look : photographs with commentary , 1987 .

[46]  Charles Kadushin,et al.  Networks and Circles in the Production of Culture , 1976 .

[47]  Charles C. Lemert.  French Sociology Rupture and Renewal Since 1968 , 1983 .

[48]  B. Berger.  Popular Culture and High Culture: An Analysis and Evaluation of Taste , 2018, Contemporary Sociology: A Journal of Reviews.

[49]  T. S. Smith.  AESTHETICISM AND SOCIAL STRUCTURE: STYLE AND SOCIAL NETWORK IN THE DANDY LIFE* , 1974 .

[50]  M. Pollak.  Paul F. Lazarsfeld, fondateur d'une multinationale scientifique , 1979 .

[51]  R. Lynes.  The art-makers : an informal history of painting, sculpture, and architecture in nineteenth-century America , 1982 .

[52]  G. Simmel,et al.  The Conflict in Modern Culture, and Other Essays. , 1968 .

[53]  Art et Histoire : Dimension et mesure des civilisations , 1961, Annales. Histoire, Sciences Sociales.

[54]  A. Vidich,et al.  American sociology: Worldly rejections of religion and their directions , 1985 .

[55]  M. Barasch.  Theories of art : from Plato to Winckelmann , 1986 .

[56]  P. Hirsch.  Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems , 1972, American Journal of Sociology.

[57]  S. Dawson.  Keywords: a Vocabulary of Culture and Society , 1976 .

[58]  B. Rosenblum.  Style as Social Process , 1978 .

[59]  Robert W. Rydell,et al.  Race on Display@@@All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916. , 1986 .

[60]  P. Willis.  Learning to Labor: How Working-Class Kids Get Working-Class Jobs , 1976 .

[61]  P. Bourdieu,et al.  Le couturier et sa griffe : contribution à une théorie de la magie , 1975 .

[62]  Wiebe E. Bijker,et al.  Science in action : how to follow scientists and engineers through society , 1989 .

[63]  Raymonde Moulin.  The French Art Market: A Sociological View , 1987 .

[64]  V. Karády.  Durkheim, les sciences sociales et l'Université : bilan d'un semi-échec , 1976 .

[65]  Marta Fehér,et al.  The essential tension , 1990 .

[66]  Mark Phillips,et al.  Popular Culture in Early Modern Europe , 1980 .

[67]  D. Goldblatt.  The Philosophical Disenfranchisement of Art , 1988 .

[68]  T. Adorno.  Introduction to the Sociology of Music , 1977 .

[69]  E. Miller.  The Professional Writer in Elizabethan England: A Study of Nondramatic Literature , 1959 .

[70]  N. Pevsner.  Academies of art : past and present , 1973 .

[71]  R. Collins.  Looking Forward or Looking Back?: Reply to Denzin , 1987, American Journal of Sociology.

[72]  Liliana Brisby.  The velvet prison: artists under state socialism , 1989 .

[73]  Richard Hoggart,et al.  The uses of literacy : changing patterns in English mass culture , 1958 .

[74]  T. Clark.  Émile Durkheim and the Institutionalization of Sociology in the French University System , 1968, European Journal of Sociology.

[75]  J. Gimpel.  The cult of art: Against art and artists; , 1969 .

[76]  J. Megaw,et al.  Art in society: Studies in style, culture, and aesthetics , 1978 .

[77]  R. Merton.  Insiders and Outsiders: A Chapter in the Sociology of Knowledge , 1972, American Journal of Sociology.

[78]  O. Rank.  Art and Artist: Creative Urge and Personality Development , 1932 .

[79]  W. Benjamin.  The work of art in the age of mechanical reproduction , 2018, A Museum Studies Approach to Heritage.

[80]  H. Gans.  American Popular Culture and High Culture in a Changing Class Structure , 1985 .

[81]  F. Stuart Chapin,et al.  What is Sociology , 1918 .

[82]  P. Bourdieu.  L'invention de la vie d'artiste , 1975 .

[83]  Anthony Giddens,et al.  Profiles And Critiques In Social Theory , 1982 .

[84]  Bernard Rosenberg,et al.  Mass Culture: The Popular Arts in America , 1965 .

[85]  S. H. Aronson,et al.  Poverty and Progress: Social Mobility in a Nineteenth Century City. , 1965 .

[86]  R. Collins.  Is 1980s Sociology in the Doldrums? , 1986, American Journal of Sociology.

[87]  J. Alsop.  The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena Wherever These Have Appeared , 1981 .

[88]  Rudolf Arnheim,et al.  Toward a Psychology of Art , 1967 .

[89]  P. Menger.  Le paradoxe du musicien : le compositeur, le mélomane et l'Etat dans la société contemporaine , 1985 .

[90]  A. Gouldner,et al.  The Coming Crisis in Western Sociology , 1971 .

[91]  W. Thomas,et al.  The Polish Peasant in Europe and America , 1960 .

[92]  O. Amsterdamska.  Institutions and Schools of Thought: The Neogrammarians , 1985, American Journal of Sociology.

[93]  A. E. Crawley.  The Golden Bough , 1914, Nature.

[94]  Neil Harris,et al.  The Artist in American Society: The Formative Years, 1790-1860 , 1966 .

[95]  J. Jordan,et al.  The Shows of London , 1979 .

[96]  S. Freud.  Dostoevsky and parricide. , 1945, The International journal of psycho-analysis.

[97]  W. Lloyd Warner,et al.  The Status System of a Modern Community. , 1974 .

[98]  M. Dumont.  Le succès mondain d'une fausse science [La physiognomonie de Johann Kaspar Lavater] , 1984 .

[99]  D. Nelkin.  The creation controversy : science or Scripture in the schools , 1982 .

[100]  Ronald R. Keiper.  Social structure. , 2003, The Veterinary clinics of North America. Equine practice.

[101]  Francis Haskell,et al.  Rediscoveries in art: Some aspects of taste, fashion, and collecting in England and France , 1977 .

[102]  R. Wittkower,et al.  Born under Saturn : the character and conduct of artists, a documented history from antiquity to the French Revolution , 1969 .

[103]  W. Wiegand.  : Professional Powers: A Study of the Institutionalization of Formal Knowledge , 1987 .

[104]  K. L. Ames,et al.  New Muses: Art in American Culture, 1865-1920 , 1980 .

[105]  Chandra Mukerji,et al.  From Graven Images: Patterns of Modern Materialism , 1986 .

[106]  J. Ben-David,et al.  The Scientist's Role in Society: A Comparative Study , 1973 .

[107]  John W. Mohr,et al.  Cultural Capital, Educational Attainment, and Marital Selection , 1985, American Journal of Sociology.

[108]  K. Marx.  The Eighteenth Brumaire of Louis Bonaparte , 1852 .

[109]  Neil Harris,et al.  The Artist in American Society: The Formative Years, 1790-1860@@@Patrons and Patriotism: The Encouragement of the Fine Arts , 1967 .

[110]  Max Heirich.  Cultural Breakthroughs , 1976 .

[111]  Simon C. Weisfeldt,et al.  The Greening of America , 1972 .

[112]  L. Dupré.  Marx's Social Critique of Culture , 1959 .

[113]  J. Passeron,et al.  Sociology and Philosophy in France since 1945 , 1967 .

[114]  J. W. Getzels,et al.  The Creative Vision: A Longitudinal Study of Problem Finding in Art , 1976 .

[115]  N. Heinich.  Arts et sciences à l'âge classique [Professions et institutions culturelles] , 1987 .

[116]  A. Thiesse.  Le roman du quotidien : lecteurs et lectures populaires à la Belle Époque , 1984 .

[117]  A. Foster.  Dominant themes in interpreting the arts: materials for a sociological model , 1979, European Journal of Sociology.

[118]  P. Bourdieu.  Distinction: A Social Critique of the Judgement of Taste* , 2018, Food and Culture.

[119]  David Held.  Introduction to critical theory : Horkheimer to Habermas , 1983 .

[120]  A. Tocqueville,et al.  The old régime and the French Revolution , 1978 .

[121]  M. Bulmer.  The Chicago school of sociology : institutionalization, diversity, and the rise of sociological research , 1985 .

[122]  S. H. Aronson,et al.  Poverty and Progress: Social Mobility in a Nineteenth Century City. , 1966 .

[123]  D. Donoghue.  The arts without mystery , 1983 .

[124]  Todd Gitlin,et al.  Inside Prime Time , 1983 .

[125]  T. Bennett.  Formalism and Marxism , 1979 .

[126]  T. Scitovsky.  The Joyless Economy: An Inquiry into Human Satisfaction and Consumer Dissatisfaction , 1976 .

[127]  Robert V. Robinson,et al.  Class Reproduction Among Men and Women in France: Reproduction Theory on Its Home Ground , 1985, American Journal of Sociology.

[128]  L. Boltanski.  La constitution du champ de la bande dessinée , 1975 .

[129]  T. Adorno.  The Authoritarian Personality , 1950 .

[130]  B. Malinowski.  Argonauts of the Western Pacific , 1922 .

[131]  The Tastemakers: The Shaping of American Popular Taste , 1954 .

[132]  Renato Poggioli,et al.  The Theory of the Avant-Garde , 1965 .

[133]  S. Lipset,et al.  Social Mobility in Industrial Society , 1959 .

[134]  Gladys Engel Lang,et al.  Recognition and Renown: The Survival of Artistic Reputation , 1988, American Journal of Sociology.

[135]  Diana Crane,et al.  Invisible colleges. Diffusion of knowledge in scientific communities , 1972, Medical History.

[136]  J J Fitzpatrick,et al.  Little science. , 1991, Applied nursing research : ANR.

[137]  Lionello Venturi,et al.  History of art criticism , 1936 .

[138]  The Chicago School of Sociology: Institutionalization, Diversity, and the Rise of Sociological Research. , 1985 .

[139]  Gaye Tuchman.  Making News: A Study in the Construction of Reality , 1978 .

[140]  J. Blau.  Study of the Arts: A Reappraisal , 1988 .

[141]  D. Frame.  Rabelais and His World. , 1969 .

[142]  P. Blau.  Exchange and Power in Social Life , 1964 .

[143]  Kathy Lee Peiss,et al.  Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York , 1986 .

[144]  Gladys Engel Lang,et al.  SoHo: The Artist in the City. , 1981 .